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I've long had a soft spot for Rockstar Games' controversial stealth/survival horror title Manhunt from 2003. The premise of the game sounds like it was tailor-made to get Jack Thompson's knickers in a twist (to the point that even some of Rockstar's own staff found it objectionable1). You play as an inmate on death row called James Earl Cash who has his execution faked by a mysterious benefactor, who then forces Cash through a gauntlet of urban environments patrolled by violent gangs actively hunting for him. Cash is hopelessly outnumbered, so must resort to the game's core mechanic of "executions": he can sneak up behind gang members and stealth-kill them with a melee weapon, whereupon the camera shifts to a grainy pseudo-VHS perspective. For, you see, Cash's benefactor directs snuff films (for which purpose he's installed CCTV cameras all around the city), and wants Cash to be his "leading man". And these films aren't just a way of making ends meet, but very much a "passion project" for the director: if Cash murders a gang member in a particularly gruesome fashion, he will commend Cash in his earpiece, or even moan orgasmically. (The fact that the director is portrayed by the wonderful Brian Cox lends him a great deal of seedy charisma.) And in spite of the PS2-era graphics, many of these executions remain positively revolting to watch, aided by the game's impeccable sound design.
It's a tremendously fun game that makes you feel tense and anxious while playing it, then dirty and ashamed afterwards, aided by the game's meta, self-referential qualities (the player character is being "controlled" by an overweight creep sitting in the dark in front of a computer monitor, who orders him to viciously murder people for no better reason than his own sick amusement — no prizes for guessing who he's meant to represent). I've played it several times before, but always on the normal (or "Fetish") difficulty, for which the UI includes a circular "radar" which shows the position of gang members in your vicinity, which way they're facing and how alert they are. I'd read that this radar is disabled on hard ("Hardcore") mode, which I assumed would make the game practically impossible (even "Fetish" is plenty challenging). I recently completed my first playthrough on "Hardcore" mode, and I quickly realised that it's the purest way to play the game. It's not a "deconstruction" of stealth-based games, but it's clearly aiming for a more grounded, down-to-earth approach to the genre than is typical (and it still feels refreshing to play a survival horror game with no fantastical or speculative elements whatsoever). Cash isn't a Sam Fisher or Solid Snake with an array of hi-tech gizmos at his disposal: he's just an ordinary guy thrust into a situation beyond his understanding, with nothing to guide him but his wits and whatever weapons he can get his hands on (you kill your first enemy by smothering him with a plastic bag, and even in the late game shards of broken glass are invaluable tools). Without the radar, you have to proceed cautiously and play close attention to the direction the enemy chatter is coming from, just as Cash would. It's a very effective means of putting the player in his shoes, and makes an already tense and stressful game positively nerve-wracking. Highly recommended if you've never played it before, and a suitable game for spooky season. But if you're trying to persuade your loved ones that video games are more than disgusting exploitative "murder simulators" — well, maybe don't show them this one.
1 "It may sound surprising, but there was almost a mutiny at the company over that game. It was Rockstar North's [the Scottish branch of the company] pet project — most of us at Rockstar Games wanted no part of it. We'd already weathered plenty of controversy over GTA3 and Vice City — we were no strangers to it — but Manhunt felt different. With GTA, we always had the excuse that the gameplay was untethered — you never had to hurt anybody that wasn't a "bad guy" in one of the missions. You could play completely ethically if you wanted, and the game was parody anyway, so lighten up," Williams writes.
"Manhunt, though, just made us all feel icky. It was all about the violence, and it was realistic violence. We all knew there was no way we could explain away that game. There was no way to rationalize it. We were crossing a line."
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