EdenicFaithful
Dark Wizard of Ravenclaw
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User ID: 78
So, what are you reading?
I'm on Arsène Lupin, Gentleman Burglar. The writing is smooth and the character is great, though still hoping it will be more than just entertaining.
Writing advice is meant to be absorbed and then ignored. You have to do your due dilligence and take it all in, and of course you need to get the fundamentals down (don't skip the fundamentals), but you should know how to ignore advice.
Some writers will tell you two different things if asked the same question at different times. The value of the corpus of words words words which constitutes writing advice is simply that it exists in all its sprawling horror. It is there to be consulted when you're lost. It won't teach you everything you need to know right now. It's an immanent tool, not a fixed pattern. It is the I Ching with mildly better results.
That said, some writing advice.
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Do you have a coherent message? Can you put it in words, in a paragraph or two?
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Signal-to-noise ratio is the single most important thing after message. You can equally damage the communication by mulling over things too much which the reader won't care about, even if it is of high technical quality. On the other hand, some things work simply because high techical quality was the point. What's important is if the message is transmitted.
You only need so much of each aspect as to get the message across effectively, and too much takes the focus away from the message. Your readers aren't stupid. Give them what you value in a form which they can accept, and they'll fill in the gaps themselves, sometimes by doing their own research. -
There really is no substitute for words outputted as far as getting off the ground goes, assuming that you haven't written lots and lots of words already. If you struggle to rack up words with a project which seems important to you, find a really dumb one which you won't take seriously (you don't have to hate it), anything that you can actually just write (you don't have to publish). You can't reflect on your writing if you have no writing to reflect on, however bad, and the mind seems to do this automatically.
Everyone is telling you to do this because we've all been there. At some point, it clicks, and it seems to do so simply by the amount of words. When you're there, at least you'll have a more realistic idea of where you stand and what your prospects are. The way you sound, I wouldn't trust your opinion of yourself.
So, what are you reading?
I'm going through Richter's Pictures of a Socialistic Future, and early novel on dystopian socialism. It's a slow burn, and it's interesting to see what was within the imagination of early observers.
It's a problem when one lives two completely different lives depending on if one is hooked or not, and especially when one of those lives is objectively better than the other by most personal and societal metrics.
And why shouldn't it be considered bad if people cannot choose to adhere to an aesthetic solely because their will is attenuated? I'm no puritan, but something isn't working here for a lot of people.
So, what are you reading?
I'm still on McGilchrist's The Master and his Emissary. He posits that classical paradoxes like Achilles and the Tortoise are fundamentally left-hemisphere phenomena, which try to build up something from parts and run headlong into the problems of this way of thinking due to its rejection of interconnectedness and context.
Recently these kinds of thoughts seem recurring, that is, that there might be natural approaches to long-standing problems which make them simple, if only I could learn them. But it also seems like the touchy-feely approach which is often given as an alternative to bottom-up thinking needs much refining.
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So, what are you reading?
I'm almost done Arsene Lupin, Gentleman Burglar. It was alright, have a feeling I will remember it in a few years. Picking up Frank Meyer's In Defense of Freedom and Related Essays. I've heard Meyer's name as the father of fusionism, but I always had the impression that he was just a politically active figure and not the impressive writer and thinker which he appears to be.
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