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Friday Fun Thread for May 1, 2026

Be advised: this thread is not for serious in-depth discussion of weighty topics (we have a link for that), this thread is not for anything Culture War related. This thread is for Fun. You got jokes? Share 'em. You got silly questions? Ask 'em.

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As a confirmed Breaking Bad hater, I have read the AV Club's "The case against Breaking Bad" article many times, as it articulated almost everything that I disliked about the show, including its cinematography. Even fans of the show have acknowledged how silly the "Mexico is yellow" thing is, but this was the only source I've seen that criticised the overuse of jitter cam, something I found really annoying and distracting:

But even in the look of the show, clichés abound. In Breaking Bad, the sky over Mexico is always yellow. Much of the show, including its quietest moments, is afflicted with an unmotivated camera shudder that will date the show as badly as the excessive use of zooms dates many films from the early '70s.

Once this was pointed out to me it became hard to unsee. Last October I compiled a list of "classic" horror films I'd never got around to seeing, including Black Christmas. I did enjoy it (if for no other reason than my enormous crush on the young Olivia Hussey – my word, just look at her), but that specific thing where a character delivers a line of dialogue accompanied by an extremely slow zoom-in on their face is such a 70s trope, and almost always comes off as incredibly corny and immersion-breaking. You rarely see it in movies made before or after the 70s.

Check out a couple of clips of The Shield on Youtube for the most relentless and egregious use of camera movement. It's almost unwatchable.

I will never understand people who say that Nolan is a competent director of action films. Nauseating disorientation =/= excitement. Paul Greengrass has a lot to answer for.

The action parts of Nolan's films are by far the worst parts. The snow battle scene in Inception drags the film to a total halt. I was bored senseless during the tunnel/truck chase scene in The Dark Knight. It's almost impressive how his action scenes can be so dull.

Don't get me started on the zoom-ins of the 70s, one of the corniest filmmaking devices employed in that era. Jittery handheld style is all over many films of that era as well, for what it's worth, especially those who wanted to emulate the new wave feel.

I liked Breaking Bad enough but the cinematography was not the strong point. Some of the filmography on Gilligan's new project Pluribus possibly surpasses the lows of Breaking Bad, this scene in particular where Carol is on the rooftop reminds me of The Room; the green screen is executed so sloppily that Carol outright does not have a shadow. Then there is this, which is somehow even worse. The per episode budget was $15 million.

Some of the filmography on Gilligan's new project Pluribus possibly surpasses the lows of Breaking Bad, this scene in particular where Carol is on the rooftop reminds me of The Room; the green screen is executed so sloppily that Carol outright does not have a shadow. Then there is this, which is somehow even worse.

Jesus Christ, you weren't kidding. I have seen AI slop which looked more convincing than the latter clip.