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Notes -
I've had the opposite experience. When I'm miserable I don't have any desire to listen to music, and when I'm in a good mood I'm more likely to want music on. One would think that a compulsive listener such as myself would take advantage of the 8 to 10 hours a day I have available to listen to music at work, but I rarely do. And when I do, it's usually because I have a lot of work to do, there's a long album that's on the list due to completeness but I don't have much faith in and am thus dreading to listen, and I save it for a time when I have a ton of work to do and not a lot of time to do it and hope that the tedium of listening to a long, lousy album dilates time to the extent that allows me to finish in a reasonable amount of time. Worst case scenario, the time evaporates along with the album. It's basically a hedge.
Fortunately I mostly listen for enjoyment, and I try to combine my listening with activities that I find enjoyable as well. The upshot is that if there's something I want to listen to I'd rather save it for when I'm on the bike, or out walking in the woods. I've put entire bands on hold for the winter because I know I'll enjoy them more when exercising outside in warm weather. Typical itinerary, some years back, which has changed only because the music I listen to changes based on what I haven't heard yet: Bike ride, late Saturday morning into the afternoon, maybe I have a picnic to attend later in the day, so I'm on a schedule. Enough time for a 20 mile trail ride. Start with Krautrock, something repetitive to get me in the pedaling rhythm. Then move on to 70s hard rock like Humble Pie or Faces, something a little more exciting, as the heat of the day builds. This is what I'm listening to at the turn around point. Then switch over to something more Americana, maybe Ry Cooder, as it's now afternoon. Totally different if I'm going for a 6 mile walk after dinner, which I was doing every day for a while on the same path: Start with Southern Rock while it's still broad daylight. As the sun gets low in the sky, switch to British Folk, like Dando Shaft or Lindisfarne, and as I'm approaching my car at dusk let things get a bit darker, like early Pink Floyd or Procol Harum.
Have you been following the CAN archive releases? Or perhaps you knew them from the circulating bootlegs, but either way, some amazing stuff in there. The first release, Stuttgart 1975, remains my favorite.
Also, the Beat Club channel out of nowhere 2 weeks ago dropped new CAN footage from 1971: "Halleluhwah". The footage for "Paperhouse" has been around but as far as I know the new one was never previously available.
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