sansampersamp
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User ID: 751

Contrapoints is an odd example for trying to paint online left content creators as mainly serving vacant, vibes-based parasocialism. There's a lot of argument construction in her vids, and she posts far too infrequently compared to the people you usually think of as living or dying off of relationship simulacra.
You could have looked harder
That would be well within the range of the divers, who, operating from a Norwegian Alta class mine hunter, would dive with a mixture of oxygen, nitrogen and helium streaming from their tanks, and plant shaped C4 charges on the four pipelines with concrete protective covers.
It's difficult for me to think of a lower status take than consternation about, say, the casting decisions in the Little Mermaid remake. There's a few layers to that -- the content is for children, and these live action remakes are kind of shameful to have any investment in even before getting to the politics that is easily read as a kind of adolescent, race-fragile myopia.
With low-status, I mean something a little more subtle than just oppositional to the general social mores that might define my own social circle (or how I might ascribe that to a kind of cosmopolitan hegemony writ large). There are plenty of subcultures which define themselves oppositional to the dominant culture without degrading themselves in the process. There are orthogonal axes here that signal a kind of noble worthwhileness outside simple questions of alignment, and these takes seem to me to naturally occupy whatever the distal pole of magnanimity and taste is.
The ensuing conversations can accordingly be less of a debate and more of a slightly embarrassing condescension as if one is explaining social niceties to a child -- not a particularly productive frame for bringing others to one's worldview. What can be read as conciliation or reluctance to gore sacred cows, from one side, may simply be efforts to find tactful ways to bring an embarrassing conversation back to a kind of civility.
gymnasium is designed to look like a WW2 bomb shelter that's been riddled with shell holes
This is a funny comparison since my high school gymnasium literally was a a massive concrete structure that was bombed in WW2, which followed its original use as part of an abattoir complex. It was fine, aesthetically, if a bit reverberant, and I don't believe it left any psychic scars on myself or other kids. As a concrete structure built for an actual industrial purpose it was also incredibly, obviously different to that Japanese gymnasium. No one was bothering with sandblasting planks to get 3mm of grain relief in the formwork, I assure you.
Perhaps my literacy level is not as high as yours, so you will need to help me as exactly where you see a desire to "maximize the amount of discomfort and pain" or "harm your mind", or a claim that "buildings must literally impose psychic harm and pain on the people who view and use the building".
To the extent that I can glean a point from this, he seems to still be advocating for buildings that are in some way ugly or broken so that people notice them so that they don't merely "fade into the background."
Not really. OOO recognises that buildings-as-real-objects fade into the background in a Heideggerian sense when they become tools, i.e. the salience of their qualities is flattened to that which is relational (to the observer and the observer's use, to its constituent parts, and to the larger systems in which itself is a part). OOO questions whether it continues to be valuable for the practice of architecture to load potential buildings under a multiplicity of these relations (to zoning, environmental impact, situation within the street, ad infinitum), such that the reality of the building is obscured rather than elucidated. A building is not a 'machine for living' per corbu, it simply is in a way that is necessarily independent of the observer. The reality of the building is simply too dense to be fully described and taxonomised. Architects should become more comfortable with the vibes and ineffables, and the limited accessibility to underlying reality of objects. An invisible tool, per Harman, is a tool whose myriad qualities other than its specific utility--including and especially its aesthetic qualities--have receded from cognisance.
I have some sympathy for it, first because my time in architecture school was mostly spent within (more egological) phenomenological explorations. Second, because I think we're completely oversaturated with psychofauna in general in today's age (I recently became a parent, and it is here where this saturation is perhaps the worst of all). However, I don't much care for Harman's weird realism as a very practicable defense, and I think OOO has some unresolved boundary issues in its attempts to consider objects as real gestalten independent of their constituent parts.
I still marvel occasionally at the fact that a solid third or more of the political discourse around the 2019 election revolved around minutiae regarding the refundability of tax credits attached to retiree superannuation accounts. Just weeks on weeks of it, probably lost Shorten the election. Australia may not be a particularly intellectual country imo, but the proverbial 'pub test' here presumes a baseline level of Tocquevillian political literacy/sophistication far beyond what most countries could hope for. I don't think that's necessarily because we're particularly special as a people (perhaps a little bit), but we have some very well-constructed institutions that curb some of our worse impulses.
I'm not sure what the import of what felons were historically able to do is -- historically most of any kind of person would not be able to vote, if anyone could vote at all.
I think she's been building an interesting thesis with Envy/Opulence about the difficult relationship the left has with material success -- both on the aesthetics of wealth and how social mores may have developed around flaunting (and then how those aesthetics are reappropriated and recontextualised). Confronting the extent to which snark about McMansions or Fyre Festival or Trump or what have you is some Nietzschean cope (I may not have wealth, but at least I have taste) among the intellectually left/online is imo a pretty interesting observation, as is extending that to a critique as to how our current online moment is so toxic in general. Someone needed to update Distinction for the very online era and she's well-placed to do so, even if her take is a tad nihilistic.
I would reduce tariffs on imports to 0
whoever we get a bunch of non-American stuff from and increase tariffs on them
You may be qualified to work in this admin (or the very least, a plum job at American Compass)
What's the counterfactual here? Michael Bay still makes four-quadrant films. Top Gun: Maverick is a four-quadrant film. The original Star Wars trilogy were four-quadrant films. I can think of far fewer big films that tried to go hard on the two female quadrants (e.g. Twilight) than went hard on the two male ones, especially now that we're out of the romcom era. Joker is a two-quadrant film on the other axis because of its rating, not deliberate alienation of women, where it hit broadly the same 60-40 splits as the typical comic-book movie (e.g. Captain Marvel, Spider-man Homecoming).
What IQ would be necessary to understand the statement 'I am an architect. I build buildings that harm your mind.'?
I don't think someone would need a particularly high reading grade level to understand that statement, is this what one would expect someone with low reading grade would take way from Eisenman? Eisenman is saying that comfort and harmony do not constitute the totality of either aesthetic preference or human experience, and just like someone might listen to metal or prefer picasso to kinkade, buildings may accomodate and respond to a broader spectrum of experience. Eisenman's most famous work is the holocaust memorial in Berlin, and it's a good example of both a deconstructive minimalism (removal of ornament and complex form for simple geometry), and pursuit of typically discomfiting vibes: instability, envelopment, angularity. Stripping away detail raises the salience of other aspects of the way the memorial is experienced, e.g. the way the acoustics narrow and quiet, and how temperatures drop as you descend, and how your descent has no clean demarcation between inside and outside, over and under. How the relation to other visitors shifts from the communal ("I am one of visible dozens visiting the memorial") to the incidental ("I bumped into a specific other visitor, who then turned the other way and is again out of sight"). Maya Lin's Vietnam memorial achieves a similar minimalism that is well suited to these kind of structures, which accomodate what Etlin called a 'space of absence' -- visitors can interact with what isn't there, or against what they may have expected to be there. What is appropriate for recognition of tragedy is not necessarily what is appropriate for the home, but our lives have tragedy in them and one of the most difficult and essential functions of art is to articulate and reconcile us to that tragedy.
The first result I see for your 'brutalist high school' search is this Nikken Sekkei project. My own high school's gymnasium was a massive concrete aggregate structure repurposed from a 1917 abattoir, so I am open to arguments my aesthetic baseline is not standard here, but I'd expect kids to mostly regard the scarred-meteor interior there as incredibly cool.
Philosophical perspectives in architecture have also largely moved on from Eisenman's deconstructive minimalism in the (an) opposite direction somewhat towards Heidegger's object-relational ontology/phenomenology via Harman. See Mark Foster Gage's Killing Simplicity.
I believe voting is a duty and I'm happy it is compulsory in Australia. The simplest argument is that:
- The legitimacy of the government is a public good, from which other public goods (safety, unity, prosperity) flow
- Democratically elected governments are legitimated through democratic participation and definite mandates across actual majorities in the population
- You have a general duty to further the public good in scenarios where one can do so at little cost to oneself
- You have a duty to vote
Broader majorities are also better for political operation and discourse. The unactivated voter is less interested in ideological marginalia and more interested in simple material concerns: jobs, crime, schools, security in retirement and so on. Political messaging in high turnout environments must convince the median citizen that his interests are best served by voting in one way or another. A politics of low turnouts is a politics where messaging seeks not to convince the unaligned, but to drive turnout among those nominally on your side already, which means escalating the perceived stakes beyond reason, deference to single-issue groups with GOTV infra, ballooning campaign budgets, and the time spent fundraising to feed them.
Yes, but part of that is the tools they have available. Trumps cabinet had the option of being obsequious or resigning, and without any real mechanism for removing him that didn't involve cosigning with the dems, they spent their energies on ever more creative legal theories on his criminal immunity as if he's Louis XVI. Australian politics proves if you give a politician a knife, they'll happily stick it someone's back, and while they can obviously get a bit stab-happy it's a genuine boon to have the privileges of leadership be conditional on the continual, sustained confidence of the led.
American journos are certainly more timid and status/access-conscious than Australians, which is why Jonathan Swan's interview stood out so much, and I'd definitely put that down to cultural over structural factors, so I'm sure there's a bit of both at play.
Reminds me of a presser I went to with Madeleine Albright and Julia Gillard in Sydney ages back. Questions addressed to Madeleine Albright, per her aide, should be prefaced only with 'Madam Secretary'. Questions directed to the prime minister, of course, were addressed to 'Julia'. It's hardly as simple as one country being more deferent to authority than the other.
Better in what sense? The political discourse is absolutely better, and I would say our political institutions are much more stable and effective at the general business of government: running elections, writing and enforcing laws, handling the myriad edge cases and emergent problems that crop up constantly in complex systems.
Australians are more culturally authoritarian than Americans in one sense, but there is less perceived distance between citizenry and government. Where in the US the government is seen as oppositional to the citizenry in many respects (independent of party affiliation, e.g. with cops) and must be constrained via various 'checks and balances', an armed citizenry and so on, authoritarian stances taken by Australian government are parsed domestically as Australian society exerting its will over itself. This difference in perspective is why you had many people in the US (including some on this forum) convinced that the Australian government would never end Covid restrictions or freely give up Covid-era powers, and that our politicians who implemented lockdowns would pay a steep political price for it.
It may be preferable to have the democratic legitimation of the government to be a foregone conclusion, but as political actors have interests that extend beyond simple legitimacy I think we'd still be stuck with political campaigners for the time being.
While there are various obvious ways you can reduce the number of people who are statistically disenfranchised, for want of a better term, I think less examined is the way this can be compensated for to reduce alienation. It's not like parliamentary systems don't have safe seats.
I see 40% voter turnout for the 2018 midterms, which were a record high. I'm not sure what's projected for these ones.
We compel eligible people to vote here in Australia, and overall I'm a massive fan of it. Part of that is that politicking does not need to drive turnout itself, so ironically the half-panicked "please vote, please vote" stuff doesn't feature.
I don't think Ringo or Weber are particularly popular? The current bestselling sci-fi book published in the last year is Star Wars: Shadow of the Sith, per Publishers Weekly (Adam Christopher). Behind that, Becky Chambers and Silvia Moreno-Garcia are shipping the most volume for non-star wars sci-fi properties published in the last year. This hardly seems like there is a lot of volume on new books from 'politically incorrect' white male authors. Closest thing is maybe Ernest Cline with Ready Player Two last year?
As most producers and consumers of fiction now are women, by a fair margin, I don't find this too surprising.
If it wasn't clear, I don't live in a country with as adversarial a relationship with the cops as the US, but I have a shortcut to pin the app on open, kiosk mode. I've never had to use it in the 2 ish years it's been available but I understand the ID verification flow doesn't require a phone to be handed over, just a QR code displayed and scanned.
The low probability of your vote being decisive is obviously balanced by the enormous (world-historical) impact in the case that your vote is decisive. Besides, you aren't the only player of this game, and a party losing an election by 20 points has obvious implications for that party's assessment of it's positioning and strategy in the next election, that a loss by 2 points does not, even if the electoral outcome is nominally the same.
IRV is simpler to tally and audit in low-tech scenarios because the votes themselves are the physical record of the count, an advantage it shares with FPTP. In FPTP, you sort and bundle votes into e.g rubber bands of 20 and boxes of 1000. You can easily verify a count by checking that a box indeed contains 1000 votes, and they've been sorted appropriately. It's easy to update your count report just by seeing you have X boxes and Y bands.
Approval voting, Score, Borda etc require you to maintain a store of the counts independent of the physical ballots, which introduces more room for human error and complicates recounts/verification. You need to increment up to N counts for a race with N candidates, and even approval voting has 2^N-1 ballot variations that complicates sorting.
If you're thinking of terms of low-tech boxes and counting processes, IRV is an intuitive extension of FPTP because you're just opening up eliminated boxes and resorting them. Practically, it's rare for this process to go particularly deep or be particularly sensitive, and the count of votes rarely exceeds twice the votes cast.
I think we're now able to have do much better than IRV and I think there are potentially clever ways you could do tear-off perforated ballots to make the counts under approval/range more reliable, but a lot of (sometimes conspiratorial) questions about the popularity of IRV miss that it was an intuitive and practical solution at the time. If Australian preschoolers can vote on schoolyard activities with IRV, I'm sure American adults can manage.
In my view, elections do not improve governments by selecting high quality leaders, but by increasing the legitimacy of power
Big reason I'm a fan of compulsory voting (though I think it does moderate politics as well)
yeah, Australia also lacks the paranoid style, but that's always been idiosyncratically american in the anglosphere, going back to Hofstadter's 1964 essay and probably beyond
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Imagine how annoying they are if you'd prefer Biden to win.
One underrated thing about living in Australia with compulsory, ranked choice voting, is that our political discourse is blessedly free of this kind of self-indulgent signalling. We obviously have our own domestic foibles (per Walter Cronkite: too many journalists, not enough news) but more generally: structuralist comparative analyses of political discourses strikes me as something both rich and relatively understudied -- especially in wider conversations about polarisation, epistemic closure, radicalisation, new-media landscapes and so on. There's been some research on how the US primary system exerts a centrifugal force on candidates (e.g. adams/merrill), how polarisation necessarily sustains marginal turnout (e.g.), and so on but I haven't seen a holistic structuralist take on all the factors together in those conversations.
There's clearly some lensing/closure effects that makes these kind of sentiments in the US particularly annoying when mediated through social media and the Algorithm, but the actual underlying cause seems much more rooted in the inability of the political system to a) co-opt and recuperate extremists (or more broadly, those whose views aren't represented by mainstream parties) and b) handle and mitigate swathes of society whose potential votes are rendered statistically meaningless (both in reducing this alienation in absolute terms, and alleviating how it feels on the ground).
Australia has a few structural advantages in this regard that makes the political discourse significantly less annoying than America. RCV lets minor parties absorb fringe or special-interest positions, while necessarily funnelling their preferences inward to more major parties (effectively defuses the 'no one represents me' line and complaints about picking the lesser of two evils). Compulsory voting makes political expenditures targeted not at maintaining turnout in single-issue, activism-bound constituencies (abortion, guns, most obviously in the US) which allows these factions to be more effectively clientalised by major parties: ideological activism groups must be catered to in the US to avoid demoralising them as turnout engines. In Australia where they can't deliver turnout, these special-interest activism groups can be much more easily captured -- someone particularly interested in abortion might get upset when the libnats loosen access, but they're hardly going to preference labor over it.
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