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Culture War Roundup for the week of July 21, 2025

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I probably should have defined "meaningless" better and generally articulated my argument more systematically, that's my bad; I was writing down my first reaction to the passage and had not yet properly distilled how to explain my point. What I mean by "not meaningful" is that there might be no way to prove or disprove the statement, and as such it can be considered an example of a statement that's not even wrong. In terms of its utility in shining light on the world around it, it's not particularly helpful; this is the case due to the fact that it has not been and perhaps cannot ever be evaluated through reference to formal logic, mathematics, or any natural sciences. Marcuse has presented a statement of fact without proof or rigorous logical argumentation as to its validity. He's not even built his conclusion based on reasoning from other assumed priors (not perfect, but better). As such it is a bare statement.

I think it may be helpful here to draw a comparison between Marcuse's claims about value and your own previous comments about anime. You said "I felt like the whole corruption arc was dealt with far better in Breaking Bad". Now, is this something that you could absolutely rigorously logically prove 100%? No, of course not. But does that mean the sentence is meaningless? No, that's not true either.

Right, I think that this elaborates the difference between our epistemologies and our opinions on the standard that academic scholarship should ideally strive towards. I generally adhere to logical positivism (very INTP of me, I know /s), and while I don't act like this all the time in practice, I do believe that principles of falsifiability and offering up proofs/disproofs are the kinds of standards that scholarship should exemplify. As Scott describes it: "The truths of science are verifiable empirical claims and ... the truths of logic and mathematics are tautologies. These two constitute the entire universe of meaningful judgements; anything else is nonsense."

Something like "Death Note was not that good" is an evaluative judgement of quality, not a statement of fact. Every argument surrounding aesthetics will be vibes based as a result, and the point of it is not to get closer to any truth; rather, it's to impress upon someone your subjective experience and make them viscerally feel it on a deep level. The point is to impose your personal feelings on someone. The reason why people structure it like a rational argument is specifically because we assume that other people believe certain things are good too, we assume other people share our own cognitive characteristics. We create premises and then we can possibly use logical (more often, pseudo-logical) argumentation to show how these premises result in an inevitable conclusion.

Of course, there is a point beyond which you can't get much closer to agreement through this method of argumentation. Say a film critic enjoys films that are talky and philosophical and idea-based and the ordinary viewer enjoys stuff that's more action-packed. There isn't really a way for these two parties to come to any consensus on the quality of films. While it's possible to try to argue it if there's some other related point of commonality you can reason from, a big part of convincing people in this regard is trying to force them into your mental framework; to get them to understand you on a qualia-level. Discussions surrounding aesthetics proceed with the inherent assumption that truth is not what is being discussed, and as such they do not need to meet the criteria for evaluating a truth-claim. (There is a way to discuss aesthetics which is amenable to proof or disproof by appeal to the majority or analysis of human neural structure, but when most people discuss aesthetics they're not trying to make a claim about whether most people like something or not but instead getting someone else to adopt their own subjective evaluations of a piece of media.)

On the other hand, assertions such as "Art that emphasises subjective experience helps people reject capitalism" aren't of the same nature that "this show was bad" is, in that they are not value judgements. It is a factual claim about the effects of a certain course of action. This automatically raises the bar for the kinds of arguments that should be accepted when evaluating these statements. Because when you agree with that statement, you're not agreeing to adopt a certain personal evaluation of things. You're agreeing to a statement about how the world operates. Discussion of such things needs to proceed among logical or empirical lines, and if it cannot, all you are doing is relying on your own emotion or personal bias to try and divine a fact. When discussing this one cannot subject themselves to the same criteria that one would subject a movie review to.

The kinds of statements I consider meaningful are exemplified in this quote from Scott in his post about logical positivism. "[W]hat is there such that, using reason rather than emotion or made-up pseudologic, we can actually change our minds about and correctly judge as having one probability of truth rather than another?" It really doesn't matter much to me that the majority of philosophers seem to think the Vienna Circle has been invalidated; if I'm to judge the effectiveness of these principles I distinctly note that these institutions that operate under things that look and sound a lot like positivism do far better.

Perhaps that makes me a pragmatist instead.

But "dumb" and "wrong" are importantly different from meaningless. I get the impression that you already think that Marcuse's claims here are at least level 3.

Correct, I think Marcuse's claim is level 3 as presented in your list. It contains a clear statement of fact that can be pretty straightforwardly understood. I do believe this is true for much continental philosophy, though they fail other epistemological criteria and sets of standards.

No, I really have to disagree on this. Many people self-consciously base their own value system on the pursuit of perfectionism and efficiency. No one thinks that there's anything mystical or unarticulable about this. Therefore, its denial should not be mystical or unarticulable either.

I think we've talked past each other on this point, I don't mean to say it's mystical. What I mean is that people would accept Marcuse's claim not on the basis of formalised reason or empirical proof but on the basis of the fact that it resonates with them and they deeply feel it is true; they think it sounds right and seems reasonable in spite of the lack of concrete reasons they should believe it.

Also, the distinction I've made between a value/moral judgement and a statement of fact, as well as the different burdens of proof which should be placed on them, rears its head here. Statements such as "I base my values on the pursuit of perfectionism and efficiency" and "You should not base your own value system on the pursuit of perfectionism and efficiency" are value judgements. "Emphasising subjective experience helps people reject capitalism" is a statement about how the world works.

very INTP of me, I know /s

Haha, yeah that stuff has been on my mind a lot lately. I'm very much an NF type. I have an appreciation for both the strictly logical side and the vibes-based side.

I think Marcuse's claim is level 3 as presented in your list.

I'd say that's basically mission accomplished then.

Something like "Death Note was not that good" is an evaluative judgement of quality, not a statement of fact.

I don't particularly disagree with what you've said here. I just don't draw the same judgements that you do with regards to the text.

If someone writes a review of Star Wars that starts with "Star Wars is the worst movie franchise of all time.", you don't say "ah, the author has presented a value judgement as a statement of fact. Confused as he is about this basic distinction, I must now consign his words to the flames". Instead you say, "he's presenting his value judgement in a hyperbolic manner as a rhetorical tactic. If I already have preexisting reasons to trust this author's judgement, I will continue reading with the reasonable expectation that he will provide reasons for his value judgement that I may be responsive to”.

You were quite correct to say "a big part of convincing people in this regard is trying to force them into your mental framework; to get them to understand you on a qualia-level". That's part of what Marcuse is doing here. When he says "the individual steps out of the network of exchange relationships and exchange values, withdraws from the reality of bourgeois society, and enters another dimension of existence", you're not supposed to go "erm, doesn't he know there's only one dimension of existence?" You're supposed to go, "ok, he's sort of painting a picture with words here. He's communicating his value system and inviting me to share in it. Is that something I'm interested in exploring? If yes, why? If not, why not?"

If there's one thing you should take away from continental philosophy, it's that your values are not set in stone. You can choose to change them.

If you already have a strong prior against Marxism (as I do too!), then you're obviously not going to be interested in sharing his value system exactly. And that's ok! You might still be able to mine his work for concepts and ideas that you can repurpose for other ends of your own.

On the other hand, assertions such as "Art that emphasises subjective experience helps people reject capitalism" aren't of the same nature that "this show was bad" is, in that they are not value judgements. It is a factual claim about the effects of a certain course of action.

Right, that's another part of what he's doing. He's suggesting that his way of looking at things might have pragmatic value for advancing a certain political agenda, and this is a claim that is at least conceivably subject to empirical verification and falsification. Can he prove his claim? No. But I don't think he necessarily needs to. It's fine to just throw stuff out there and speculate sometimes. We can just chill and mull it over for a while. We're just brainstorming. Opening ourselves up to new possibilities.

The question of "standards of academic scholarship" is an interesting one. This is, again, something that will vary heavily based on context, but I'd say that in general continental authors would have some issues with your conception of academic rigor, and would be more likely to see their work as being continuous with "ordinary" thought and speech, as opposed to being distinguished by a particular kind of academic methodology. More like internet shitposters than scientists. (And your revealed preference is that you do see a place in the world for internet shitposting -- you're here, after all.)