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Notes -
Danny Boyle's Steve Jobs, penned by Aaron Sorkin, was a transparent attempt to recapture the magic of The Social Network, Sorkin's earlier film about a brilliant tech entrepreneur whose arrogance and single-mindedness ends up compromising his relationships with his loved ones. It was slated on release, but I thought it was actually quite good, with an interesting narrative structure, great performances all around and some clever cinematography to reflect the passage of time. What was lacking compared to the earlier film was the propulsive force of Nine Inch Nails's score and a strong narrative through-line: Steve Jobs just ended up feeling too episodic for the audience to feel consistently engaged throughout. Each of the three "acts" could have been broadcast as an instalment of a three-part miniseries without compromising the emotional effect one iota.
Slayed? Panned?
To slate:
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