@WestphalianPeace's banner p

WestphalianPeace


				

				

				
0 followers   follows 14 users  
joined 2022 September 04 21:53:39 UTC

				

User ID: 184

WestphalianPeace


				
				
				

				
0 followers   follows 14 users   joined 2022 September 04 21:53:39 UTC

					

No bio...


					

User ID: 184

They don't think it's ugly. They actually prefer it. They are the ~1% approve at the end of any poll about do you prefer building A or building B.

People like Ozy really exist. They really do have actual disdain for things a statistically normal person finds beautiful. From Ozy's own self-description:

"One could very reasonably make the case that the natural human aesthetic sense prefers realistic paintings of beautiful landscapes with water, trees, large animals, beautiful women, children, and well-known historical figures"

"However, art of this sort leaves me cold"

"The first time I saw it, Joan Miro’s The Birth of the World moved me to tears from its sheer beauty. I make a special effort to visit it every time I am in New York City, including taking my husband to see it on our honeymoon so he could understand my aesthetics better. "

This is Joan Miro's The Birth of the World

To them uglyness isn't ugly. It's genuinely mindnumbingly beautiful.

In Malcolm & Simone Collins "A Pragmatist's Guide to Sexuality" they model sexuality with two polarities, one for intensity and one for Yes/No. So most people have an inborn strong intensity towards Bloated Corpses and that is often paired with a disgust reaction. Makes sense evolutionarily. But evolution is a blind idiot god without context. So sometimes the intensity meter stays the same but for the Yes/No marker the 1 becomes a 0, and they become sexually attracted to Bloated Corpses with all the intensity that most people are repulsed.

I'd be interested to see also a list of effectively banned videos related to these books. Extremist groups often create video's arguing their worldview and these video's often veered into the mixing together seemingly unrelated ideologies. It's a combination of fascinating and hilarious. Imagine, for example, seeing a video on Northern Irish Loyalist extremism and then suddenly the video starts explaining the necessity of a Land Value Tax. Incredible.

Or if in the midst of a Kahanist speech there was some side ramble against the Israeli government because of the importance of environmental regulations on water usage for sustained economic use.

If anyone else remembers, there was a time in early ISIS when they spooked the world by virtue of having a good media game instead of Al Qaeda style grainy shaky cam in the mountains. They produced a video explaining how after ISIS will fix the economy by brining back the Gold (Dinar) Standard in resistance the Federal Reserve. It is inadvertently hilarious/voyeuristically fascinating as they go back and forth between ancient history lessons, quotes from the Quran about weights & measures, and Free State Project tier screeds against the Federal Reserve. All in English.

You can still find it on Internet Archive (views: 150) but it's otherwise effectively scrubbed from the internet.

I can't help but find such absurdities to be interesting to collect.

The vast majority of this forum is atheist/agnostic. Some are Christian. But the numbers have to be seen to be believed

Source: Tracingwoodgrains's First Annual Survey, N = 885

Agnostic: 23%

Other Atheist 13.6%

Atheist Humanist 27.8%

Atheist Antitheist 12.7%

Making the total non-believer population round nicely to 77%. A little bit more if you include those who put down things like "catholic but lazy, not really believing" or "Taoist".

A census of what percent of the US is atheistic is difficult to pinpoint. An atheistic secular Jew may decide when asked on a polling question that his religion as ethno-religion is more important then a discreet theological claim and thus when the pollster asks "what religion are you" he answers Jewish. Even though when later asked 'do you believe in a God" he responds with a clear no. So too may the no longer believing Catholic who raises their kid in the church and keeps their thoughts to themselves because their Catholicism is too intertwined with their ethnicity to be unwoven. There is no contradiction here, just note that how big or small you want atheists to appear does depend on what precisely you are asking.

But for the simple "what religion are you" question. "Atheist" got 2% in 2007 and 4% in 2023. Source: Pew Research 2023 National Public Opinion Survey

What makes this forum so outrageously non-representative compared to the US population as a whole is not only that 4% vs 77% number, but also that the First Annual Motte survey also asked "what religion were you raised in". 30% were raised broadly non-religious. Meaning the average Motteizen isn't just non-religious, they are someone who was immersed and walked away. They say there's no zealot like a convert and I think this applies just as well to deconversion.

So if this forum has 3x as many explicitly anti-theists as the atheist population of the US as a whole and population here is more atheistic by literally 15x as much then your question transforms into something a little bit different. It's not just 'why does this forum broadly...' but rather 'why is a forum of this specific belief breakdown treating religion with such respect'

And for that I return us to perhaps the source. In favor of Niceness, Community, And Civilization, by Scott Alexander

I seek out people who signal that they want to discuss things honestly and rationally. Then I try to discuss things honestly and rationally with those people. I try to concentrate as much of my social interaction there as possible.

So far this project is going pretty well. My friends are nice, my romantic relationships are low-drama, my debates are productive and I am learning so, so much.

And people think “Hm, I could hang out at 4Chan and be called a ‘fag’. Or I could hang out at Slate Star Codex and discuss things rationally and learn a lot. And if I want to be allowed in, all I have to do is not be an intellectually dishonest jerk.”

And so our community grows. And all over the world, the mysterious divine forces favoring honest and kind equilibria gain a little bit more power over the mysterious divine forces favoring lying and malicious equilibria.

Andrew thinks I am trying to fight all the evils of the world, and doing so in a stupid way. But sometimes I just want to cultivate my garden.

Or as Our Own Tracingwoodgrains brought up iwhen trying to explain this place in On Mottes and Mythologies

It’s pretty simple. I remember the kid I was, born into and seriously committed to a set of beliefs that I would need to seriously examine and step away from later in life. I remember just how rare it was to have a candid, good-faith discussion with people on the other side. I remember just how damaging the Arthur Chus both in and against my community were, how much unnecessary pain they caused. And if there’s any chance in an increasingly polarized world to build a space that allows that kid to honestly discuss his most controversial, difficult opinions and get sincere engagement and pushback instead of being shut down or mocked?

I will drag myself across broken glass to maintain that space, and all the Arthur Chus in the world aren’t enough to convince me otherwise.

That’s The Motte for you. It’s not perfect. It doesn’t always live up to the ideals Scott Alexander and others have championed. But it comes closer to being a working discussion ground for people who hold dramatically different beliefs than anywhere else I’ve found, and that’s just not the sort of thing you give up on.

What we've all participated in constructing here is a precious little creature. I take seriously the horrific implications of why treat them with respect at all.

The Thirty Years War became the benchmark to measure all later wars. The inhabitants of eastern France interpreted each subsequent invasion int he light of stories told about the Swedes and Croats who devastated their region in the 1630s. Soldiers fighting in the trenches along the eastern front of the First World War believed they were experiencing horrors not seen in three centuries. In his radio broadcast on 4 May 1945, Hitler's architect and armaments minister, Albert Speer, announced 'the destruction that has been inflicted on Germany can only be compared to that of the Thirty Years War. The decimation of our people through hunger and deprivation must not be allowed to reach the proportion of that epoch' For this reason, he went on, Hitler's successor, Admiral Donitz, had given the order to lay down arms. Public opinion surveys carried out in the 1960's revealed that Germans placed the Thirty Years War as their country's greatest disaster ahead of both World Wars, the Holocaust, and the Black Death. - Peter Wilson, The Thirty Years War: Europe's Tragedy, pg 5-6

I find this forum to be a civilizational candle in the dark in these ircivilizational times. And that means taking the religious among us here seriously. If we are excessively demure to them then that is only a reason to expand that sensibility to others, not to deny them that environment in the first place. There is enough vitriol on every other website and in every other which side are you on boy shibboleth seeking interrogation-conversation. If you J'accuse this place of taking people who hold unsubstantiated beliefs ridiculed in greater rat-dom and engaging with them with seriousness of tone and tenderness of heart then I take your accusation in stride.

Yes. It is.

I just beat the game. Depending on when you acquired some of your companions you might be locked into a class-path that isn't intuitive.

I respec'd Karlath and Shadowheart, eventually running the following party Main Character: Gale: Evocation Wizard Shadowheart: Life Cleric Astarion: Assassin Rogue Karlach: Berserker Barbarian

It's not complicated, but it gets the job done and lets you experience the game for the first time so that you can have fun making weird party compositions for your next run after you feel like you've got a strong handle on the game and know what to expect. Karlach is an HP tank that eventually becomes a khorne-tier murder berseker, Astarion does regular sneak attack damage, Shadowheart eventually becomes an high AC heal tank, and Gale give you the CC & sheer damage you need. Fireball solves everything.

Fought every battle normally and had a great time. With one exception. The True Soul Nere fight. Save scum. plant barrels. do whatever you have to do. That fight was an absolute nightmare and you can get screwed on spell slots due to its time restricted constraint.

Is there any desire out there for a book review of Whiteshift by Eric Kaufmann by someone who is not of Walt Bismarck's milieu?

It was brought up in the podcast and address's a lot of what Yasine brings up. But it's also a bloody tome to reread and something that someone without context of who I actually am could use to immediately disqualify any other points I may make in the future. So I'm reluctant to just put it out there.

For anyone who finds this type of military puzzle solving interesting I'd recommend listening to Drachnifel's video's on these exact US Navy Fleet Problems. Great write up on the history and use of such programs.

I've also actually played some old school commercial wargames before! Historicon is a great convention with some incredible set ups.

And yeah when you find out about real life wargames you see that they fill that important niches of teasing out just how one might ought to respond under unstable circumstances. Kaiser Wilhelms insistence on winning the wargames he partook in was a gross violation of the Prussian traditional of the Professional General Staff.

Speaking from memory without a direct source I recall an anecdote that Field Marshall Paulus of 6th Army/Stalingrad fame wargamed how Operation Barbarossa would play out and concluded that after a few weeks of initial breakthrough the supply situation would become a shitshow, and then the entire offensive would grind to a halt near Moscow. I imagine he felt positively Cassandra-esque.

But for those proper military games implemented on a grand scale in real life - any war nerd worth his salt ought also to check out the Louisiana Maneuvers pre-ww2.

400k men moving around with umpires determining exactly what happened at each step. All done with 1940's technology. They had charts to figure out who beat who! Imagine maneuvoring around and then going "wait. I've got 20 dudes. You've got 10. But you have a machine gun and I have one mortar team. okay get a ref." and then waiting 30 minutes, getting a resolution, and then doing it all over again on the next hill. Mindnumbingly tedious but incredibly important for teaching US Generals what modern war might look like.

On further look

at your image "The Israel Lobby and American Foreign Policy" by Mearsheimer probably shouldn't be on there. Mearsheimer is a thoroughly mainstream author. Anyone studying International Relations will have to contend with the Realist school of thought and Mearhsheimer is pretty unavoidable.

Likewise putting "On War" by Carl von Clausewitz on there is a bit like saying Sun Tzu's "Art of War" is a banned book. It's not just "Not Banned" it's prominent and pushed. The casual reader will like Sun Tzu's small chapters writing style far more than Clausewitz's "let us consider War from Idealism first principles and also here's 200 pages on Napoleonic era reconnaissance" (skip the Napoleonic stuff, but don't ignore the Idealism. It actually important to his argument) But On War is still literally the first book that will be presented to anyone studying the Europe & it's descendants Way of War.

At most there is a vague sense of "Clausewitz is outdated because he deal with states and not non-state actors". But On War is the elephant in the room at any given time. No one gets a masters by saying "ehhh clausewitz is basically still correct". That doens't indicate any intellectual development. So while there is a bevy of people criticizing Clausewitz that certainly doesn't rise to the level of Banned Book.

I'm really sorry if this post is too long. I hope it will be at least interesting. I'm not quite sure what you mean by 'representing one's preferences in 2D'. But if you find me crude, unimaginative, and close minded perhaps this post will be morbidly fascinating for you. Regardless, I'm thankful for your pushback.


I think what people find beautiful has a basis that is like 80% human nature, 20% human culture. An extreme example of the influence of culture. Japanese teeth blackening!

But I would find it strange if every human culture recreated it. Black teeth don't touch on the human nature nerve ending. It's a cultural influence on aesthetics that seems to die out when not constantly reinforced.

Meanwhile on the human nature aspect I think each person's aesthetic sense is the same filter that applies to nature as it applies to art. Thing's arn't beautiful and then we discover them. It's the reverse. We have beauty preference that reward or discourage us when we find them. These preferences reveal to others what our individual dispositions towards the environment are.

In the beginning there is an advantage for living near running water. That advantage builds into a reward signal for things that indicate running water, like shinyness. "Find running water" is too complex but 'happiness chemical reward for seeing shiny thing' is simpler to build into our nature. So now we have a preference for shiny things and we encounter Jewels. It's a worthless hunk of rock but that doesn't matter. It activates the same 'reward shinyness' part of the brain that is contextless.

It's the old AI joke. "Instead of programming AI to make people happy, why not program people to like Hydrogen. Afterall, there's a lot of hydrogen."

There is a reason we don't get happy about hydrogen. And it's the same reason why people worldwide like shiny things.

So what's beautiful in nature vs what's beautiful in art? Well if our aesthetics are our human nature with individual variation, mediated by culture, then the answer is nothing. Its the same sense organ applying to both objects.

which is why autistic people love Brutalism.

see the following image

On the left is a heat map showing where someone with a typical brain will focus their attention. On the right is how someone with ASD views the same house. Here's what Sussman and Chen state in the article:

Notice how a person on the autism spectrum, at right, avoids details like windows (which might suggest eyes) while a typical brain instinctively goes straight for them, without conscious awareness.

Pause here for a second and imagine Jane Jacob's eyes on the street concept. It's comforting for me to walk down a street full of windows and houses with front porches and pleasant symmetry. I generally welcome the interaction with my neighbors and, while not creepy about it, can't help but glance over now and then to see if I can catch their eye. I think that is typical.

Now imagine that your brain doesn't work that way. Imagine that your brain is completely overwhelmed by the eyes on the street. It's too much to take in, even just the buildings. Or it's an uncomfortable reminder that someone (unfriendly) may be tracking you. Now, is it possible you'd find some comfort — or perhaps just a noticeable reduction in tension — passing a building that instead looked like this?

So there is an instance of nature very strongly affecting preferences. Normal people like buildings that align with our caveman brain's constant search for faces. Austistic people hate making human eye contact. So now the whole world gets to endure Brutalism.

But then there is culture! It can't be thrown away entirely. Turns out we can break people's brains with enough repeated influence. My sincere apologies for the extended quote but it bears repeating in full. Bold parts were added in by me.

In Architectural Myopia: Designing for Industry, Not People we find that

, Gifford et al. (2002) surveyed other research and noted that “architects did not merely disagree with laypersons about the aesthetic qualities of buildings, they were unable to predict how laypersons would assess buildings, even when they were explicitly asked to do so.” The researchers traced this disagreement to well-known cognitive differences in the two populations: “Evidence that certain cognitive properties are related to building preference [was] found.”

Training to See a Parallel Reality.

Training is required to induce “architectural myopia” in a student, as the research suggests. The reason is that the peculiar industrial aesthetic now considered normal within architecture runs contrary to our physiological needs (Salingaros, 2006). We humans have evolved inside a complex, fractal, structurally hierarchical environment, so that our neurophysiology responds positively to and receives sensory pleasure from natural environments. Traditional architecture and urbanism in all of their multiple variations manifested over millennia and across geographical distances precisely follow this natural geometry, which is why our brains recognize them and respond to them.

Training adds additional layers of preference on top of our instinctive, evolved responses. Architecture school invests several years conditioning the student to respond preferentially to abstract industrial forms and surfaces. At the same time, this industrial aesthetic is touted as superior to all previous, traditional expressions of built geometry. Elaborate theories of history and technology are given as apologias for this now-correct aesthetic, solely appropriate to this wholly unique climax period in history (Banham, 1960; Giedion, 1941; Gropius, 1965). All of this effort creates individuals that see things differently from the rest of us.

This long-term program of psychological conditioning, has, since its development in the original Bauhaus, turned out to be extraordinarily effective. An architect experiences the world in a very different manner to any person who has not undergone the same training. By internalizing preferences derived from abstract images that override our neurological structure, over time, responses become automatic and crowd out other, more innate responses. The result of this aesthetic hegemony is the phenomenon of “architectural myopia”, an interpretation of reality that conforms to ingrained beliefs.

In those situations where emotion isn’t triggered instinctively by human physiology, our evolutionary makeup is not decisive and can be bypassed. Thus, in front of drawings or designs on a computer screen there is sufficient emotional isolation, and an architect judges the industrial, minimalist, “contemporary” designs positively as isolated objects possessing a pleasing clarity and monadic legibility.... At the same time, anything that resembles the complexity of traditional architecture is automatically judged negatively (its meaning is supposedly associated with reactionary or philistine culture) and it is rejected without any reflection.

In summary, yes. What's beautiful in art is what's beautiful in nature. It's the same instinct, influenced by culture. When you reveal a beauty preference you unavoidable reveal an aspect of how you perceive the world. All that's left is to discover is what percent of that is your predisposition or cultural molding.

Despite the creator's pseudonym being Thames (implying British) I suspect the creator is actually Canadian. Either Old Stock Anglo-Canadian or the 90's generation of Cantonese/Korean first gen Canadian. There's also a smaller but real possibility of earlier Indian immigrant family who moved to Toronto specifically to get out of India and now feels like the Old World is chasing after them.

There is a quip later in the video about Indians & Tim Hortons. That's a Canadian specific stereotype. Nobody from East Anglia or Texas would have strong associations about Tim Hortons. In the US the association would be between Indians and 7/11, Dunkin Donuts, or even Motel chains. The UK I'm sure has it's equivalent. But the association of first resort would not be Tim Hortons.

I therefor conclude that the creator was born and raised in Brampton, Ontario and born in 2000. Brampton was extremely European pre-90s, 70% European in 96', and 60% European in 2001. It's now 18% European (mostly retirees) and 52% South Asian. These are circumstances were people falling into hate-spirals become a real possibility.

When Algeria was willing to commit ethnic cleansing ("by suitcase or coffin") it's population of French Europeans in Algeria was ~10%. Demographic shifts can make people go into dark places.

I am, of course, making up the exact age and location out of the flimsiest of pretenses. But I'm thoroughly convinced this is just another propaganda effort in the ongoing Canadian ethnic tension that now exists.

I would back On War if only to get it across to those seeking power that the point is to achieve a goal. it's to instantiate the world you desire. Too many find power, exercise that power, and then are befuddled when they didn't get what they want.

"But I won. I won the fight/beat the army/socially humiliated the opponent. Why don't they give up?"

well, if you didn't get what you want then you didn't actually win now did you? Art of War is great for impressing upon someone that they should maximize their chances of winning On War is great for impressing upon someone that they should know what winning looks like ahead of time and then pursue victory. Not the other way around.

I'd forgotten about the Japanese wargame carrier issue! Thank you for reminding me. I've never given the Pacific Theater the attention it deserves. Navies just don't click in my head the way they seem to hold a spell on some people. But yeah I'd heard about the carrier anecdote. Mind-numbing stuff. I've read enough books on the European Theater that I can sometimes see how the Germans would see things the way they did. But it's really difficult for me to get into the mindset of the Japanese regarding attacking America.

Actually I've been using your exact book as an audiobook to fall asleep to! (i already listened to it once properly. don't worry) I should probably read it as an actual physical book. The details stick better that way. If you like Stahel then you should definitely check out Robert Citino's trilogy. His accounts are fairly mainstream but he summarizes the mainstream take on things very well.

Got any other recommended books? If you havn't read/listened to Adam Tooze's "Wages of Destruction" then I can't recommend it highly enough.

A comprehensive history of how European Americans have imagined themselves overtime, the social conditions preceding each shift, when Reaction happened and how it manifested, leading up to the present day US, UK, & Canada.

In the podcast a lot of your comments seemed focused on Why not sort for the Cultural Trait Directly (The high IQ Ugandan) as well as Why focus on this broadest possible identity group (proxy of a proxy of a proxy). He doesn't really address point 1, but the entire book is about the inevitable social patterns people display regarding point 2.

Kaufmann traces over time how ethnic shifts intensify otherwise dormant identifications (case studies in voting patterns & self identification in the same city at 5%, 10%, and then 30% Hispanic. How previously blase National Symbols become are suddenly realized to be Ethnic Distinction symbols once the population of an area sharply shifts. Tipping points movement patterns in the UK mirroring the US), distinguishes between ethnic stories of 'who are we' changes vs how intermarriage may create more colorism distinctions, uses mono-racial but multiethnic societies as case studies for what happens when societies experience massive shifts over a short amount of time (Northern Ireland, Antigua, Ivory Coast).

Briefly flipping through it again (it's been a few years) It's really a mostly empirical work. As far as I can tell Kaufmann's primary adversary is less the cultural right than the old economic focused left. I'd contrast it with Mark Blyth's "Angrynomics" which makes the old left case for economics as the primary driver of social forces as an explanation for Trumps victory in 2016 and the broader populist shift in Europe. Kaufmann hammers over and over that the cultural conflict over ethnicity explains far more of the data in self-identification, voting patterns, school choice, internal migration, de facto spatial segregation, and support for X or Y policy.

It's most salient chapters for the non-academic are the final fourth and final. Kaufmann both extrapolates what will happens and then also illustrates a few plausible near future scenarios depending on how society responds. His go to example for contrast is Mauritius vs Mexico, which stand in for a closed off society vs an open mixed one.

I get that that's a thing but I'm generally skeptical. Until there is good evidence otherwise I take it for granted that people are honest about their aesthetic preferences.

https://www.cnu.org/sites/default/files/architecture-poll.jpg

80% prefer left. 20% prefer right. When presented with other aesthetics I'm willing to bet that the 20% people will not dissolve randomly into like this or that. Their preference for uglyness will correlate. They'll find themselves saying 'you like Right? did you like B in the A/B painting over there? Omg I liked B too what are the chances'.

High. The chances were high.

I'm afraid I have no idea who Zendaya is.

"Suzerain" finally got it's "Kingdom of Rizia" expansion. Still rough around the edges and falls prey to purple prose but it's still a fun expansion to a unique game.

Did a reformist diplomatic run. Next is to do an Absolutist militarist run.

I think it's difficult to understate just how important the effect of Stalin's takeover the Soviet Union had on American/European Marxist circles. There would forever after be two strains of thought that were perfectly intuitive and did not feel at all like a cop out.

1

Marxism works but starting it in Russia made no sense. The whole point is that Capitalism builds the capitol base and then once enough production exists only then do we shift how that production is distributed. But the only place Marxist revolutions happened were in Russia & China among peasants. This was an obvious corruption of original Marxism. It actually literally has never been tried.

For a modern day case of these, see Freddie DeBoer. The point isn't whether its true. It's whether or not a reasonable person who hasn't spend over 9000 hour studying microeconomics might find such an argument convincing.

2

It was going to work until Stalin betrayed the cause. A uniquely evil man. He corrupted Lenin's vision. He turned on all the original revolutionaries. He corrupted what would have otherwise been a functioning system. In this mindset the horrors of early War Communism don't exist. The USSR was going to work! Just look at those improvements in literacy rates! And Magnitogorsk! And all these rights that they had paper. But I'm not a fool. I know it didn't work. But just read Animal Farm. Or look at the Spanish Revolution. It's right there in how we were all working together until that bastard Stalin screwed it all up. I'm a communist because I approve of Lenin/Trotsky/Kropotkin's ideals, whose revolution was stolen away from them, but obviously i'm not a "Tankie". Those types of violations by the USSR is just proof of how Stalin messed it all up going forward.

And that's pretty much all you need. To the person who thinks in such a manner it doesn't feel like a cop out. It feels like sophistication. You can't even distinguish between communism, socialism, marxism, trotsky permanent revolution, Louis Blanque-ism Guaranteed Employment, Rosa Luxemburg thought, or Progressive Labor Union Revisionism for the Purposes of Getting Workers Used to Working in Committees Until the Actual Revolution. You just call all of it Marxist. But I know better. It's not that communism doesn't work. I know that in reality it was betrayed.

You don't even need to be personally invested in it all. You just need a disposition towards "everyone should have enough" and a smart friend who can answer your occasional question (or a youtube parasocial relation) and who can give you explanations that feel plausible. Enough to make you saudade for a world you've never known. Enough to make you put on the Soviet Anthem and smile on occasion before your next shift. Enough to make you call yourself a Marxist even though you don't think anything will change anytime soon. And then you listen to someone call Obama a Communist because he wants to create a.....marketplace for healthcare. And you roll your eyes and smile.

Because you know that real communism has never been tried.

I think one of the big issues is the old core playerbase were nerds who approached fiction from the point of view of External Immersion.

"What is this world? what is it's culture? How would their people approach things? What has the universe made clear is normal and what is abnormal"

This is why Grognards still bring up "Arcanum: Of Steamworks and Magick Obscura"

Or they'll play fantasy mods (Anbennar) of Europa Universalis and not think twice about how every primary human faction is European inspired and fantasy races take up the entire rest of the world, creating and effective all European humanity. All with in universe expalantion of Orc slavery explained as reparations to humans for former Orc invasions. Because "well that's just what this universe is"

And this older nerd playerbase thrives on this. The actual diversity of settings is what's appealing about fiction and then their internal logic is to be followed through on.

But that approach to fiction is actually really rare! Most people are Inserters, not Immersers. They play games in order to insert themselves into a universe. What interests them is the challenge of achieving their mindset in each new circumstance. (sidenote: it's a matter of degree. not an either or.) To these people the setting itself is significantly devalued. There's nothing 'there' about making the Forgotten Realms setting stay in character with previously established lore. No instinct of dissonance. In fact each shift in the setting to better align with their perception of the world around them (and remember, most people have an astoundingly poor sense of what the demographics of any given country are. along with a complete inability to distinguish between what's normal in their local area vs the country as a whole) only makes more sense to these people. It feels more immersive for their insertions because it's more intuitive. And it's more intuitive because it's now more familiar. And that's normal.

Even though, personally speaking, I don't find very interesting.

Don't forget, you're here forever

This is a great list of narratively strong games but I think this misses something unique in how video games deliver narrative. The interactive nature of video games means that the reader/player can experience narrative through gameplay itself. Video games are distinct in this player experiential means of narrative communication.

Sekiro: Shadows Die Twice for example has the player personally experiencing being beaten down by it's punishing combat system, then getting passingly good at that system, getting over their fears within that system, and then experiencing mastery over it. The endboss line "Hesitation is defeat" is not just a good character line, it is an expression of what is being experienced by both the in-game character and also the player. You the player have to get past your desire for safety and instead fight on the knifes edge, and overcome. Your experience mirrors the character's own experience of repeated trial, overcoming of the desire for safety, and success. But there is little dialogue, just experience.

Victoria 2 has no narrative at all. It's a grand strategy game full of mathematical expressions of interest groups, migrations, military power, & prestige. But through repeated games you the player experience the narrative of what it means to be a nation amidst Great Power politics. Of the iron faced incentives structures set by the world around you. Play as france and you may find yourself willing to go to war over this pointless piece of land in Africa no one had ever heard before called Fashoda just as an excuse to start a war to devastate a nation simply to avoid them overcoming you economically and subsequently militarily. So you have to go to war now, before it's too late. But there is little dialogue, just experience.

Frostpunk is a city builder that takes place in a steampunk Victorian Era cold driven apocalypse. There are a few dialogues to set the tone or inform you about what's causing the next crisis. But overwhelmingly the narrative is told through decision making. The first time you play (before repetition causes desensitization) you sit grim faced at each challenge. You may demand people work extreme hours with no rest. Children into coal mines. The butchery of innocent sick and wounded just to make room for the next batch and because it's not worth it to recover them when food is so low. The sincere temptation of dictatorship or religious fanaticism just to keep control of the populace long enough to make it to the next day. 'we can always loosen things up later' you tell yourself. Your jaw has been clenched for three hours without realizing it as you make Sophies Choice tradeoff decisions that you deem necessary because your people are all that's left and The City Must Survive. But there is little dialogue, just experience.

I think video games have a really powerful means of getting a person to emotionally understand a narrative or setting in a way that books and movies simply canot. It's different to read an idea or see it versus being personally constricted by a system and condemned to navigate a world within it's rules. So while I think your list is a fantastic set of games, a golden age even, I think your comment on decline since the ps4 overlooks how games more broadly can communicate narrative outside of the traditional considerations of dialogue or imagery.

just googled her. Yeah I see what you mean about winning a few Keynesian beauty contests. Anyone describing her as 3/10 is definitely outside my comprehension.

there used to be a very interesting article shared around on occasion about anti-suffragettes. Pointing out that a lot of suffragettes at the time used to assert ideas that expanding the vote would create World Peace because women would never vote for war and other now seemingly ridiculous claims. and that a lot of the actual convincing wasn't based around assuring people of the virtue of expansion so much as arguing the logical continuity of universal suffrage. A "might as well" convincement rather than a moral crusade. Or that there used to be a unique moral claim that women had when they did interefere because they were seen as apolitical. That the history of the movement as understand by the common man has been pretty much forgotten.

Of course I don't know whether it's true or not, but I've never been able to refind it. I'd love if anyone here still has a link to it.

This is a very reasonable critique.

I should be clear that the Cadastral Map Bias lens is my strong prior of first resort for inexplicable behavior by companies. I am not well read enough on SBI to back up the truth of the grapevine claim.

What on earth is going on with the layoffs btw? Did the industry over hire? It seems really inexplicable from afar.

Also surprised you didn't add in Hitler's Table Talks by 'The Brown Eminence' Martin Bormann. There are translations available but the translations are flawed and unreliable. Which means that unless you speak German you are restricted from one of the top 5 key books to getting a window into Hitler's Worldview. Decades of the topic being done to death and yet here we are still waiting for a reputable translation of one of the key books.

Weirdly enough some of the critiquing of the translation by the book was done by one of the New Atheist minor figures, Richard Carrier. Once you get into the weeds these things really do become a small world.

Act 3 is absolutely the weakest act (although it also had my favorite Boss). I did not encounter any bugs but there are so many parts of the narrative being kept track of that Act 3 is where something would show up. I've heard of bugs showing up regarding Oathbreaking Paladins in Act 3, but i never had one.

If you've already sunk your teeth into the game into Act 2 then it's worth it to see it through to the end.

My biggest complaint with Act 3 isn't the devs politics but rather that there are so many plot threads that need tying up that the Act doesn't have a strong "Do X then Y then Z" narrative structure. Instead it feels much more like going down the checklist of plot points that need to be wrapped up. A bit of a "wait remind me who this is?" issue.

The best part of Act 3 is that you really get to feel like your party has come into it's own. Everyone is levelled up. End game equipment starts coming into play. You feel like everything you've been building towards has really come into it's own and you can bask in the fruits of your labors. But the game really simply isn't balanced at that level 12 and the solution of 'add more enemies' tends to make some combats a slog.

It's a Larian CRPG so the illusion of choice is precisely that. Most conversations are more about the tone/flavour of how you respond than an actual diverging choice. But there are still real choices in how you want to approach the ending and i'm satisfied with the path I took for (in my eyes) a maximum Good ending.