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EdenicFaithful

Dark Wizard of Ravenclaw

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joined 2022 September 04 18:50:58 UTC

				

User ID: 78

EdenicFaithful

Dark Wizard of Ravenclaw

0 followers   follows 0 users   joined 2022 September 04 18:50:58 UTC

					

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User ID: 78

So, what are you reading?

I'm picking up Zurayk's The Meaning of the Disaster, which established the term Nakba (ie. the disaster) related to the Palestinians. I've seen it mentioned several times in articles by pro-Israel writers, typically to point out that the "disaster" was that Arab countries failed in their war against Israel, and not just the unprovoked displacement of the Palestinians. I wondered how the source text itself would read.

It is refreshing to read a foreign opinion on the topic, however dated. One does wonder if his take on international Jewry, which reads a lot like conspiracy theories of the West, was an indigenous one born from dealing with the West from the outside, or an imported one.

Also picking up Herzl's The Jewish State.

So, what are you reading?

I’m on Gardiner’s Athletics of the Ancient World, after reading the paper Mens Sana in Corpore Sano? Body and Mind in Ancient Greece by Young which was in part very critical of him. Still going through Reagan in His Own Hand and The Future Does Not Compute.

So, what are you reading?

Still on Future Shock, The Cheese and the Worms and Scaramouche. Also going through Committing Journalism: The Prison Writings of Red Hog.

So, what are you reading?

Still on Human Action and The Future Does Not Compute. Also finding my way back to the Bible, chiefly due to a growing interest in Ronald Reagan. As always, Ecclesiastes steals the show, though this time around Proverbs has resonated as well. It has been a very long time, and it’s apparent to me now that whatever the Bible lacks in technical quality, it makes up for in structure and direction. It is easy to forget its uniqueness.

So, what are you reading?

I'm on Arsène Lupin, Gentleman Burglar. The writing is smooth and the character is great, though still hoping it will be more than just entertaining.

Wadsworth's The Poacher from Stratford, a book on the Shakespeare authorship question, has an unfortunate aspect of subtle but pervasive mockery under a veneer of objectivity, perhaps somewhat deserved, but still frustrating. Very rarely Wadsworth deigns to break the illusion and offer the most inane forms of contempt (“J. Thomas Looney, not to be confused with the Baconian, George M. Battey”). The information itself is appreciated, though by now at least some of it is known to be inaccurate.

For those anti-Stratfordians who seem more likely to have mental issues, there is often an element of a “hidden place” or something similar, some one thing which establishes complete proof of the proposition but is not really intended to be checked. Delia Bacon claimed that she had a historical study which proved her case that Francis Bacon was Shakespeare, one which she never published, and also that manuscripts would be found in Shakespeare’s grave, but (if what I’ve read is true) she lost the courage to unearth it. Similar things are noted in some of the other anti-Stratfordians, and not only Baconians. I wonder if something like this is necessary to underpin the general faith for certain kinds of minds. They may even believe it. Perhaps Delia never did write that historical study, but had a false memory that she did. In her telling, “It seemed better to save to the world the power and beauty of this demonstration, its intellectual stimulus, its demand on the judgement.” I do still wonder about the accuracy of reports of her insanity, given that this was the 19th century.

The book, in my opinion, gets less interesting after the Baconians are dealt with, no doubt because the Oxfordians were recent history at the time this book was written. Greenwood and Looney are given short thrift, and the familiar ciphers and buried documents take center stage again. I’m not finished yet, so there is still space to impress me.

Overall, it was worth reading, with some caveats. There are hints of familiar tropes, such as Shakespeare’s “genius” and allegations of snobbery, but these are surprisingly subdued. Most of it delves into details about the works and methods of anti-Stratfordians, with some terms like “literary sincerity” (the idea that an author’s life necessarily exerts a direct influence on his art) perhaps deserving a second look. The evident sneering (at least, that’s what I saw, it isn't always open) thoroughly undermines any claims to fair play, and it leaves an unpleasant image of a face behind the mask which outwardly says “Our role should be not to suppress debate but to instruct students how to consider the Oxfordians’ (and others’) arguments carefully and thoughtfully.” Nevertheless he did after all bother to write a book about the topic. A somewhat inauspicious but still valuable beginning to academic overviews of the topic.

So, what are you reading?

I’m still on This Star of England, and picking up Kropotkin’s The Conquest of Bread.

Writing advice is meant to be absorbed and then ignored. You have to do your due dilligence and take it all in, and of course you need to get the fundamentals down (don't skip the fundamentals), but you should know how to ignore advice.

Some writers will tell you two different things if asked the same question at different times. The value of the corpus of words words words which constitutes writing advice is simply that it exists in all its sprawling horror. It is there to be consulted when you're lost. It won't teach you everything you need to know right now. It's an immanent tool, not a fixed pattern. It is the I Ching with mildly better results.


That said, some writing advice.

  1. Do you have a coherent message? Can you put it in words, in a paragraph or two?

  2. Signal-to-noise ratio is the single most important thing after message. You can equally damage the communication by mulling over things too much which the reader won't care about, even if it is of high technical quality. On the other hand, some things work simply because high techical quality was the point. What's important is if the message is transmitted.

    You only need so much of each aspect as to get the message across effectively, and too much takes the focus away from the message. Your readers aren't stupid. Give them what you value in a form which they can accept, and they'll fill in the gaps themselves, sometimes by doing their own research.

  3. There really is no substitute for words outputted as far as getting off the ground goes, assuming that you haven't written lots and lots of words already. If you struggle to rack up words with a project which seems important to you, find a really dumb one which you won't take seriously (you don't have to hate it), anything that you can actually just write (you don't have to publish). You can't reflect on your writing if you have no writing to reflect on, however bad, and the mind seems to do this automatically.

    Everyone is telling you to do this because we've all been there. At some point, it clicks, and it seems to do so simply by the amount of words. When you're there, at least you'll have a more realistic idea of where you stand and what your prospects are. The way you sound, I wouldn't trust your opinion of yourself.

So, what are you reading?

I’m on Wadsworth’s The Poacher from Stratford, a now somewhat dated academic book on the Shakespeare authorship question which affirms the orthodox case and studies the skeptics.

So, what are you reading?

I’m reading Greenwood’s The Shakespeare Problem Restated, an old book positing that the man from Stratford didn’t write the plays, without suggesting a candidate of its own. It is remarkable how little the conversation has changed. Skeptics are still being called crazy reactionary snobs, and orthodox scholars are still being told that they’re appealing to authority, inertia and speculation.

Also going through Clifford’s The Ethics of Belief and James’ The Will to Believe, both short works. So far Clifford’s essay, which posits that one has a moral duty to base his beliefs on verified evidence (or something like that), is beautiful in its initial purity but gets a little confused when it has to make a framework for ethically believing in what others (like experts) say. Well worth reading in light of squabbles over conspiracy theorists.

So, what are you reading?

Still on Hurewitz' The Struggle for Palestine. Slow progress. The topic of education has stuck in my mind. Jews educated young Zionists in schools on the Continent, while Arab Palestinians couldn't help but be influenced by their local peers.

Zurayk made an interesting comment in his book The Meaning of the Disaster that Jews spent their youths being influenced by all kinds of "isms." If we pare down his evident outgroup prejudice (he includes Naziism), there was a point being made there. From an Arab point of view, the Jews were importing a great deal of the rest of the world's thought. But taken literally, it seems that the Arabs lacked the desire to empathize because they were busy berating their own people in a nationalist educational program.

Meanwhile, the "national home" of the Jews became a done deal, and because of the pressure for emigration from Europe and its underlying reasons, Arab maximalist goals, rightly or wrongly, moved further and further away from their grasp.

So, what are you reading?

Still on Future Shock and Galactic Patrol. Rereading Bernays’ Crystallizing Public Opinion. Bernays has been on my mind often while watching the US election unfold. I think he would have disapproved of the Harris campaign's choices.

Zimmern, although it looks like the standard one is Kaufmann.

So, what are you reading?

I’m still on Hülsmann’s Abundance, Generosity and the State. Also going through Ogburn Jr.’s The Mysterious William Shakespeare, an Oxfordian tract. So far it has been a lot of interesting information well-presented, though occasionally I find his logic odd.

So, what are you reading?

I'm still on McGilchrist. Picking up The Count of Monte Cristo again, from Dantes' escape.

Seems to be from 1975-1979, not long before his presidency, although the last section has miscellaneous writings from 1925-1994. It’s very engaging, much better than I would expect from a politician but not as dense as an actual book. The lack of a voice definitely diminishes his usual impact.

According to this CIA pdf there’s been a reappraisal in the 2000’s. As for my own previous impression, they were coloured by brief and likely misremembered readings of Lou Cannon’s work, which gave me the impression that he was aloof.

So, what are you reading?

I'm still on This Star of England and The Conquest of Bread.

So, what are you reading?

Still on Future Shock and 12 Commandments. Picking up Bloom’s Closing of the American Mind.

So, what are you reading?

Still on Future Shock, The Cheese and the Worms and Scaramouche.

So, what are you reading?

I’m still on The Future Does Not Compute. Also trying to catch up on my Shakespeare with The Tempest.

So, what are you reading?

Still on Future Shock, 12 Commandments, Crystallizing Public Opinion and Galactic Patrol.

More generally,

  1. That will never happen.

  2. When it happens, you will fucking deserve it.

Male protagonists are often in a sense sex symbols for women. You can't easily write a leading role of a female sex symbol. Competent male leads work for both men and women. James Bond is an obvious example of a character tailored in some ways to female tastes.

As to your question, I have never thought of Major Kusanagi as anything other than incredible.

So, what are you reading?

Still on The Master and his Emissary, slow progress. This book has a way of making one reflect on things he's heard or seen in the past.

The right temporal region appears to be essential for the integration of two seemingly unrelated concepts into a meaningful metaphoric expression. Fascinatingly, however, cliched metaphorical or non-literal expressions are dealt with in the left hemisphere...

I recall George Orwell's (I think?) quip that people were forgetting how to make their own metaphors, and were just using ones that don't have any relation in themselves to the topic at hand or to each other.

Edit: There's a good book thread in the Fun Thread.

So, what are you reading?

I'm picking up Kendi's How to Be an Antiracist. It has been on the backlog for a while as an influential book, but a careless thought has finally given me a reason to be interested: I wonder what impact wokeness has had on highly successful minorities.

Paper I'm reading: Thiele's Things Fall Apart: Integrity and Visibility in Democratic Liberal Education.