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Notes -
I just went to the 97th Grand National Exhibition of the American Artists Professional League, which is an association for artists working in traditional, realistic styles. I would say about 75-80% of the paintings exhibited, particularly landscapes, were in the league that I could expect an internet artist to potentially reach. They're fine, but they're not special. The top stratum of paintings (mostly still lifes and portraits, some more dynamic scenes) were on a truly qualitatively different level. I have seen a lot of internet artists, filtered through imageboards and feeds that select for quality, and nobody is even close. These top-tier paintings were generally in the $2-5k range, so much lower than works painted in traditional styles I've seen for sale in e.g. London, that I can't imagine that all of these artists are in fact rare, innate, generational talents hidden by the zeitgeist (in fact, some of the most technically accomplished ones had pieces of clumsiness in the composition or subject choice that would be harshly criticized in an Old Master); I think they're just high-percentile artistic talent people who studied really hard and figured out some beautiful but realistic ways to paint stuff. And it's this level, the type of true old skill, that's falling away.
Partly, I think that's a function of the internet and economics. People are more willing to pay $5 a month for a stream of anime girls than they are to pay $5k for a physical painting, and these skills have fallen far less in, say, South Africa, where art is cheap but the cost of living for a middle-aged artist is even cheaper. And these skills are inherently meatspace-locked, not just in creating the art but in appreciating it. As I've said before, a physical painting is a totally different experience from an image on a screen. For instance, this was probably my favourite painting in the exhibition, and I would have purchased it instantly if it was for sale. But it looks like shit, honestly, on the website, because the screen loses the illusion of depth that makes the painting so compelling. I looked at that painting for quite some time and my brain couldn't but see it as a 3D object, even if I moved around it (this is the same with impressionism and abstract expressionism, you simply cannot begin to get them without having experienced their depth illusions in person). This is downstream from many things over the last two-three decades but such is life, we live in a society joker.jpg.
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