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rallycar-jepsen


				

				

				
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User ID: 694

rallycar-jepsen


				
				
				

				
0 followers   follows 0 users   joined 2022 September 05 19:47:51 UTC

					

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User ID: 694

"Too many birds are named after white people and we have to take action about it, says the American Ornithological Society" is ... not one I had on the bingo card for this year.

There are of course many, many hundreds of thousands of people in the US who aren't white who have these same first or last names, so it really is just plainly about whoever is agitating for this not wanting these specific white people and people like them to have birds (or anything? medical terms? physics theories?) named after them.

I sincerely hope that the traction the news about this decision is getting online is mostly thanks to it all sounding like a ClickHole bit.

(Points if you can guess roughly how far into the linked NPR article you can get until the author writes the sentence "That really started to change in 2020, when police officers killed George Floyd in Minneapolis.")

It's nice to feel included! Thanks @some.

I had this same thing happen to me just now with a reply to a comment of mine in a different thread. It also appeared to have just turned 24h old when I got the notification for it, and I'm also almost certain I could not see it before that.

Can anyone point to any 3D CGI media that does something really well, that elicits an emotional response that traditional 2D animation could not?

The example du jour of technically masterful, visually beautiful 3D animation right now (well-deserved, IMO) is probably Fortiche Production's 2021 Netflix series Arcane, surprised nobody's brought it up yet. I wouldn't hesitate to put its visual design, character animation and acting, and general execution up on par with a Prince of Egypt or a Nausicaä of the Valley of the Wind or Akira or whatever your high-water mark for excellence in 2D animation might be.

My impression is that even people who didn't connect with the story or characters still generally praise the visual style and animation as noteworthy. It's a pretty striking departure from what people have come to expect from big-budget 3D animation - with heavy use of a non-photorealistic rendering style, hand-painted model textures, key effects like fire and smoke actually animated traditionally in 2D and composited in, and other creative ways of sort of "bridging the gap" between 3D and 2D animation, with a result that ends up taking on a distinct character of its own. One of the most common things people say about it (which I agree with) is something like "every frame looks like a piece of traditionally painted concept art", and I think it achieves things that would be technically very difficult or prohibitively labor-intensive if it had been a fully 2D-animated production, particularly in character acting and environment, that strengthen the emotional beats and storytelling.

Is it funny to me that my personal high-water mark for 3D animation is a TV series set in the universe of the video game League of Legends? Yes, a little.

The "kids/family-friendly animation" equivalent to that approach would probably be something like TMNT: Mutant Mayhem (2023), which is also trying for that kind of 'Expressive 2D/3D Hybrid Painting' look. Puss In Boots: The Last Wish (2022) also did this to an extent. The initial positive reaction to Enter the Spiderverse (2018) might've actually kicked off the trend (on groundwork laid by things like Disney's 2012 "Paperman" short film). I can't really speak to the overall quality of any of those movies as stories, but they all strike me as visually interesting and inspired compared to the larger catalogue of 3D animated family movies of the last two decades. If everyone starts leaning into this kind of look and milking it on a superficial level without any of the creative vision that's supposed to come with it, it might start getting tired fast, but as it stands, these kinds of heavy stylistic experiments are pointing in a good direction to me. It's expressive in the way that stylized 2D animation can be expressive. High Photorealism, now that we can do it well reliably, is ... kind of boring to look at, it turns out.

All that being said, yeah, I can point to a couple examples of studios experimenting with the medium in interesting ways, but broadly, neither the high end (incredibly expensive photorealistic CGI lions that communicate 1/10th the emotion that a cel of expressive lineart overlaid onto a cel of color communicated in 1995) or the low end (Walmart clearance DVD rack or straight-to-youtube Disney Tinkerbell series #48) are particularly pushing the envelope of what's possible in the medium. Nothing Pixar has put out in a long time has really blown me away in a visual sense that I can think of offhand, and a lot of popular 3D-animated children's TV or web programming is just depressingly sparse, sterile, and unemotive.

(late edit: on the Pixar point - After thinking about it more I've remembered Wall-E, which I think actually does really owe a lot of its charm and emotional depth to the realism of the hard, mechanical robots and the contrast between a photorealistic dirty, dusty earth and clean, ultra-curated colony ship. I don't know if the stark divide between the two story settings could've been achieved as well in traditional animation, and I think the machine characters really do benefit from the fact that they're models and not drawings.)

I do think you're right that cost is a driving factor once you get below the production budgets of major studios. Honestly, in terms of bang for your buck, a lot of modern economical 2D animation techniques produce an arguably lower quality product than the equivalent cost 3D animation. Low-cost 2D animation doesn't look like The Magic School Bus (1994) anymore, it looks like The Magic School Bus Rides Again (2017). Or Star Trek: Lower Decks, which appears more polished and is 'for adults' but to me just looks fundamentally offputting. No amount of fancy lens flare and bloom in post can save that. That's not to say there's not also some great, traditionally-principled, technically-masterful 2D animation happening out there right now, but to my eye there's just as much slop and creative poverty in 2D productions as there is in 3D right now.

Well, I ended up taking the test three times.

The first run through was entirely vibes-based and I tried to really weigh out what felt like a triple-immoral vs. a double-immoral vs. a single-immoral, and vice-versa, usually trying to pick a direction one way or the other. This one was also probably the most influenced by the order I got served the questions in, because I think I got less decisive over the course of it.

That run matched me to Left-Liberal:

  • Care - 83%
  • Fairness - 67%
  • Loyalty - 36%
  • Authority - 28%
  • Purity - 17%
  • Liberty - 64%

The second run through I tried to keep with a strong preference for "neutral/not applicable" and only give any affirmative push either way if something about the situation particularly moved me strongly.

That run also matched me to Left-Liberal:

  • Care - 63%
  • Fairness - 58%
  • Loyalty - 31%
  • Authority - 28%
  • Purity - 31%
  • Liberty - 58%

For the third run I went maximalist and selected (three thumbs up) if I would fight for someone's right to not face legal consequences for the action, (three thumbs down) if I would fight for the threat of legal consequences to be imposed on someone for the action, and (neutral) in all other cases.

That run matched me to Libertarian:

  • Care - 33%
  • Fairness - 50%
  • Loyalty - 8%
  • Authority - 0%
  • Purity - 0%
  • Liberty - 83%

To me the scale itself is a little confusing. I can get an intuitive sense of what three different levels of morally wrong should feel like. But, I had trouble imagining what it means for something to be a little morally okay, quite a bit morally okay but not fully, or extremely morally okay.

I didn't interpret any of the options as communicating "this is a morally good action" so I wasn't really confident about my choices on that side of the scale.

In all three attempts I ended up giving a lot of "this is morally okay" answers to a lot of actions that would absolutely negatively impact the way I thought about a friend, colleague or stranger if I knew that they had done the action. I don't know if that means I've missed the point of the exercise or not.

(Sorry for the deletion of the previous iteration of this comment, I'm on mobile and replied as a top level instead of a comment accidentally.)

To your last point, I'm a little bit hesitant about going into detail about my specific situation, but I made less than $35,000 last year working full time, and while this year is an anomaly, I probably won't break $15,000 this year.

If I were to land a position in the coming year that paid me $50,000/yr, which I'm hopeful about the prospect of pending an interview here soon, I'd consider that a substantial upgrade from any position I've ever had. I am 30.

I do consider it a major personal failing that I did not pursue a career track more optimized for income over the past decade. I've gotten in on the ground floor of about 4 different lines of work whose skill sets largely do not overlap. This was avoidable, I had the sense to know it the whole time. I have half of a BFA degree from ten years ago, which is almost as embarrassing as it would've been to pay for the whole BFA degree, and exactly as useful. I have several well-developed skills in lines of work that there's not really any good money in in the first place, and have spent many of the last few years committed to working at low wages for small to medium-sized local businesses that I knew very well from the beginning had no capacity for upward mobility or even guaranteed longterm solvency.

I'd say it's the central failure of my life, not to get too dramatic in the Friday Fun Thread. I get by alright, day to day, it could absolutely be worse, and I manage my expenses well enough, but there's certainly no room in my life for supporting a partner or a family the way I would want to be able to do at my age. I may be starting to wrench myself out of the bottom of the trough now, but I wouldn't be surprised if it takes me another decade to get where my peers are right now, assuming I ever do. I like to think of myself as a relatively capable and intelligent person, but the hard facts of my education choices, employment choices and resulting income over the last ten years could make a pretty solid case that I might actually be stupid.

I guess at least I don't gamble.

I notice what you're noticing, but apart from some extreme outliers, it never actually affects my ability to understand what the person writing is saying.

I think I have a different opinion on this depending on the day or the direction of the wind - one day I'm cringing to myself because a friend keeps using "than" when she means "then" in private text messages between the two of us that no one else will ever read, the next day I'm defending on principle that "ain't" as a replacement for both "isn't" and "am not" is perfectly reasonable, comprehensible, has long-since achieved its legitimacy, and that anyone who would judge someone negatively for using it is a nitpicking pedant.

At the edges of this, my instinct is to say that lots of the examples you brought up, on their own, seem minor to me and don't seem like signals of a linguistic descent into madness and incomprehensibility. I do the question mark thing sometimes, for example. There's a certain threshold for variation that I can tolerate just fine if the actual intent remains clear. But, like I said, I come from the viewpoint of someone who's almost always able to understand imperfect English writing without any fuss. Maybe a lot of these deviations would make the intent much less clear to someone who speaks English as a second language.

At the core of it though ... I'm with you. I wish people considered it more important to try to write well. I wish more people wanted to write well in text messages, facebook posts, youtube comments, magazine articles, newspaper columns, job cover letters, classified ads, yelp reviews, and birthday cards. I wish more young people, middle-aged people and older people wanted to write well, and I wish they wanted to do it without other people telling them they should want to. I think my standards for "writing well" are probably much lower than yours. I don't even write particularly well, from an objective standpoint. But I do have standards, and they do mean something to me.

At the end of the day, maybe it doesn't amount to more than just a strong aesthetic preference. I feel like I'll be able to easily comprehend any writing shifts, trends, degradation, or shortcuts for efficiency that may lie ahead. But is it enough to just be able to literally understand people?

A lot of coverage has made it seem like the IDF is simply choosing to starve everyone in the hospital of supplies under the assumption that Hamas has a position within it, but has been extremely light on details.

This NY Times article from within the hour describes IDF troops 'battling Hamas fighters nearby' the hospital, but otherwise simply paints a picture of the terrible situation the people in the hospital are in, and reproduces a statement from the hospital's director, Dr. Salmiya, where he says that there is no truth to the idea that Hamas is operating beneath the hospital.

Apparently Netanyahu personally told CNN directly yesterday that:

"There’s no reason why we just can’t take the patients out of there, instead of letting Hamas use it as a command center for terrorism, for the rockets that they fire against Israel, for the terror tunnels that they use to kill Israeli civilians."

According to this Nov 14 article from the Jerusalem Post, make of that what you will, the IDF is going out of its way to offer assistance in evacuating patients from the hospital, which apparently a publicly released phone conversation shows the hospital leadership is eager to accept. The article also prominently mentions and provides footage of incubators being loaded into vans that the IDF is apparently rushing to get to the hospital as fast as possible. (Isn't the problem that there is no power for their incubators, not that they didn't have enough incubators? How are these new IDF incubators meant to be powered? Or delivered?)

The article reminds readers:

Previously, however, Israeli officials, including Prime Minister Benjamin Netanyahu, have said that Al–Shifa has refused Israeli assistance.

"We just offered Shifa hospital the fuel; they refused it," Netanyahu claimed on Sunday.

Earlier this month, a Gaza health official stated in a phone call intercepted by the IDF that Hamas takes fuel provided to Al-Shifa.

Another intercepted call recorded a health official saying that the director general of Gaza's Hamas-run Health Ministry, Yusef Abu Rish, had prevented a delivery of fuel from getting to the hospital.

The linked reporting there, from Reuters, Nov 12:

Israeli Prime Minister Benjamin Netanyahu said on Sunday his country offered fuel to Gaza's Al Shifa hospital, which has suspended operations amid fierce fighting with Hamas, but that the militant group refused to receive it.

"We just offered Shifa hospital the fuel, they refused it," Netanyahu said, without providing details.

The fuel was offered to the hospital, but "the militant group [Hamas]" refused to receive it. How was it "offered" and how was it "refused"? Physically, verbally? Why wouldn't Hamas have accepted the fuel in this situation, and just taken some or all of it for themselves, as the IDF has made clear many times is what it would expect them to do?

liveuamap.com reporting from 4 hours ago has the IDF still surrounding the hospital complex, with heavy gunfire and artillery shelling taking place there.

So ... yeah, it's a little hard to build in my mind's eye what the situation is on the ground. The IDF's messaging here seems to want me to believe that it is fully capable, ready and willing not only to provide supplies directly to the hospital in person, but also to begin evacuating patients, and they could and would immediately do this if only they could get close, which Hamas is preventing. If Hamas is fighting the IDF around the hospital perimeter and not letting them give the hospital anything or take anyone out of it, how are the hospital staff still able to insist that Hamas is not meaningfully present at the hospital? Are they just being held more or less at gunpoint by Hamas and forced to keep saying Hamas isn't at the hospital even when they plainly are?

But also, if Hamas is deeply entrenched in and around the hospital, to the point that it has maintained enough perimeter control around it that the IDF can't or won't enter it and evacuees can't or won't leave it, have the IDF only been surrounding it for days because they simply don't think they could take the hospital by force at this time? Or that they shouldn't for optical reasons, or something?

I'm not a combat strategist and I also can't claim to be able to model the minds of any of the actors here, but yes, I am also confused by the situation.

Update: they raided the hospital earlier today.

UN agencies, the WHO, and the Red Cross have all strongly condemned the raid.

Meanwhile the IDF is releasing plenty of photos and pretty extensive walkthrough footage showing all of Hamas's stuff that they're pulling out of hallway closets and out from behind MRI machines, as they walk down corridors that have had their security cameras disabled or obscured.

All the reporting I'm reading ... describes the hospital staff being very afraid during the raid, "because of all the fighting", but ... again, written like the hospital staff and patients are having to take cover while the IDF comes in and fights no one.

Al-Jazeera also helpfully relays a witness' statement that the IDF "have tried to kill anyone moving inside - no one has done anything, we don't have any kind of resistance inside the hospital", and also reports, in a bullet point immediately prior, that the IDF evacuated people from inside into the outdoor courtyard to be interrogated - even though it was raining.

Have you checked to make sure your property isn't built on any old Indian burial grounds? Maybe you should try obvserving Unthanksgiving Day next year and see if your outlook turns out any better.

It depends on how intermixed they are, first of all, but anyone who has been ethnically distinct for three generations in America gets little sympathy from me and can be deported to where their grandfathers came from.

Not to tread old ground here, but I once again find myself curious about the tricky edge case of the old-stock American black.

(I'll take the former Georgia colonial territory circa the 1770s if you're offering it though.)

I just mean edge case in the sense of "statistically, most minority racial groups in the US do have a known country of origin to point to within three or four generations, but this one is not as simple as that."

Thinking about it again, there must also be some percentage of Mexican/Hispanic-identifying people in the western US who are descendants of people who were already living on the land that the US subsumed. I don't know what that percentage is - honestly I don't have a good grasp on the history of Central America in the 1600s-1900s, and I don't know when "Mexican" and later "Hispanic" as identity categories started eclipsing identification with the various indigenous people groups that the Mexican empire itself subsumed. I suppose it could be argued that any such person who identified as Mexican could still be sent back to Mexico, since Mexico still exists.

Of course then there's the case of all the other North American indigenous groups. I suppose you could forcibly rez everyone who's not already rezzed who meets a certain threshold of native ancestry and then demand all the reservations formally secede under threat of force, and then have a bunch of independent, very poor landlocked micronations dotted around your country's interior full of people who you don't like who don't have a very favorable opinion of you now either. That doesn't seem like the kind of simple logistical solution that this expulsion plan is supposed to be able to provide though.

Maybe you can airdrop them all into the Canadian wilderness and just say hey, close enough, take it or leave it.

In all seriousness, though, the problem I'm pointing at is that the population of the US can't be cleanly divided into "people who white nationalists want to share their country with" and "people who you can send back to where their grandfather was from".

At some point you do run into "well, okay, yes, your people have been here as long as my people have or even longer, but we still would rather like you to go away if you don't mind."

Well, this isn't that, but ... I offer it to you in its absence.

Would a fursuit satisfy Islamic requirements for female modesty?

This question has painted a picture in my mind of a very different world, and I have to thank you for providing me that vision.