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Tanista


				

				

				
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joined 2022 September 05 11:38:24 UTC

				

User ID: 537

Tanista


				
				
				

				
4 followers   follows 0 users   joined 2022 September 05 11:38:24 UTC

					

No bio...


					

User ID: 537

Race riots are a GREAT way to let someone know they aren't welcome and should make all effort to shape up, fight, or get out.

Race riots have to be pretty fucking bad for people to go back to Africa or Pakistan, especially the way things are going now in some of those countries. Frankly, I don't know that you can make it bad enough except on pain of death. And, of course, people will react to that.

Even worse, you run the risk of radicalizing the biggest - by mass - obstacle to this sort of thing: Good Whites who want to fight Nazis. It's not gonna be a stretch if you're actively ethnically cleansing via violence.

In which countries? The US? Seems laughable.

As for others, maybe I'm way too optimistic about human nature (pessimistic? wypipo's openness and low ingroup loyalty is to my benefit) but I think any situation that gets bad enough to enforce population transfers via gun is going to mean a significant change in the current attitude (which seems to be a mix of delusional complacency and arrogance that assumes that the only real threat is other, more reactionary Westerners.) that makes all of this seem like a fait accompli.

In the future, will black doctors magically have tons of open appointments while the cue to see Dr. Rosenblatt grows ever longer?

And there's the argument for a socialized/centralized healthcare system.

Women being fighters is to enjoy visceral revenge fantasies in a kinetic manner often unavailable to them

True. But, as someone said above, it's interesting that a lot of this stuff is aimed at men (or in male genres). I may not have been the target audience for Atomic Blonde but it was me and people like me in the theater.

I think that bit would vary by culture.

strongly suspect that hollywood/journalist/academic weaklings also fail to understand how much physical difference there is between men and women,

Oh, 100%.

The funny thing is, people think they've corrected against the pervasive social messaging. Except that same messaging - and their bubble - has ensured that they underestimate the gap. I hear a lot of caveated statements about "well, a really well-trained woman" or "maybe using speed". Um...this isn't a video game. There's no balancing...

That'd be my practical argument against this particular myth: apparently we can't just do kayfabe and leave it at that. But that doesn't mean it's more plausible than other, more recent "woke" myths.

and that you don't need to try.

Oh, that's too far. There are annoying people like that but they're oversold. I don't think the average person thinks men should literally do nothing. The people telling you to "just be yourself" are taking it for granted that you are doing other things (like maintaining a social life).

I mean that the banal advice people give that you always hear complaints about are usually just assuming that people possess the same amount of socialization and enough agency to work their way through it like they did. People for whom it doesn't work naturally get frustrated, but that doesn't make it wrong or, as more neurotic and paranoid sides of the internet claim, some sort of plot or acceptable lie like telling kids about Santa Claus. To use one example from this sub: this is not bad advice, even if someone is not well-adjusted enough to take it.

The little advice I got from my parents wasn't bad, even though they came from a totally different society. They assumed it'd work out. And, had I been a different person, it absolutely would have.

My point is that SJ is not a voice actor, and isn’t doing a specific “character” or something the way that Fran Drescher or Gilbert Gotfried are.

True.

She wasn’t being hired for her voice.

In general maybe, but I think she was specifically brought in on Her to replace Samantha Morton - herself a great actor - because the existing actor wasn't working. If she was there for promotional/greenlighting reasons (which I'm sure played a role in films like Ghost in the Shell, Lucy, etc.) you'd assume she'd get cast from the start because her profile is incomparable.

IME, almost every bit of "bad" advice I see people complain about is basically this - just assuming well-adjusted people will find their way. And it isn't (wasn't?) even usually wrong, which is what makes it worse. There's no easy solution in just stopping people from it.

This is precisely why these debates are grating as @f3zinker says; we suddenly develop a whole new standard for agency in order to turn a problem into a trap.

Even after Sama made that tweet this still didn’t occur to me.

It occurred to everyone else on the internet (including me but I was primed). If a ton of people hear ScarJo and then it turns out they literally offered the job to Johansson, I'm inclined to believe she's reasonable in thinking there was something there.

No the company is not “deep faking” you, you just aren’t actually unique.

Almost no one is. Amber Heard had a body double do the sex scenes for a movie, I guess you could say that that makes her not unique - people could get their titillation from someone else with the same body.

But I don't think it's delusions of grandeur to think that part of the value (in this case the titillation) in such a scene is specifically that it's Heard. There's a reason they took the legal risk of doing this. Which is why stars negotiate for the right to control even fake nudity - it can have an impact on their image. Some people just are more important than others, or they wouldn't be speaking to Sam Altman and basically being offered an ambassador role in one of the hottest AI companies.

Johansson wouldn't be unreasonable imo in thinking the appeal has something to do with her. Whether or not she has a legal right is another thing.

Star Wars toy sales are the metric I use, and star wars nerds and normies aren't buying sequel trilogy shit.

Fair enough. Let's say they perceived nerds as reliable consoomers.

As for the rest: BSG didn't just change Starbuck and introduce Laura Roslin (so two female regulars), most of the prominent humanform Cylons were female. That's a big change.

It was noticeable. And was noticed. It was just that the writing was "woke" but not yet in the particularly oppositional sense that seems to characterize modern gender swaps where they a) cannot seem to have a counter-balance where male virtues were respected (BSG being a milscifi show helped here) and b) seem to actively want to insult the legacy audience. RDM was more likely to lecture you on imperialism and genocide than mediocre white men.

RDM was relatively deft in how he navigated things, both on and off-screen. The actors had the same initial reaction as modern stars to the backlash but the less connected internet (Katee Sackhoff talks about having to go to an internet cafe to pay to read the hate, which is funny) and the fact that studios didn't see attacking racist fans as part of the promotional strategy all helped.

most BSG2 fans are sci fi starved nerds who wanted anything after babylon 5 and star trek went off the air.

Another way to read BSG2's success is that it kept or neutralized the oBSG fans (sometimes literally buying them off like Richard Hatch) and brought in new fans who were driven either by wanting to see any scifi on screen or the contrast with existing works (I was a Stargate kid and BSG was...very different. Having both was great). In the end, it was likely a net gain (especially since BSG, with all due respect, was not really like SW at that point)

This is what studios are trying to do. Keep legacy fans that love SW/whatever and are starved for it, while bringing in new "diverse" fans - basically they just want to grow the pie, even if that means losing some more legacy fans . They fail at it, constantly, not because the idea is bad (a ton of people showed up for the Force Awakens, that was also its high point in "undecided" markets like China) but because the culture has polarized so much as to make the execution almost inevitably awful.

As for the "her" tweet, that could mean anything.

Yes, that's part of the game. I guess we're supposed to believe that the CEO that's part of a company dealing with AI, that recently had a kerfuffle involving an AI voice from a movie just coincidentally tweeted the one thing that perfectly touched on all of these things?

Thing is, this sort of plausible deniability Twitter baiting is fine for a pop star, but maybe not appropriate for actual grownups. This guy is building AI and beating off board attacks; he's as close as we come to comic book CEO-villains like Lex Luthor.

He doesn't get to act like Taylor Swift or Drake.

That's the 'women are wonderful' effect. Everybody loves women. Everybody of any race has some women they care about.

I highly doubt that this particular trope would play as well in traditionalists societies. I don't think you can pin this on the WAW phenomenon because it manifests in the exact opposite way in certain cultures: it'd be considered immoral to send women into combat if it wasn't laughable as a concept.

Seems to me that it's just a very Western trope. Cultures have their fictions, this is the West's. As it is with the race swap stuff, so it is with the gender stuff.

The problem these days is that Western content creators have a tendency to pair a 'realistic, gritty' aesthetic with feminist fantasies. So the male fantasy of a scantily-clad (it's magic armor ok) Amazonian goddess turns into a rough-looking, middle-aged, square-shouldered she-man.

Well, yes. They listened to the people who (rightly) said that those characters were meant to titillate men. I don't even think it was a confluence of two factors, it was straight up hostility to "objectification".

I guess nobody bothered to argue that attracting men in media men were likely to pay for was hardly a great sin, cause here we are.

Exclusivity is still a widely accepted marketing and branding decision. Media networks love to brag about exclusive events, where only they get to show something. Hollywood in general loves exclusive events where only the biggest stars can attend. Clubs brag about their exclusive requirements. High end brands love to use cost as a way to exclude the riff raff and readily imply that only the rich and discerning can afford to choose their brand.

This depends on you taking "inclusion" at face value, instead of assuming that it specifically meant racial and sexual inclusion like anyone who's ever seen the term used.

There's no contradiction in that view for events to both be inclusive and exclusive. In fact, being inclusive removes the moral argument against being exclusive: if you have some minorities and women it's considered more legitimate to keep out the poor.

Christ, they can't even commit to doing something when a black man doing cool shit really happened. What the fuck happened to adaptations of Alexandre Dumas dad, or the awesome life of Haile Selassi

The answer is always, always, always the same. And it's not even just minorities. It's why there's a girlboss in your old thing.

It's expensive to do something novel, and most people don't care about African history. A studio is likely not taking a $100 million gamble just to find out how much they don't. They want to pander but not that much.

However, this other thing has a built-in audience already. They tend to just buy shit (nerds being such reliable consoomer has its downsides) and they've already accepted some female/race-swaps (e.g. growing up BSG was already doing it) with minimal or ultimately meaningless grumbling. Why not more?

(I think the writing is worse now and everything is far more offputtingly oppositional but that's me)

Compare to, for example, feminism in Western media.

Yasuke was probably not a samurai, that's a historical question. Many times the women described in these stories - where they function like men in the plot and mechanics - are anatomically impossible.

Yet, almost every single bit of Western media I watch allows this fantasy. I watch something about war or violence and ScarJo or whoever is doing acrobat-jiu-jitsu and throwing around 200lb men. I play a game and the female characters play just like the men even in places where it just doesn't make sense. I watch The Rookie and the 5'4 Latina captain and the 6'0 Nathan Fillion have the same record in fights.

I could complain about this being inaccurate , but I'd be the one swimming against the tide. And looking a bit weird the more insistent I got about it. Even other woke-critical people would be unsympathetic or walk away.

I think you're right that it's natural but I don't think Elon Musk is Elon Musk because he took "boutique contrarian opinions" to stand out. He is an asshole but, AFAICT, his crazy stances are driven by passion, an apparently justified belief in a hole in the market and a concern for outsized (even by his standards) rewards.

After he got one success like Paypal he no longer needed to make himself notable.

The sort of guy who takes a stance purely to distinguish themselves (to the point where they risk a real failure) seems like a more desperate thing, same with other such bold and risky moves (like the Hock)

I think this is why bare contrarianism is considered off-putting.

Or they're sticking their head out because they're failures (or on the verge).

If the prophesied end of men ever comes, the leaders will have to maintain a small population of autists and disagreeable assholes as a final sanity check against good ideas. Like the oracles of yore.

This is the exact person that came to mind.

These Crossfire shows seem to lean towards the female leftist in general (The Hill show Ball used to be on is now dominated by a Bernie Bro with a browbeaten libertarian in a corner). But it's been incredibly noticeable how utterly emotional Ball is on this and how that impacts the show.

It makes it hard for anything to be discussed because the co-host is not enough of an asshole to really push it. Ironically, this is why progressives used to complain about "white women's tears" ; it stops everything.

Her equally leftist spouse Kyle Kulinski seem to share the exact same (bad imo) opinions without the unseemly weeping in public.

  1. Foreigners get more leeway, so long as they have money. The poorer the country or their targets, the more leeway.
  2. They can always go to a black country. Who knows, maybe they're more likely to try their chance there than whites are.

Another reason is that the manosphere is closely associated with other rightwing internet subcultures where white nationalism is frequently celebrated

In my more "woke" lurking days it was hilarious to see the tensions here. A common refrain was AWALT - all women are like that. It's just the science bro. But when the WN/HBDers started applying the same judgment to blacks, TRPers had to scramble for some reason it didn't apply to them or their comrades in arms.

A real shame the YT era seems to have more message discipline and people like Fuentes can apparently hang around with black manosphere types for clout without similar drama.

It’s interesting that passport bros tend to be black because, theoretically, black men should have an advantage in the dating market. Black men, due to higher muscularity, higher extroversion, and other “traits”, are viewed as the most masculine of the races. This bears out in interracial dating statistics where BMWF couples (excuse the porn-inspired abbreviation—it’s just efficient and I don’t feel like reinventing the wheel here) are well over-represented compared to WMBF couples who are under-represented. And this is not even accounting for the fact that if, instead of looking at stable couples, you look at people’s most recent sexual encounter, the disparity grows even further.

I have a simpler theory for why black men do better than black women in interracial dating.. This doesn't run into the problem faced by the theory above: "higher muscularity" as an unalloyed good requires not knowing a lot about the US and how groups are perceived.

I'm not going to get into the distribution of passport bros by race (I come from a country where this is so bad old white women are in on it, whites have sheer mass going for them). But, granting for the sake of argument, it seems like there's a simple explanation here too: black men gain more in status being American outside of America than other groups.

If my input has no effect on the outcome, why is it even required?

Forcing a player to do something may have more impact than making them watch someone else do it.

But I agree. OP makes too good a case against his own position and then never truly debunks it. Gaming is clearly different, I don't see why the same standards should apply.

Choice sucks. Most players in Bethesda or freeform character created open world games go for troll runs because the available choices end up sucking pretty hard and are inconsequential or inconsistent. Railroaded games don't offer choice beyond letting players play the game in different styles, and that has always lead to tighter narratives with greater emotional depth. The denouement of achievement is better savored when the outcome is amenable to the player.

  1. I don't think most players "go for troll runs". Players eventually do troll runs. But what about the six Elder Scrolls runs that didn't try to break potion-making or whatever before that?
  2. This just seems like a technical issue. We can only generate so much material so the core is static. The more material we can generate, the more flexibility. Right now the material we can quickly generate is bland but that's a technical limitation*.

We might end up in a world where the core storyline is legitimately unrecognizable.

* Some of this is just laziness or cost. Fallout/TES could have - for example - a much more complex faction system even if the main plot stayed on the rails. It's just expensive.

I think the best fit for the tech is actually going to be what old RPGs used to have (like Fallout) where you could just type dialog to the characters and mentioning choice words would trigger secret dialogue. Except way more natural.

Can't wait until we get real time voice interaction and nerds start arguing that they totally used the suave voice instead of the off-putting one. Being rejected virtually as well will be fun!

why primogeniture was an improvement over the equal inheritance of the Franks despite the bad son problem (it keeps the dynasty strong and its holdings united).

Funny, I was going to joke in my OP that the one thing it never teaches is why anyone would ever use gavelkind but I think they patched it to make it make more sense (you could only manage so many vassals I think).

When I first played CK2, it made me realize how the Marshall Plan mindset clouds my thinking, and that past governments were not "just stupid" for not focusing on infrastructure/tech.

My first "game over" was forgetting that absolutism wasn't a thing yet and vassals actually have agency in this game and getting myself whacked.

Many such cases.

Sadly, the sequel CK3 is just a map-painting game. It doesn't have as many embedded historical lessons.

Hm, a shame. I simply fell off due to Paradox's abuse of the DLC infinite money cheat but it's always at least looked good. I'd hoped to get into it at some point.