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This is an absolutely idiotic example - Mozart constantly needed money because he lived lavishly beyond his means and spent so much time in aristocratic circles as a commoner that he was desperate to emulate them and would bankrupt himself for expensive clothes and horse carriages. His type of financial troubles are a well documented trope of the era, induced partly by more permissive social climbing between gentry and aristocracy. Since he was undoubtedly a musical genius, obviously he used his talents to make good money fast - it doesn't mean he put no artistic or musical considerations into what he composed!
Any Austin (or rather, his father) doesn't seem to understand that a court musician in the 18th Century was not receiving a pop-star salary, but would need other sources to income his expand his fortune to the point where it could even somewhat compete with an average city-dwelling aristocrat. Mozart wanted this badly - perhaps also because he saw how financially dependent his father had been on his patron, the Archbishop of Salzburg, to the point where his freedom of movement was strictly dictated to him, and wanted to avoid the same fate. The best, fastest, most respectable and well paying manner for someone with Mozarts caché and skills to make money was to take musical commissions.
And guess what? Those "non-money motivated" symphonies and operas we love and cherish Mozart for - those were commissions too! Il Seraglio, the Magic Flute, Don Giovanni were all commissions, since that was how large-scale musical arrangements were made and paid for before the rise of radio and television. The musician didn't just sit around strumming his harpsichord waiting for a hit to happen - they were subjects of courtly and church patronage and composed music in return for goods and services.
So I disagree that "Mozart was largely motivated by money" - Mozart was using his incredible talents and social reputation to leverage the best possible sources of income to finance his extravagant lifestyle. It doesn't make his melodies any less charming, nor does it dilute any kind of authentic artistic process if he received payment for having written them.
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