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What else could it possibly be? Iconoclasm is still, ultimately, a form of respect for the power of the idol. True contempt is indifference.
Since 2024 even Richard Dawkins calls himself a Cultural Christian. All the parts of New Atheism that aren't ex-muslim apostates are so pretty much. And Old Atheism was so self evidently.
No, it's also about making things not happen. Which is mostly what cultural victory is about. Long settled arguments about things you don't even think about like whether children owe anything to their parents, whether individuality has any value, whether you should obey the law or your own internal morality first or whether humans can be property.
People say Tradition has no power, and then go on to not do all the things Tradition managed to eradicate.
Where is the power of Christianity? In that a lot of the things you list as contrary to its doctrine are still viewed as either outright sins or objects of moral debate. A civilization without this influence simply does not ask such questions.
It is waning though, you are right about that. Time makes everything diminish. And Western civilization is old now and far into its second barbarism. But just because power wanes doesn't mean it ceases to exist as a factor. The Romans still have eminent effects on us down to how we record time itself, never mind half of the world's laws.
Almost none of these are actual pagan stories full of pagan virtue though. They're Christian subversions. God of War was almost so explicitly.
The stories that actually extol pagan values are few and far between, and almost all of them are products of Nietzscheans like Milius or Coppola who are still haunted by the corpse of God despite their best efforts to transcend him.
To be the most valiant opponent of something is to be its strongest proponent. Someone who isn't irremediably a son of Abraham would simply not think about him at all. Not make endless art about his mythology.
Gaze into the Abyss and it gazes back into you. Black Sabbath is Christian Rock.
Which are all still derived from a cultural substrate. A setting is nothing but set dressing for themes. Which are in turn simply expressions of a worldview. All art is propaganda for something as Orwell famously said.
The Soviets had scifi stories that weren't about Christian themes, or at least not so directly since those values were still filtered through Marxism and irrigated by non-western cultural input like Cosmism. Even China today exports award winning scifi that works from its own cultural lens.
But the West can't run away from its own shadow. It is futile to try.
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