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LacklustreFriend

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User ID: 657

LacklustreFriend

37 Pieces of Flair Minimum

4 followers   follows 1 user   joined 2022 September 05 17:49:44 UTC

					

No bio...


					

User ID: 657

I find this interesting in light of an ongoing debate about cthulhu theory: Whether new leftist causes are relatively obvious consequences of general principles that have already been driving the movement for a long time, or have more short-term cynical explanations. I lean towards the former and think this example supports that

A while ago, I had a thought. God granted humanity stewardship over nature. Humans are above nature and have a responsibility towards nature for this reason. But you remove God, and that's all good. Then you only have two logical conclusions. That humans are no better than animals, and that animals are raised to the same status as humans. I think that trend and this article are examples of both of that.

I used the term 'God' generally here. For any metaphysical doctrine that similarly gives special status to humans the argument stays the same. If you adopt a purely materialist or naturalist outlook it's hard not to reach the conclusion that human are no different or better than animals.

The general atrociousness and wordsaladness of the piece aside - the complete strawmanning of Romanticism is infuriating -it's unclear to me what the position being put forward even is. The author says that basically humans have a responsibility to reduce the suffering of wild animals, but then she also says that humans basicially have no right to violate the autonomy of said animals? The solution (?) seems to be that the entirety of nature (which doesn't exist anyway according to the author) should basically be turned into a giant zoo, where humans are meant to be an invisible guiding hand for all animals. It has some pretty hilarious implications, like presumably we'd have to give all rabbits birth control drugs or something (in a way that doesn't violate their supposed autonomy?) so they don't... well... breed like rabbits. But honestly the whole exercise reads to me just as an excuse to berate humanity because the author hates humanity.

It's articles like this that really make me embrace Idealism and express outright pro-anthroprocentrism. That humanity is distinct and apart from nature, and that humans are more than mere animals, but are capable of Reason which is what seperates and makes us superior to animals. Animals are stupid and much less important than humans. I don't care how much people make appeals to animals' supposed sentience. They are not sapient and not capable of Reason. It's not clear if they have any conciousness (and they probably don't, save for maybe our closest primate cousins). Animals do not deserve the same rights as humans, they are stupid beasts. I don't think anyone has ever said that to the author. We humans have decided that we want to preverse nature because we believe it has value - economic, aesthetic, moral etc value. But that value is ultimately derived from our human Reason something those animals are completely incapable of doing.

It's been said it's much harder to refute a really stupid argument than a smart argument because the really stupid argument has such stupid prepositions and poor logic that it's hard to know even where to begin or how to formulate a counter argument, the whole thing is just rubbish. This article seems to be one of those really stupid arguments. There's some hilariously stupid lines in this article such as:

when what we ought to do is respect animals’ choice of a way of life

As if animals have the capacity to make such choices!

I recently saw Operation Fortune: Ruse de Guerre, Guy Ritchie's latest film. I had reasonably high expectations going into the film. Not that it would be high art or anything, but I thought it would be a fun action spy film in the vein of Mission: Impossible, with a pretty star studded cast. I left pretty disappointed. The film was incredibly mediocre, although not completely awful. I would say Guy Ritchie has lost his touch, but in hindsight now looking at Guy Ritchie's more recent filmography has been less than stellar. Some spoilers ahead.

The film was more or less trying to follow the formula of a film like Mission: Impossible albeit in a more tongue-in-cheek, more humorous way, but it fell short at basically every hurdle and failed to form anything cohesive. Jason Statham was Jason Statham, more or less doing what you expect, though I felt the film misused Statham, and forced him into the role of playing comedic foil to some of the comic relief characters which doesn't really work. Statham is there to punch people and deliver one-liners, he's not a comedic actor. Aubrey Plaza was awful, playing the primary comedic relief in the film while also being the spy-damsel-seductress while also being the team tech expert. Granted, I don't like her brand of frankly juvenile humour to begin with but this film it felt particularly bad, with her delivering constant sexual innuendos to her male-costars that would never be allowed to fly today if a male actor was delivering it to his female costar. Josh Hartnett's performance as the "fish-out-of-water civilian recruited into spy team" was acceptable, but heavily let down by the mediocre script that did nothing with the character. Cary Elwes plays exposition-man "M" type role and minor comic relief, there's nothing really to say. Basically the only standout performance was Hugh Grant's performance as a sleazy, creepy, yet charismatic British arms dealer (although it's kind of weird how they just make in kind of a good guy in the end unearned). Grant's performance honestly carries much of the film, and his character was just fun to watch on screen, even if the script went nowhere. All other minor roles were unremarkable, except I would say that Bugzy Malone, playing the supporting role as the team's 'henchman' field support or whatever. Not a lot of lines, but he played it well.

It's hard to describe exactly why the film and script failed, but everything just felt off. It felt like I was watching a first draft of a script that somehow actually made it into production. To give one example of how I think the film fails in trying to be a MI like spy film, at the start of the film we get the obligatory "we need to a team to deal with issue" scene to introduce the characters (We need Orson Fortune, he's the best!). Whereas in better films this would cut then to our star at the end of some other mission to introduce his character (like in Mission Impossible, or in Indiana Jones, or Bond or countless other films), instead we just get a scene of Cary Elwes in Jason Statham's hotel room trying to get him to come off holiday early with some not-so-witty banter. That's it. No action scene (talk about misusing Statham!).

There are plot threads that go nowhere - Statham's team has some rivalry with other ops team that goes nowhere and is meaningless - most characters are bland and uninteresting, are poorly introduced and have no character development. For example, Josh Hartnett's character, a Hollywood star who is recruited (blackmailed to join) the team as their "in" to get access to Hugh Grant's character. In better films, Hartnett's character would have a proper character arc, where he's an arrogant and selfish Hollywood star that only cares about himself and his wellbeing, to the end of the film where he becomes a true member of the team and asks when the next mission is. Except... they kind of forget to do that second part, and he just goes back to being the same, goofball Hollywood star except a bit less arrogant. It's what I mean but when I can see the film is trying to follow the formula of action spy films but drops the ball. They even managed mess up the MacGuffin, we don't even know what the MacGuffin actually is until 3/4 through the movie, and even when we do find out it's completely meaningless, the MacGuffin is so MacGuffin to the plot you can basically just substitute any big bad weapon or whatever, I was so uninvested in the plot. Action scenes has very little tension, the protagonists either managed to either easily defeat 30 guys, or lose to 2 guys. There were no really awesome tense scenes like Mission Impossible's cable drop scene, or MI:2's vent drop scene. There were also actual plot holes in the film, where arms dealer Hugh Grant wants to be paid his commission in currency... when it turns out the MacGuffin is a AI that the villains are going to use to crash the global financial system while they have hoarded gold to make themselves rich (Hugh Grant is literally assisting in deal that will wipe out his wealth). The film end quite abruptly. I was expecting some major twist and final fight at the end of the film, but it just never happens. It honestly felt like there was like 10-15 minutes missing from the end of the film.

The last thing to mention (and Culture War related) is that some of the villains in the film are Ukrainian, the film was reportedly reedited after the war broke out in Ukraine to be 'sensitive to current events', just as the film was nearly ready for release. It's hard to know for certain but it's very possible that large parts of the film were butchered because of this, and this new edit ruined much of the film. Still, even if that's true I think the film would still be pretty mediocre regardless.

Did read them and enjoyed it, and kept meaning to make a comment questing some of Gottfried's defintion/analysis of fascism (particularly the lack of acknowledgement of the metaphysical/spiritual elements of fascism) but that required a bit of an effort comment on my part (and also looking up some old sources) so everytime I thought I might have the time and feel like making the effort like 4 days had already past and I didn't feel like replying to an old thread.

I would imagine there is an extremely strong correlation between the length of a post and the amount of effort put into a post (and theoretically, quality). Writing a long post that isn't complete gibberish at least requires some effort and forethought.

I guess where I disagree with most people here is that I don't believe that war with Russia was a certainty and that peaceful scenarios where everyone benefits was possible (that doesn't require Ukrainian submission to Russia), had the last 30 years of foreign policy and geopolitics in Eastern Europe had been handled better. And that pursuing a road to peace asap now is ideal rather than trying to 'destroy Russia'.

Forgive me, but I don't think the war devistating Ukraine and absolutely crippling their country in the hopes that maybe a couple decades from now they join the EU (who knows how the EU is doing in 10 or 20 years anyway) and hopefully get something out it economically is/was the most optimal of all possibilities.

I agree with your application of this version of progress to the Cthulhu swim, if "problem" is understood correctly: In the version I believe, what counts as a "problem" for the sake of progress in a field is determined by the field itself. Not us, or an "objective observer", looking at the state if the field and thinking something is bad, but the internal criteria that are already present in the field.

Yes, this is more or less the case, but you're right I could have clarified it, though I hope my examples were sufficient to get the point across.

One related issue is that's not exactly clear how define when one thought or historical period ends and another begins and thus when it is appropriate judge progress and when it is not. For some divisions it may be pretty clear cut (e.g. French Revolution) but it's not always the case. I guess you can just make a spectrum argument where the further away from our thought and society the harder it is to evaluate.

looking at history theirs a huge difference between being in American sphere of influence and in Russias sphere. Russians sphere well has things like Holodomore happen to them. The American sphere even when we do bad things has limited bad things happen to the people of the country.

I don't necessarily disagree with your general point but this is just a lazy argument. There are obviously breaks in political continuity in Russian history that aren't present in American history. For better or worse, contemporary Russia isn't the USSR or the Russian Tsardom.

If I made an argument that a country being under German influence today is a bad thing because Nazis and Holocaust, people would rightfully laugh at me.

This is not to say that being under contemporary Russian influence is a good thing - it's probably not - but actually make the argument about why this is the case and don't just make lazy appeals to history. And preferably an argument that doesn't refer to the supposed 'innate barbarity' of the Russian people that I've seen crop up a lot.

As someone who has previously argued that the situation leading up to the invasion Ukraine is far more complicated that most pro-Ukrainian warhawks would like you to believe, and you do make a few valid points I still strongly disagree with your post, and more specifically your responses in this thread.

While I previously defended Russia's actions in a realist sense (and still stand by that post), that doesn't make Russia's actions moral. Make no mistake, invading another country and causing death and destruction is still an immoral act, even if one wants to argue it's the least worst option for Russia's future geopolitical prospects even when counting the risk of failure. Ukraine is of course going to defend itself and it has a right to do so, regardless of questionable geopolitical circumstances leading up to the invasion.

If you want to critique the uncritical pro-Ukrainian warhawkish-ness, you are far better of criticising American foreign policy in Eastern Europe for the last three decades. While Russia obviously bares primarily responsibility for the invasion, the US also bares responsibility for creating an extremely hostile geopolitical environment, and has pursued policy that has not at all been conducive to peace and prosperity to everyone involved (certainly not the Ukrainians), to provide dubious geopolitical benefit to themselves (and when you consider the impacts to the global economy and the US itself is probably a net loss, to say nothing of the billions of dollars spent actually funding the war). Additionally it seems that that much of the 'international community', especially the US, seems more interested in prolonging the war than actually finding a path to peace. Lip-service to peace may be given, but it seems like that there is always a more 'favourable position' to achieve before peace should be negotiated. There is also a certain subsection of ultra-warhawks who seem more motivated by wanting to completely destroy Russia, as if that would be any way moral, and of course only good things have ever come out of failed states, right?

Anyway, the point is that Russia isn't the 'good guy' in this situation, even if there are genuine criticisms to make against the US and the pro-Ukrainian warhawks. You made a few good criticisms in the original post, some of which I echoed above. You should stick to those core criticism and stop with the more blatant Russia apologia.

My apologies, I wrote this pretty fast and I have a bad habit of dropping words as I jump from idea to idea! Edited.

R.G. Collingwood and the Idea of Historical Progress

Every so often a discussion about the nature of progress, why society seems to trend ‘leftwards’ or similar teleologically related questions. In the past I have given my own answer to such a question. However, I recently came across the book the Idea of History by historian and philosopher of history R.G. Collingwood, one of the more interesting philosophies and theories of history and what it means or if it is even possible for society to ‘progress’. But first, some context.

R.G. Collingwood was a British historian and philosopher of history during the early 20th century (I will admittedly simplifying his ideas here for brevity). Collingwood was a major and influential figure in neo-idealist or British idealist movement. The neo-idealists, as idealists, believe that human actions and events, and therefore history, is driven by human thought, ideas, or reason. This is contrasted with materialist or naturalists who aim to explain human action and history through laws or law-like processes, the classic example being Marxist historiography. Collingwood believes the analogy between human history and natural processes is wrong. For this reason, Collingwood history proper is the study of human thought, ideas or reason over time. Natural history (e.g. geological history) is not true history, because it is driven by natural processes and laws. It is no more history than a mathematical equation or scientific theory is history.

The neo-idealists could broadly be described Hegelian but deviate or disagree with Hegel’s philosophy of history in several ways. Collingwood, like Hegel, was a historicist – that all human culture or nature is contingent on its historical period, and therefore all historical events are unique. This lends itself towards a kind of historical moral subjectivism, though I would argue in Collingwood’s case it is a weak form of subjectivism. According to Collingwood, as part of truly understanding history, one must attempt to inhabit or relive the experience of historical figures to understand them. To understand Caesar and crossing of the Rubicon, we must put ourselves in Caesar’s shoes. But we can still understand empathise and reason as those figures did (at least to some degree) and make judgements about their behaviour relative to their context, hence ‘weak’ subjectivism.

Collingwood’s best-known work is The Idea of History in which the majority is dedicated to how the idea of history has developed across time, from Thucydides to Collingwood’s fellow neo-idealist contemporaries like Croce and Oakeshott. Essentially, a history of history. However, I admit I have not read much of this part of the book. It is the final third of the book (the “Epilegomena”) which I found most interesting, in which Collingwood explains his philosophy and theory of history, including in which he addresses “Progress as created by Historical Thinking”.

Collingwood denies the existence of historical progress, primarily by his argument that historical progress is not a natural process. He argues that the belief in historical progress arose out of this false analogy to natural progress (particularly natural evolution). It is here where Collingwood deviates from and contradicts Hegel and earlier idealists the strongest. Collingwood does not believe in a teleology of human history - that human history is leading or progressing towards something. However, human thought still changes and develops (and thus history occurs) over time. Collingwood believes it improper to conceptualize history as a whole as progressing because it is impossible to evaluate a historical period as a whole. This is for both practical and philosophical reasons – the historian can never have complete data to truly recreate (relive) the entire historical period, and even if the historian did have enough data, he will be unable to truly grasp the historical period as a whole. Collingwood provides the example of Christianity being ‘progress’ on Roman paganism – such an evaluation would require us to understand the entire internal religious experience of the Romans, which is inaccessible to us, even if we have a robust understanding of their rites and myths.

Collingwood does believe that progress can occur, however. For Collingwood, progress can only ever occur within a limited field or scope. Progress occurs when a change occurs to solve a problem with no loss of the essence of the original. As Collingwood puts it:

If thought in its first phase, after solving the initial problems of that phase, is then, through solving these, brought up against others which defeat it; and if the second solves these further problems without losing its hold on the solution of the first, so that there is gain without any corresponding loss, then there is progress.

This is essentially a form of the Hegelian dialectic. A thought is formed – thesis. It has problems – antithesis. The problems are solved while preserving the essence of the original thought – synthesis. An example of where Collingwood believes progress can occur is progress in science. We can say Einstein is progress on Newton because Einstein is able to solve the problems of Newtonian mechanics while retaining its essence. It is appropriate to say that Aristotle provides progress on Plato so far as Aristotle resolves problems within Platonic philosophy, but it would be inappropriate to say that it is progress when Aristotle rejects Platonic philosophy. We can apply this idea of progress to other fields, e.g. economics, law, morality etc. - A new precedent in common law for a previously unresolved issue is progress, but we cannot say whether the idea of common law itself represents progress from other systems of law.

What does this mean for us online who constantly argue about the nature of progress? I’m not really sure but I think it might be wise to keep this dual notion of progress in mind. That progress can and will occur within a certain part of history and society but it cannot progress (or be said to progress) as a whole. That Cthulhu does indeed swim leftwards, but only within a given scope. A Liberal society will continue to solve problems within its society and progressively become ‘more liberal’ until the liberal period ends, after which we cannot tell which way he swims from our perspective.

If you want to hear some more about Collingwood’s philosophy of history and clarify my butchered attempt to summarize it, I recommend this video lecture which got me to read Collingwood in the first place. The Idea of History is also available on the Internet Archive to read.

I have had to take "aptitude" tests before as part of job application processes and some of the types of questions in that practice test are familiar to me (I am not American either).

Also, both the official Wikipedia page and most quora questions very carefully forget to mention that shortly after the Shah's 1935 declaration that Persia is "Land of the Aryans", Hitler declared them to be "pure Aryan" in 1936 and forged a close alliance with them.

It was more than that if I recall correctly - the idea for the name change was originally a suggestion by the Nazi ambassador to Persia.

It does feel like an increasing amount of Western economies are just build on rent seeking and extraction of wealth produced elsewhere rather than producing wealth themselves.

I have to point out that the Meijj Restoration wasn't at all a conservative movement, but the exact opposite, where the Imperial government was embracing Western and modern influences and destroying much of the traditional social structure of Japan. The fact it "restored" power to the Emperor instead of the Shogun and Daimyos really doesn't make it conservative.

Indian nationalists have a pretty clear vested interest in blaming everything bad on the British. It's funny you say that the claim made that the British destroyed the native ruling class, when the more common complaint from Indian nationalist/anti-colonialist is that the British ossified the caste system (and thus is responsible for India's contemporary caste woes). I guess the British are responsible for everything bad, like destroying native social structures, as well as reinforcing native social structures.

They aren't actual aristocrats because Republic of India has abolished any such titles or positions (with a couple minor exceptions). But this is not really that different from many (not all) European countries that abolished all official recognition of nobility or higher status. But the people themselves didn't disappear. And yes, the Brahmins of today are descendants of yesteryear. But the point is that there was no wholesale social upheaval and discontinuity in India elites, at least not to an extreme extent like the Russian or Chinese Revolution, or to be more 'positive' about it, the US where the nation was build completely from scratch.

This is frankly untrue. The upper castes of India existed (and in many cases thrived) under British rule, under prior Mughal rule and beyond, and it still exist today. There is continuity. The elites of India were still mostly Indian, even if there was an obviously very powerful British minority at the political top. There wasn't millions of British people to wholesale replace the upper castes in India.

Pretty much anyone who ruffles their feathers gets called a reactionary, or some similar term. Including DeBoer.

It's not like he wanted to draw unnecessary attention to himself

His goal was never to avoid attention, but to curate his image. Someone who doesn't want attention doesn't go and give out interviews to magazines, and certainly go to every tiny news outlet spinning stories about his innocence after it all blew up. Him publicly driving a Toyota Corolla was not him being humble and avoiding fame, but him cynically using fake humility as part of his image of 'billionaire with a difference'.

I think they were referring to people like Freddie DeBoer, who is calls himself and is quite clearly a socialist/Marxist, but ruffles a lot of progressive (woke) feathers by criticizing by criticising identity politics. Pretty much anyone that's liked by the subreddit stupidpol.

So what was Women's Movement, and all the people who supported it then? Just unwitting pawns of Big Sexual Entertainment, too stupid to see their strings being pulled by Hugh Hefner and Hollywood? I don't buy it. Even if Hefner and co did contribute to it (which they did to some small degree), these women and feminists did still have agency. It's also just begging the question of why did women accept the Sexual Liberation narrative, when women had long been the sexual moral arbitrators? Why wasn't Hefner and co suppressed like in any other moral panic that women are so capable of? If you want to attribute it to something than other feminism itself, you're better off looking at birth control, domestic technologies and other technologies in the postwar era.

How about ‘true sexual liberation has been tried at least to some extent, and is inherently exploitative of women (and children), under pretty much any economic system’?

I was making a humorous reference to the 'true communism has never been tried'. Many contemporary radical feminists will still support the notion of a 'sexually liberated society' in the same way communists will support the idea of a communist utopia. The joke being that communism has been tried and failed, and similarly that sexual liberation has been tried and failed. But it doesn't stop the radical feminists continually idealising how next time ("real" sexual liberation) will work.

My interpretation is that what is implied is that she really doesn't have that power. Maybe she does in the literal sense, but in the social context she's just victim of her abusive father (who really has the power) and the social environment more generally. We can easily imagine that if Mayella had defended Tom on the stand, she would have been badly beaten if not much worse. She is essentially coerced and doesn't have that power.

I agree with a lot of your post, but your actual original premise ("Radical feminism is essentially an unhelpful defensive response to the sexual revolution") is untrue. For two pretty straightforward reasons: One, radical feminism predates the sexual revolution. Two, most of the early radical feminist literature supported sexual liberation, if not outright sexual libertinism. People (in this thread even) who argue the sexual revolution was mostly just a ploy by men to get access to sex are wrong. Not that there's no truth to the idea some men loved the idea of free non-committal sex and supported it for this reason, but the idea that feminism and women more generally did not play an active and leading role in the sexual revolution is false.

Radical feminist ("second wave") texts such as Beauvoir's 1949 The Second Sex, Friedan's 1963 The Feminine Mystique predate or coincide with the beginning of the sexual revolution.

Other, slightly later radical feminist texts, such as Firestone's 1970 The Dialectic of Sex or Millet's 1970 Sexual Politics, call for sexual liberation, either explicitly or implicitly (it's explicit with Firestone, it's more implicit with Millet who says sexual repression of women is an oppressive tool of patriarchy). The idea that radical feminism is a defensive response to the sexual revolution is historical revisionism by more contemporary radical feminists who realise that the sexual revolution actually was negative for women (and the majority of men for that matter, not that it matters to them), but don't actually want to condemn earlier feminists works or the whole political project of feminism so the 'reinterpret' them or otherwise reframe it (most often is the "true sexual liberation has never been tried"). "Men created ('false') sexual liberation for sexual access" is unironically a radical feminist revisionist myth.