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Well, the use of the term "speculative fiction" is somewhat problematic, as the young people say nowadays, because back in the 60s/70s when the New Wave was riding high, popular writers like J.G. Ballard starting going "No, I don't write science fiction, I write speculative fiction" and wanting to be shelved along with the literary writers not on the SF/genre shelves in book shops.
This was seen as biting the hand that fed them because they had made their bones in SF, by using "speculative fiction" they could hang on to the "SF" label and thus maintain sales to the skiffy fans while getting the ego-stroking of Proper Literary Critics (even if literature sold much more poorly and thus they would never make a living if they relied on Proper Literature sales alone).
Those who tended to go for "speculative fiction", be they critics or authors, were perceived as looking down their noses at the grubby proles of SF, hence why Atwood annoyed some (including me) by writing SF or using standard SF tropes in her writing, then loudly going "no no no it's literature not science fiction" in interviews (granted, she did mellow on that later on).
So what the fudge is Oryx and Crake then, Maggie? I do find it tedious when these types go "well ackshully skiffy is about robots and rockets, I don't write about that, so I don't write skiffy, I write Propah Litterachur". Ray Bradbury, may the heavens be his bed, was never one bit ashamed of being a filthy genre writer, even though he wrote across many genres and did film scripts as well, and his science fiction was often of the decidedly "soft" kind, not all robots and rockets (and what the hell is wrong with robots and rockets, anyway?). Even Atwood need not be ashamed of having written Dark They Were, and Golden-Eyed (if she ever got to write anything as good).
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