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Notes -
I think political messaging in the original Star Wars is mostly in visual design. Aside "the indigenous tribesmen rise up" plotline of the 3rd installment, most of the drama is interpersonal and operatic. Protagonist literally starts out to rescue a royal princess who also happens to be a leader of the rebellion. Bit uncertain which vibes are stronger, running on the fumes of WW2 Allied imaginary (where constitutional monarchs and left-wing rebels found themselves allies of convenience) or tapping into a half-fairytale half-Shakespearen logic of righteous and popular monarchs. Protagonists are important because they are princes of magical blood.
Andor is the first installment of Star Wars I've seen where acts of rebellion are presented as a political mass uprising of city-dwelling people of industrial society the leftists have liked to imagine. There is a speech that literally spells out the theory of compounding individual action resulting in unstoppable mass action. Initial organized insurrectin is spearheaded by politically aware revolutionary vanguardists, nearly rhyming with the Leninist theory.
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