to the point the characters don't even have names but are only known by the archetypes they represent.
I'd like to point out (once again) that Goblin Slayer is far from the only fantasy-genre anime or manga to do this (the treatise on medieval economics that is Hero and Demon King comes to mind), and it's more than just "they've been boiled down to pure archetypes," because there's an element of Japanese culture at play that Westerners tend to miss.
Almost none of the characters in the original text are given an explicit name. They are instead referred to by their function or role (e.g. Minister of the Left), an honorific (e.g. His Excellency), or their relation to other characters (e.g. Heir Apparent), which changes as the novel progresses. This lack of names stems from Heian-era court manners that would have made it unacceptably familiar and blunt to freely mention a person's given name. Modern readers and translators have used various nicknames to keep track of the many characters.
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Because it was written to entertain the Japanese court of the 11th century, the work presents many difficulties to modern readers. First and foremost, Murasaki's language, Heian-period court Japanese, was highly inflected and had very complex grammar.[11][12] Another problem is that almost none of the characters are named within the work. Instead, the narrator refers to men often by their rank or their station in life, and to women often by the color of their clothing, or by the words used at a meeting, or by the rank of a prominent male relative. This results in different appellations for the same character, depending on the chapter.
Thanks to the enduring cultural resonance of Genji, and centuries of later works referring back to it, it has left an enduring sense of these sorts of Heian-era manners as a distinctively "old-timey" characteristic. Referring to characters entirely by job or rank or station or trademark attire — like "Purple Lady-in-Waiting" — is a deliberate attempt at aping this style. Like pseudo-Shakespearean dialogue in an English-language work, it's a cheap and easy trick for quickly creating an archaic "long, long ago" feel.
I'd like to point out (once again) that Goblin Slayer is far from the only fantasy-genre anime or manga to do this (the treatise on medieval economics that is Hero and Demon King comes to mind), and it's more than just "they've been boiled down to pure archetypes," because there's an element of Japanese culture at play that Westerners tend to miss.
Read The Tale of Genji:
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Thanks to the enduring cultural resonance of Genji, and centuries of later works referring back to it, it has left an enduring sense of these sorts of Heian-era manners as a distinctively "old-timey" characteristic. Referring to characters entirely by job or rank or station or trademark attire — like "Purple Lady-in-Waiting" — is a deliberate attempt at aping this style. Like pseudo-Shakespearean dialogue in an English-language work, it's a cheap and easy trick for quickly creating an archaic "long, long ago" feel.
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