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Notes -
Agree with you on the wider point, and that impressionist/abstract expressionist/etc. art needs to be viewed in person. The point I'd add is that paintings might be flat, but they're not 2D objects. You haven't experienced a painting, particularly an impressionist/abstract one, until you've been able to walk around it and see it in 3D space. Both Impressionists and Pollock, for instance, play fascinating tricks on the visual cortex as you walk from side to side, closer and farther. When I'm looking at, say, a Monet, the first thing I try to do is to stop staring at a flat image and to let my eyes relax into it, let the "3D" image appear, let the brain create depth and parallax as I move around it. Same thing with many abstract expressionists, and in some cases they're carried by such subtle features that you can only see them in person, such as Ad Reinhardt's black canvases.
Note that this is not a defence of "conceptual art" that's all concept and no art. The grouches here are largely right about that.
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