Ex_Nihilo
1yr ago
Honestly? I have to know who wins the Champions League this year. And the next. And whether Haaland becomes a true rival to Mbappé. And what the coaching career of Will Still looks like. And how good Endrick becomes. And if the USMNT will ever win a World Cup. And whether I’ll get that interview with Carlos Valderrama. And what that opportunity will lead to. And whether my work will be produced at a high level. And what that achievement might mean for finding love, simple happiness, and stature in my industry.
And when Michigan State will win the Big Ten again.
Ex_Nihilo
1yr ago
I’m fascinated by the female propensity to watch ads, to the extent that nearly half of all commercials during sporting events are aimed toward women. What’s going on there?
Working in Far-Left Environments; or, The Schindler-Bonhoeffer Spectrum
I (justly) don't tend to bring about much sympathy for being a logos-based rationalist in the overwhelming pathos of academia, which is why I have, on many occasions, mused to myself about why I legitimately desire to stay in a hostile environment as the very definition of The Enemy. The work is rich and fulfilling, the students are extraordinary and curious, and I have found a feeling of purpose that always eluded me in Industry.
And yet...
The feeling of being a "sheep in wolf's clothing" is ever-present, and the anxiety of "how long before I'm finally discovered" flashes constantly in the back of my mind.
To process this paradox, I have devised a system that helps justify and/or explain (to myself, if not to anyone else) what exactly I'm doing here:
I must choose a position somewhere between two polar opposites, both of which I have seen in others and one of which tends to work in the long term.
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BE A BONHOEFFER || Attempt to diligently do your work in your own little corner until you can no longer pretend that all is well. At the moment the Eye of Sauron finally scans your hiding place, don't let them get the first shot off. Strike before they understand your true belief system, with the full understanding that failure means it's all over, probably in the field as a whole, not just that one place of employment. Be viewed with respect by those on "your side," even if some people are saying your time and/or manner was all wrong.
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BE A SCHINDLER || Do everything in your power to appear the pristine model of their belief system, going to political functions, advocating for their causes, volunteering for all the seminars encouraging the community to smoke out the very thing you secretly are. Work diligently under the table to undermine their platform and save their targets of elimination. Survive and thrive as long as no one suspects that "there's something weird going on with that one wolf." Fall to the permanent blacklist if caught. Be viewed with reluctant respect by those on "your side" (after all, you did help to promote causes for the "other side"), even if those you "saved" don't fully realize what you put on the line for them.
My question: Is this a valid system of judgment? What have I neglected to think about? Can I really Schindler my way to retirement?
I’ll answer not just for the US, but for the world:
The FIFA WWC, like professional women’s leagues and the Paralympics, is an exercise in charity and post-Christian generosity.
If the question is the magnitude of the WWC on a financial scale:
While there are indeed some supporters of female athletes, none of them watch for the quality of the game. Some are interested in the few celebrity athletes like Marta, Rapinoe, Morgan, etc.; some are interested in the teams because the badge on their shirt matches that worn by great male athletes; some enjoy watching their respective national teams in everything from table tennis to water polo. The sum total of those viewership demographics doesn’t even justify FIFA’s broadcasting fees and advertiser dollars; add to that the many women footballers who wish to self-identify as millionaires and there’s a negative value in the pot. But the men’s game makes money on such an exponential scale that FIFA can rob Peter to pay Pauline without anyone raising an eyebrow.
If the question is the magnitude of the WWC on a sporting scale:
The only reason anyone is genuinely interested in a women’s football team is because the great men of history got them interested by playing the game at a superhuman level, and virtually no one is genuinely interested… especially women.
If I take an interest in my club or my nation’s U21 or B Team, there is at least a cohesive interest there: one of those seemingly unimportant names could one day become a legend. If I take an interest in my club or my nation’s women’s team, I’m cheering for the badge and supporting the name only because the men's badge is upon them, just as I might look more fondly on Miller Lite because they put the badge on their can… “well, it doesn’t really mean anything, but I like the men’s team and want to incentivize great things coming to them in any way, shape, or form.”
Indeed, it seems the women footballers themselves don’t care about the quality of the game… just a few hours ago the USWNT were laughing and enjoying themselves after embarrassing their national colors on a (paltry; see above) global scale. They know the real issue is the culture war, and they’ve already won a bigger prize than any silly gold cup in that arena… they forced the hand of their national federation, stole money from the men’s team, and persuaded PMC women that the boys were being big meanies… all over a completely fabricated issue in which they were the liars and the men were the victims.
And that’s the bigger point. Most “supporters” (can you be a supporter if you never watch the thing you support?) of women’s football support the idea of women’s football rather than the game itself, as part of the timeless playground tug of war between boys and girls (and, on the girls’ side, the white knights). In light of that tug of war, the WWC even existing is such a victory that the argument could have ended right there, except that, of course, there will never be an end and we will always be expected to give up more and more resources into the bottomless pit of women’s sports because it makes the people whose hands grasp the wrists of those in power feel good.
It’s a good video, but it unexpectedly reminded of the sad ways some of my past girlfriends were “gravely funny,” like they could come up with funny things and recognized when something was stupidly hilarious, but wouldn’t actually laugh at any of it… they were clever enough to see the opportunity for a joke but couldn’t enjoy the delivery, as if they had to be “corporate” or “grown up” all the time but still wanted to ensure they had a humor slider setting.
Ex_Nihilo
1yr ago
Thank you for sharing that. It's surprisingly heartening to hear of others in similar situations.
To draw from the example of Dietrich himself, the Bonhoeffer is more outwardly counteractive than the Schindler from the very beginning:
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Forming and/or joining groups and associations meant to oppose the oppressive ideology, with a particular concentration on reforming the thought processes of schoolchildren and young adults.
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Constantly plotting with sympathetic colleagues about how to strike the seat of power at the opportune time.
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Leaving academia (as Bonhoeffer did) as a countercultural statement.
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Signing one's own name to inflammatory documents and incriminating papers.
I also generally operate on your concept of balance; not being seen to advocate for the dominant ideology while building up just enough evidence in my favor that would give pause to any Inquisitional tribunal with suspicions that I am against them. I intend to live to see the end of this war, and to have had a hand in deciding its victor.
Ex_Nihilo
10mo ago
When the President of the United States can hire a public employee to the highest court in the land with a brazen declaration that Progressive Racism will be followed to the exclusion of the majority of qualified candidates, it’s probably quixotic to imagine change in your local workplace. Consider Biden the alt-Woodrow Wilson and yourself the alt-target of Wilsonian federalized bigotry. Going by the original timeline, we’re 50 years off from civil rights.
Yes, you're definitely on to something there. It's not that I don't enjoy meeting women with enthusiasm and knowledge of the game, it's just not the time and place (which now seems like the most taboo of ideas).
But there's something else happening there too. In 2022, women are, generally speaking, the enforcers of Woke Morality and, therefore, The Fun Police. This morning the BBC panel were rhapsodizing on how the World Cup needs to be about unity, diversity, equality, etc... and very much downplaying the competitive and nationalist aspects, both of which now seem verboten to glorify. So on a bigger level, it is ironically as if women in sports act as the executioners of real diversity, substituting it for a puritan globalhomo ideological version of Soylent: all the nutrients in controlled amounts with no variety, ever.
Ex_Nihilo
5mo ago
The degradation of Harvard won't begin on the side of the applicants, but with elite employers and the families who run them. Whether or not this week's scandal has any permanent effect, the headlines have absolutely put a microscopic chip in the edifice of Harvard's reputation. The failing is ultimately not the president herself nor the answers she gave, but instead the amount of criticism that has been able to exist without loud pushback from the Left. The fact that Progressive mouthpieces haven't gone full Propaganda Mode to defend the integrity of the Ivy League at all costs indicates something has already started to crumble in the Ivies-as-Progressive-Temples mindset. If any of this has long-term implications, it's likely toward the end of the current top post in this CWRoundup: to shave the wildest edges off of Wokeism in the interest of waterproofing Progressive positions (both professional and ideological) for the long haul.
It's true, I have no analog to the cover of a factory nor to victims of a murderous regime, but I am the only unrepentant member of my race and gender in my department. Time and again I have seen that glint in the eyes of students (male and female) who see me as the last vestige of intellectual masculinity (not that I embody that in any definitive way, but given the environment, I might as well be Tolkien himself), someone who is proud of the Western world and the European legacy (in parts) and who maintains a spine in a world of competitive cuckoldry.
Without sounding too vain, I'm reminded of the Jordan Peterson phenomenon with young men finally finding shelter from a world that hates them. I think about where I and many others would be without 12 Rules for Life and feel the imperative of being the only lighthouse on a rocky shore.
But then again, maybe I am actually doing all of them a disservice by deceiving them into thinking this could be worth their time, deserving of their effort, a reason to be hopeful. Perhaps without me, accelerationism would take over and students who would otherwise "grin and bear it" would leave academia. Or perhaps I have deceived myself, and I truthfully do not alter the confidence and futures of students. Any of the above is possible.
What I want to do is alter the ideological temperature of the department, and I very much understand the impulsive scoff I often hear in reaction to that. But the fact of the matter is I've already seen results in small ways; students thinking about issues from two sides, contemplating perspectives they never would have had reason to consider before. So that vision is still there... essentially, I suppose I quixotically believe in academic reformation with the idealistic chaos of a Disney or Luther. I expect to have visions of the devil within the semester.
Ex_Nihilo
8mo ago
I’ll throw in “Joey Freshwater,” Ole Miss HC Lane Kiffin’s coed-chasing alter ego.
As @ulyssesword suggests, this is a common trope in country music of the 20th century, with a few new entries still popping up from time to time. From the oldest songs like “Knoxville Girl,” “Long Black Veil,” and “Under the Weeping Willow” to relatively modern entries like “You Can Let Go Now, Daddy,” “Wasted,” and even Taylor Swift’s “Love Story;” I imagine that country, as America’s only commercial genre with direct ties to folk song, produced these “twist” ballads in a continued tradition of the European songs you mention.
As an aside, Contemporary Christian Music (as a frequent imitator and proximate neighbor of country music) also produces twist ballads with songs like Steven Curtis Chapman’s “Cinderella,” Michael W. Smith’s “This Is Your Time,” and the mega-hit “Butterfly Kisses” (which contains the common “daughter song” trope of Verse 1 - Birth/Childhood, Verse 2 - Adulthood/College, Verse 3 - Wedding… the trope occasionally branches into Verse 4 - Death).
Ex_Nihilo
1yr ago
Just finished Sowell’s Black Rednecks and White Liberals, an astounding collection of prophetic essays from the early 90s that now ranks as one of the best books I’ve ever read. I anticipate I will re-read it frequently.
Ex_Nihilo
1yr ago
I played against Amy on Jeopardy! before anyone knew who she was (I thought I was going to play against Amodio). Seeing her in the makeup chair from behind, I thought she was an old woman, with the strand of pearls and cardigan and wiry hair. Once I heard her voice, I thought it was pretty obvious that she was trans.
Even dumber than the Ladies Nights at your gym, Jeopardy! hails Schneider as their best-ever female contestant.
Ex_Nihilo
1yr ago
“If they’re unashamed, let us also be so.”
A tungsten turn of phrase if I ever saw one; small but dense, concise but wielding the kind of power that changes the course of a nation’s history.
Ex_Nihilo
29d ago
I think this is my favorite comment I’ve yet read on this forum. You totally and succinctly understand that almost orgasmic feeling of relief when finding that one new piece of art that isn’t completely pathetic.
Ex_Nihilo
4mo ago
the issue wasn’t politicized at all
Quixotically LARPing the American Culture War is Canada’s national pastime.
Observations from a Visit to Walt Disney World
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I was aware of the "Disney Girl" stereotype; I wasn't aware how many middle-aged women treat Disney and its merchandise with a quasi-religious fervor. This seems to inhabit a different space from the mid-life-crisis buying frenzy in men, where guys purchase all the things they coveted in their youth but didn't have the means or freedom to buy then - with the ladies, it looks more like a deeper and deeper retreat into childish escapism, a desire to return to what the world - and the Disney company - once represented for them and no longer does: possibility and wonder. Whatever the reason, I couldn't help but look on these women as "failure to launch" types, and I wonder if this is the first generation appearing that way in the Disney parks - surely there weren't 40-year-old fanatical Disney moms in the 1980s or 90s.
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I had last visited WDW in 2006 and, by the look of things, that was also the last time the park had been properly maintained. Visiting the parks today as an admirer of Walt Disney The Man (TM) seems about as connected as watching modern-day Manchester United as a fan of Matt Busby - everything is a little more pathetic, a lot more expensive, and completely lost from its original intent. It's incredible how the parks had a reputation - not even twenty years ago - of being impeccably maintained experiences so detail-obsessed that even the smells were pumped in. Maybe I'm just older and seeing the things I couldn't have seen as a teenager, but the Disney World of today is about as magical as a Rainforest Café... "okay, I can see that this was probably cool when it actually worked and had a fresh coat of paint."
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It was nice to see the world coming together among the attendees and their many accents, but it only made more obvious that the Mexican Spanish accent really is the most annoying sound the human voice can produce. How did that nasal, reedy, words-strung-together-without-a-breath-for-not-even-exaggerating-five-minutes-or-more dialect come to exist? This must be how British people feel about my accent.
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With all of the... "cleansing"... the parks have undergone in recent years, I was surprised to still see a performing African "tribal band" in Animal Kingdom, complete with animal skins, grass anklets, and face paint. For what it's worth, they did appear to be real Africans and had a fantastic ensemble sound.
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Of Walt's many ambitions for his parks, most hit a high point in the 1990s under Eisner and have been in freefall ever since - the "escapist fantasy," the unrivaled excellence, the obsession with details. The one remaining quality is the melting pot; the mix of the richest and poorest demographics in one place (even if money gets you an "improved" experience). Though I had lost the magical curiosity once felt in Disney World, I did gaze in wonder at near-aristocratic families from Istanbul and Madrid stuck in line behind a family of 400-pound wheelchair-bound Floridians stained with turkey grease. And there are tons - let me make this clear - tons of wheelchairs in the park - like, to the point where the whole place now seems primarily built for the handicapped customer.
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You know that saying about Japan - that they've been stuck in the year 2000 for the last 40 years? There's something of that in Disney World too - they've been stuck in 1990 since 1970. For all their "innoventions" of the last thirty years, the greatest rides are still the original ones - It's a Small World, Space Mountain, Pirates of the Caribbean - really all the dark rides still have a magical quality about them.
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The biggest detrimental change to Disney World (and the company at large) since my last visit in 2006 is the loss of the "Disney identity" or the "Disney feel" due to their acquisitions - and obsessive marketing - of Marvel and Star Wars. Those brands feel so cheap in Disney's hands when compared with what "Disney" used to represent - Mickey and friends, the idealism of a better tomorrow, the wonder of childhood. Every area, every store, every restaurant that used to have a magical aura about it now seems weighed down with sad Marvel gimmicks or flimsy Star Wars plasticware, and the homogeneity of the parks - a homogeneity that used to be so strong as to make Tower of Terror and Toontown both feel like two places in the same universe - is completely gone.
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One thing I was surprised to see thriving at Disney, given the changes in both the parks and the world over the years, was an excellent model of early fatherhood. Many new families still gravitate to the parks, and maybe it's just the now-higher ticket prices, but it seemed a majority of these had a two-parent model with fathers who were sincerely invested in their child's experience - and the wonder of a child at Disney World is really something to behold. I met and got to know a few of these families - many of the fathers were recent military veterans; maybe that has something to do with the demographic being represented.
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Finally, I understand that the Disney company of today is essentially a for-profit entertainment arm of the Democratic Party inhabiting the skin of a once-neutral (okay, right-leaning) organization, and therefore has felt it necessary to purge the shadows of the past. Even so, it was frustrating to me as a fan of Walt Disney The Man (TM) that there is no archival or historical experience within the parks as relates to the company itself. Surely there must be acres of warehouses with artifacts and curios and documents from the past 100 years of the company's existence - how is nothing exhibited in the parks? This is yet another area where I've likely completely misunderstood what the Disney experience is to the modern world.
In summary, a disappointing experience only in the sense that yet another thing that was awesome in my youth - that had the potential to only grow more awesome year-on-year - has instead disintegrated into a bland, sanitized, "globohomo" experience with nothing particularly special about it. If you find yourself in the Central Florida area, I highly recommend making the trip to see some of the real, unsanitized history in the region - Kennedy Space Center, the Spanish Forts, the Dali Museum, the Circus tributes in Sarasota - and to avoid that which was once-great.
Completely agree. He revolutionized his and all other - by way of gesamtkunstwerk - art forms. He was as much a renaissance man as there’s ever been, and the power of his vision (and his ability to execute that vision) is rivaled by a sparing handful of aspirational entrepreneurs: Ford, Disney, Jobs/Gates, Musk. His pamphlet on Jewish Music is an overblown non-scandal due to its later admirers; his views were absolutely standard for his day - more charitable even, in parts.
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