AmrikeeAkbar
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User ID: 1187
Listen to that podcast all the time, just put together that Tom Holland is one of the hosts. No idea he used to write fiction, I'll have to check him out.
Man I like Wolfe, and he's undoubtedly got a gift for the striking image. But I remember reading a critique once that said, basically: Wolfe takes a fairly conventional sf/f plot and storyboards it out a-b-c-d. Then he decides which parts of the structure to remove or obfuscate to get the reader to play literary guessing games. Ever since then, that critique has always been at the back of my mind. I think it works, but I get why some people thinks it's a writers parlor trick.
Don't know how it's evolved with the most recent conflict but Popular Front by Jake Hanrahan has been quite good in the past. May be worth checking out.
The Haredi are to my knowledge, virtually unique in that they've largely retained their traditional way of life in the middle of an ultra-modern society without going the way of the Amish. Not only are they not shrinking, they're actually increasing their share of the population, to the point that it has become a significant political issue. I'm deeply curious about this. Can anyone a) recommend good scholarship on the Haredi or b) point me towards any other similar modernity-defying groups?
It's striking to me how one can get a sense of relative isolation even when objectively close to other people. Perhaps it's precisely because we're so used to being hemmed in by other people nowadays that even a little bit of separation makes an impression. I used to go running at a park by my house. Objectively it was probably only half a mile wide at its widest point and maybe 3 miles end to end. It was bracketed by the interstate on one side and a suburbs on the other 3 sides. During the day there were usually other people there and you could always hear the noise of the highway whatever the time. And yet, the way the network of trails I ran on twisted in and out of the trees and back on each other, it felt much more expansive than it was, and I often felt quite remote from other people - particularly around dusk. It made such an impression on me that I wrote a little bit of weird fiction inspired by it.
On a related but admittedly anecdotal note, it seems to me that a lot of men my age (mid thirties) prioritize family relative to career in way that earlier generations didnt, at least going by cultural depictions. Ive known more than one man in a "prestige" career - finance, consulting, military officer etc - say something to the effect of "if the wife could support us I'd be happy to drop out and stay home with the kids". I wonder how much of this is a change in default life scripts. At one point it was assumed you'd have kids; now this is no longer assumed, people who do choose to have kids are presumably more committed to the whole project. The decline in employment stability probably also plays a role. It makes a lot less sense to give your life to a company when you're not expecting a pension after 40 years
I think it's probably true that the Overton window from the 90s thru say 2016 was actually remarkably narrow. A good chunk of the western world had converged on...let's call it post-socialist bourgeois liberalism as The Way of Things. By contrast, in some ways the 60s and 70s were super left wing but you can find other public figures espousing equally right wing views, and being taken seriously. This was also the era of George Wallace and "segregation forever" after all. The Students for Democratic Society and The John Birch Society were formed within two years of each other. I think the 2016 election was less a harbinger of a rightward lurch in American politics as such and more an announcement that the consensus around narrowly defined norms of political/economic/social life had begun to dissolve - at least amongst the masses. It's taken the elites a minute to notice that however.
DS9 is the best trek, and probably one of the best sf shows in general. Depth in characterization and storytelling and thematic nuance way ahead of others. Sisko and O'Brien are probably the only two Star Trek characters who actually have a family meaningfully present in their lives; that alone elevates it above the rest. Additionally, DS9 is the only trek willing to even occasionally challenge the post war liberal consensus and take alternative viewpoints seriously. With the other shows firmly embed you in the worldview of federation characters, DS9 gives a lot of screentime to characters from outside the federation who don't automatically accept it's ideals. Even those who do wrestle with federation values and the existence of dilemmas with no easy answers - see 'In the pale moonlight', as others have said.
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Seconding Axeworthy's book. Additionally I'd recommend "The Eagle and The Lion" by James A Bill, which is about US-Iranian relations specifically.
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