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Friday Fun Thread for April 28, 2023

Be advised: this thread is not for serious in-depth discussion of weighty topics (we have a link for that), this thread is not for anything Culture War related. This thread is for Fun. You got jokes? Share 'em. You got silly questions? Ask 'em.

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Reminds me of this short-ish essay from 2005 (?):

https://web.archive.org/web/20140508105717/http://plover.net/~bonds/objects.html

[...] My theory is that for something to attract fans, it must have an aspect of truly monumental badness about it.

[...] Once a work passes a certain basic all-round level of competence, it doesn't need the defence of fandom. It's impossible to imagine a fan of Animal Farm, the Well-Tempered Clavier, or the theory of gravity. Such works can defend themselves. But badness, especially badness of an obvious, monumental variety, inspires devotion. The quality of the work, in the face of such glaring shortcomings, becomes a matter of faith -- and faith is a much stronger bond than mere appreciation. It drives fans together, gives them strength against those who sneer. The sneers make their faith even stronger; the awfulness of the work reassures them of their belief. And so the fan groups of Tolkien, Star Trek, Spider-man, Japanese kiddie-cartoons etc. develop an almost cult-like character.

I need to stress that I'm just talking about aspects of badness; the above works all have their many admirable qualities which attract people in the first place (though in the case of Anime I'd be hard-pressed to tell you what they were).

If Bach did not have fans when he was alive that seems to have more to do with when he lived than anything, I know Beethoven had fans. Or is he specifically talking about The Well-Tempered Clavier and not including more general fans of Bach's work, or for that matter modern fans of classical music? Because it seems like there are better factors than "badness" to explain the distinction: one or more of whether a work is serialized, whether a work is long, and whether a work is well-suited to additions by fans and other third-parties. Factors like those mean there is more to discuss on an ongoing basis, rather than just reading a book or listening to a specific piece, saying it's good, and that's it. Notice how elsewhere he has to group together "Japanese kiddie-cartoons" - because anime and manga are mostly a lot of different creator-written works, rather than a handful of continually reused IPs, most individual anime don't have a fandom, or only have a miniature fandom/discussion-group in the form of some /a/ and /r/anime threads during the season they air. Anime movies have even less. Similarly in the era of sci-fi short-stories there was a sci-fi fandom but not fandoms for individual short stories and little for individual novels.