Iconochasm
2. Bootstrap the rest of the fucking omnipotence.
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User ID: 314
I was recently at a Faire type event and briefly saw a family I've known for a long time. The mother was a part of my college-aged social circle, and the older daughter is my son's age. They live down the street, and we have little contact for reasons that will be made abundantly clear.
The younger child, chronologically 5, biologically a son, was clad in a full Faire style Faerie Princess regalia, complete with wings. His long hair was plaited, and every article of clothing was not even unisex, but just straight up girl's clothing and sandals. Anyone seeing a picture of the lad would have thought him a girl, and anyone seeing him as I did, in the minute before I made hurried excuses and fled, would have suspected he was a boy by the way he reached insistantly for an ornate foam weapon, like the song in his blood knew his hand was made to grip a sword. He was stymied in his efforts by the gentle chiding of his blue-haired pussy cuck "father" (I use the scare quotes because I'd bet 5:1 odds that the kid is literally not his).
In the time I've known them, in all my observations, I've never seen the boy hold a ball. Pick up a stick. Have a single instant of non-supervised or mildly rambunctious fun.
I feel so bad for that boy, and so angry at his Devouring Mother, who homeschools both children because our Blue State curriculum isn't woke enough. That situation seems at least as bad as gay conversion camp, and I would call it flatly worse if and when it progresses to medical interventions.
And yet.
I'm not going to violently free the poor oppressed child. I'm not even going to call out his mother. I might say something to the daughter's father, a close friend. I feel a deep aversion to so overtly criticizing the way other people raise their kids, even when I find it abhorent. I might try to slip the kid some ball games, and maybe leave a few High Quality Sticks in his yard, but I probably wouldn't even risk a socially awkward conversation for the sake of it.
Where do you all draw the line? At what point would you intervene? When should the State intervene?
Happy Solstice! Enjoy some mead-fueled rambling!
Earlier this week I was gazing into one of the endless amusing abysses of the internet when I stumbled across a post that spoke to me, all out of place. It was a brief meditation on aging and monogamy that echoed some of my own thoughts on the topic (tl;dr: a psychologically healthy man should still find beauty in the grandmother of his grandchildren), phrased and pic-related with a vibe I appreciated.
So I looked at the pseudonymous poster. They seemed to be some sort of TTRPG designer, or at least that's what their recent posts were about. A very brief perusal showed hints of extremely grognard-y concern about weapon minutia and a post talking about having bards be the representation of the gods, which were based on historical pantheons. Gave some extremely low (or even no) magic, gritty vibes, but that was a cool thought, using Bards telling stories of the Gods in the place of the more "mundane" divine power of healing and light spells. Felt like something William H. Stoddard would have put into a GURPS: Hyperborea book.
And, oh, cool, this person has an Amazon author page, let's check that and see what else they've written and-
It's Varg Vikerness.
Holy shit, I laughed my ass off. I really should have seen something like that coming. But it gave me a great excuse to remember one of my favorite memes.
And it gave me a good excuse to look up what happened in the Norwegian Black Metal scene in the early 90's, to at least Wikipedia standards of quasi-reliability, instead of just Shit My Punk Friend Told Me Over A Blunt Twenty Years Ago. There's a bunch of overlapping articles, but start here or here.
The overall picture I see, reading between the lines a bit, looks like a classic purity spiral. Euronymous installs himself as the Prince of Norwegian Black Metal because he owns the record shop and label and talks a very extreme game about how obsessed he is with death and nihilism and being maximally evil and hating everything bright and fair. But he develops a reputation as a poseur, a guy using the aesthetic for personal gain or self-aggrandizement. Meanwhile, newcomers are taking his rhetoric to logical conclusions and start taking actual actions, like burning churches and murdering strangers.
Feeling his position is threatened, Euronymous escalates his rhetoric, confiding specific, private death threats at other members of the scene. But he does this so much, to and about so many people, that rumors get out and one of those newcomers responds and kills him first.
It's an interesting look into the psychology of a subculture. And while I do appreciate some of the music and other elements, it just reaffirms how thoroughly I find that kind to evil-maxing to just be utterly gauche. For fuck's sake, kids, even The Crow is a fundamentally hopeful film!
But it's also interesting to square that nihilism with how Varg presents himself now, as a committed family man espousing a more positive vision of simple living and racialism (for which he was subjected to a Vampetaço).
And as an added bonus to this whole rabbithole, I got confirmation that Kulak is aware of his theme song, which I admit had been bothering me for a bit. You know I don't usually hold with the Abominable Intelligence, but this Imperium Hymn stuff - it's not bad.
Hell, let's be honest. Black Templar's Prayer is a fucking banger, and it's been dominating my gym-time listening for months. I'd shed blood to have Sabaton or Powerwolf fix the soulless bits and cover it.
Finally, hi Chris! Hope you're doing well.
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I think part of the reason the sight was so viscerally upsetting to me is that I think early childhood is a critical time to develop core physicality. Beyond the forced feminization, the forced passivity feels more akin to foot-binding or raising a vegan cat than religious beliefs.
But I don't think the comparison is entirely invalid.
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