Lewyn
I am at the center of everything that happens to me
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User ID: 214
Lewyn
I am at the center of everything that happens to me
2yr ago
You're correct with regards to TikTok's content moderation. It's more willing to serve you extremist content than current-day YouTube, but much more moderated than Elon Musk's Twitter. The posts linked are possibly only still up because the algorithm and human moderators aren't looking at MrBeast content with as much scrutiny as they are at Little Dark Age Hyperborean edits.
Still, it's interesting to see the posts up with that many likes. Usually the ban threshold for content like that is tripped before a post or account gets too big. Maybe there weren't enough user reports to flag them?
If we could produce meat indistinguishable from the real thing at a competitive cost and scale, I would eat it. This seems a ways off to me from what I've read in the thread so far, with the most viable solutions being mere facsimiles of this. I don't eat the Impossible stuff and the current leading synthetic meat seems unappetizing to me. I want to emphasize that this isn't due to fear of synthetic meat per se, but the idea of replacing genuine meat with an inferior product. If we can make synthetic meat as good as real meat, that's an amazing feat and should be celebrated.
Supposing we manage to do this, I'm mixed about some of the second-order implications. I don't like the centralization of food production that would likely result from this. Also, the potential banning of hunting and fishing as you said, or of consuming actual animals. I'd still want to pursue the lab meat. Making more of something for less time, money, and resources is how the species has avoided its Malthusian limits for so long. Any big advancement brings about issues we couldn't have conceived of before, but the tradeoff has almost always been worth it.
Lewyn
I am at the center of everything that happens to me
2yr ago
Shut up and drink the $2000 wine, its good because the label says it is.
OP never says anything like this. They say that there's nothing wrong with generic wine, but that there is a world of wine minutiae to explore if you're willing to get into it.
It does not matter that anyone who watched the show and read the books could identify that they are not related in any way aside from labeling. Labeling, and what it implies is POWERFUL and should affect your experience.
The impression I got was that they are willing to spend a lot on certain vineyards because the wine they produce has qualities the OP finds worthwhile, not that the vineyards are worthwhile because of their brand name.
I'm not a wine person; I don't tough alcohol at all due to a familial history/predisposition to substance addiction. But I do have hobbies, and I understand that with any hobby there are vast differences in the understanding of a layman, intermediate hobbyist, and high-level hobbyist. The same goes for entry-level versus high-end equipment. I'm not an audiophile or photographer, but I can accept that when they drop thousands on top-of-the-line equipment, they're doing it because it makes a difference to them.
That doesn't mean you can't get enjoyment out of things at a laymen or entry level. To be honest, the effort to reward ratio of many hobbies seems better at the entry level, when you know enough to enjoy yourself but not enough to know what you're missing. But I can believe someone when they say the 2000 dollar camera has qualities the 200 dollar one doesn't. Same goes for this subject for me. I don't think this makes someone a slave to brands or whatever you're saying.
Lewyn
I am at the center of everything that happens to me
2yr ago
I have a buddy who was/is(?) still into the GME and AMC stuff. He tried to convince me that the mother of all short squeezes you mentioned would happen in about June of last year. I just told him to not invest what he couldn’t lose, etc. but it was troubling to see him constantly latching on to that and other cope excuses for why his meme stocks were not working out.
He isn’t well off and has a lot of issues in his life, most of them genuinely not his fault. It’s easy to scoff at what he’s doing, but I think the degenerate betting you see in the crypto/meme stock space is more rational than I first gave it credit for. If you’re a young man with little assets, no education, no girl, and no status, what do you have to lose if you make a terrible options play and go bankrupt, really? And what do you gain? Possibly a life free of working a shit job until your body gives out.
You might run the numbers and find that the odds are so low that it is not worth the risk. I’d tend to agree, but If you’re the type to run those numbers I’d bet you’re more likely to have something resembling a degree, stable job, and financial assets.
There are issues with those online communities you described but at their core they’re a place for young men who aren’t doing as well as they’d like to shoot the shit and find some camaraderie. We used to have wars, robust priesthoods, and high risk high reward jobs like whaling (we still have some jobs like this, not as many though) to deal with excess men. What pressure valve is there for excess men today?
I don’t think we should bring those things back, because most of those things are terrible. But men are disposable and for many the risk/reward of hustling crypto/NFTs/stocks does seem to make sense.
Lewyn
I am at the center of everything that happens to me
2yr ago
I'd love to see nuclear implemented at all, so if we have to put them out at sea then so be it. I'm a layman when it comes to this, but I guess there's the risk of contamination going directly into the sea if things go wrong. That said, we've detonated nuclear bombs over the oceans in testing before so it's probably not an existential problem, and we still run the risk of ocean contamination with traditional power sources via oil spills.
I don't think this will change the minds of many who aren't on board with nuclear already. Most of them oppose it on concerns of safety or the supposed permanence of the waste. I suspect there is a large group against nuclear because it can address power sustainability without fundamentally restructuring our economic and social system, but this is getting close to CW thread territory so I don't want to get into that.
Lewyn
I am at the center of everything that happens to me
2yr ago
I'm having so much fun with NovelAI. It's basically StableDiffusion but trained on danbooru, which is an anime art booru. The AI has some limitations - you can only really do one character at a time, it has some issues with anatomy, and my god does it struggle with the hands. That said, if you work the prompts and iterate on the generations you like, it generates some really good stuff. It's also remarkably consistent at depicting the same character once you have the prompts figured out, at which point it's a matter of generating until you get something that looks good and doesn't have the typical AI shortcomings. I've shown some of the fanart of characters I've generated to friends and then dropped that an AI made it to near-universal shock.
I'm also using StableDiffusion to generate assets like scenery and enemies for my online 5e campaign, which it has done very well. I'm on the browser model for that since my graphics card is AMD and I haven't had the time to jump through the hoops to get everything working yet.
I'm sympathetic to the issues this will cause for artists, but at the same time these tools are incredible. I dislike the "soulless" description I've seen thrown at the tech. My main creative strength has been with words and fiction. I've tried my hand at digital art and made stuff I'm proud of before, but I've always considered it a massive bottleneck in terms of time, talent, and resources. What I can't depict by hand vastly outstrips what I can depict, so being able to convert words into illustrations is both delightful and mindblowing to me. This isn't soulless AI vomiting images to drown out human intent, this is AI allowing human intent to manifest more easily for many more people.
In short, AI art is very cool, try out StableDiffusion, or NovelAI if you're a weeb.
Persona 5 Royal. I played the original game in 2019 and liked it quite a lot. This time around I find the writing much more laughable. The extra scenes and dialogue added by Royal probably don't help, as they bloat the game to its breaking point. So many conversations simply repeat what was just talked about in the last scene, or add absolutely nothing.
The game is also much, much easier. A lot of it comes from quality of life improvements — the game doesn't arbitrarily take as much time from you as in vanilla, so you have more opportunities to max out your social stats. The fusion alarm is straight up broken, though, and makes it trivial to snap the combat over your knee. A few trips to the gallows and your persona is going to be far stronger than anything you ever might fight. I'm having a lot of fun using all the mechanics to craft my optimized team though, so it's not all bad.
I'm nearing the endgame of the vanilla game, which I remember being excellent, with everything in Mementos being particularly haunting. Hopefully it holds up. And I am still coping that the brand new semester will be good, as I've yet to play that before.
Lewyn
I am at the center of everything that happens to me
2yr ago
Now that Order of the Stick has entered the CW thread, I'll say that I always think of Xykon's legendary "power equals power" monologue to V whenever someone on here discusses conflict theory or institutional capture.
Lewyn
I am at the center of everything that happens to me
2yr ago
I view it as more akin to the printing press, game development engines, digital art tools like photoshop — something that will increase creative output, not decrease it.
Lewyn
I am at the center of everything that happens to me
2yr ago
I'm running the fourth session in my online D&D campaign today. So far it's gone well, though I've had to onboard a few new players to replace ones who proved to not be able to commit. Right now I have 5 great players and have brought on 2 more that I'll have to test out, and would like to have 8 total. It's a West Marches style game, so 4 players from the wider group do a session at a time (I hate running for/playing with 5+ players). Each player is allowed to have 2 characters and it's given the campaign a really cool sense of scale and continuity having a large circle of players and characters that rotate in and out of missions.
Since we're all living in different locations and have different work schedules, this is just about the only way we could have gotten a group together, but I've been dying to try the format for years. It's a lot of work for me, but very fun.
I spent ages developing systems to give 5e actual exploration and interaction mechanics. I created an in-depth system for downtime that lets players use their character skills to gain different kinds of resources. Each IRL week they can choose what activity they do, though often a player will do a few weeks at a time because of scheduling. There are different downtime activities that use different skills and a lot of goals they can pursue. They can do downtime for both characters they run, so they've had fun trying to optimize the system towards their ends.
I'm very pressed for time, since the session is at 7 and I still have a lot to get ready... along with the rest of the workday. Running a game online lets me make the production values very slick, but requires more input time to do so. It's worth it in my book, but taking the time to write this up may not have been, given the situation...
I am morbidly-curious now that you mention this. I've only ever watched the first season of the anime and I left off in the manga when they introduced the anti-human 3DMG
You should watch at least the first 3 seasons; they really are something special.
I should be able to explain what I mean in a mostly spoiler-free way. The creator of Attack on Titan, Hajime Isayama, binged Game of Thrones in 2016 and got really into it, even saying that the ending of his story would be inspired by the show.
There's a point in the story where the themes and style of storytelling vastly shift and not for the better. This coincides with the split between season 3 and the "final season" and there's an easy visual cue to tell when it happened because a different studio took over animating the show. This also coincides with around when Isayama got into Game of Thrones and it started influencing his writing.
I would summarize the original themes of the show (Seasons 1-3) as RAGE, SCREAM, FIGHT. There is something existential coming for you and it won't leave a single one of you left alive. Your 'leaders' think it best if your people quietly went extinct, and as you learn they are far from the only ones... Fight with your lives and with everything at your disposal, even if it means literally turning into your mortal enemy. There are times when good friends have to fight eachother but the mission is never in question because those are the stakes. This and the military imagery gave the show heavy nationalist themes and the series began to be criticized at the end of season 3 once certain interpretations became circulated online. I found it to be extremely refreshing compared to what I'm used to.
The post-GOT era show has heavy Martin themes. War is bad and you'll be heavy-handedly browbeaten for liking the cool parts with the sobering reality of characters you like dying. Morality is very grey all of a sudden. Killing others is wrong, even if they all want you dead... it feels quite incongruent with the earlier themes of the show, even with the story that the author laid out. These themes may sound better to you as you read this but consider that they are kludged onto a work that was saying the exact opposite things for so long. It's a different bill of goods now.
I should elaborate on the storytelling changes as well. Attack on Titan's narrative framing ties you and Eren very closely together. Later this expands so you get the POV of a few other main characters at times, but the important thing is that you and the characters are almost always on the same page. You know what they know, you discover the mystery together. This was the style of storytelling until the shift I talked about, at which point it becomes basically... Game of Thrones.
Tons of characters. You don't follow characters, you check in with them to see where they are with their story. Your relationship to Eren is completely broken as he goes from being the POV character to someone you don't see the inner world of outside of 4 episodes or so. You're catching up with his plans like everyone else is. This is pretty much exactly how Martin does it and the style has its merits... just not on something that did it differently for most of its existence. This is harder to articulate for most people but I think it's why the new seasons are so jarring.
As for the ending of Eren doing Something Crazy — this is certainly where the show was going from the start. His words to a certain betraying friend are downright genocidal in rhetoric. I think in a world without the influence of Martin it'd be framed much differently by the narrative, which would make for some interesting discourse online.
Lewyn
I am at the center of everything that happens to me
2yr ago
It does seem like a case of pathological compassion. Fortunately, there was some debate on the issue in the class. Maybe half to a third of the students, including myself, argued as you did, and this was in a very orthodox left environment. That said, this was a few years ago and things have only heated up in the culture war since then, and it was clear which side the instructor favored.
Lewyn
I am at the center of everything that happens to me
2yr ago
Even if Trump loses the primary, I don’t think his ego will allow him to not run as an independent. It’s looking like he either wins the primary or nukes the winner’s chances of taking the general by splitting the vote.
So… four more years of a Democrat in charge of the White House or four years of him playing the perfect boogeyman to the left while failing to get anything meaningful done*.
I can accept that in a lot of ways, he was genuinely sabotaged by lawfare and trumped up criminal charges that made it difficult to keep competent staffers. But if there’s someone who can fight back against that, it’s not him.
Trump opened a lot of doors, but I wish he were capable of stepping aside and letter more competent people build on that, rather than forcing it to live (and die) with him. But that’s his whole thing, isn’t it? He does not back down on stuff like this. It’s his biggest strength, but also the biggest weakness of a political movement that is tied to him.
*To be fair, if you were motivated by Roe v Wade, he really did deliver on this.
Lewyn
I am at the center of everything that happens to me
2yr ago
Some fun ones:
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The Three Body Problem trilogy by Liu Cixin, though the third book isn't nearly as good as the first two. These consumed a week of my life as I was unable to put them down.
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Conspiracy by Ryan Holiday. Nonfiction story of how Peter Thiel took down Gawker through Hulk Hogan. You can probably finish this in a single sitting or day.
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There is No Antimemetics Division by qntm. Webfiction, though I think you can buy it as a physical book now. If you're into rational fiction you've probably heard of or read this one.
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God-Shaped Hole and The Gig Economy by Zero HP Lovecraft. I'd put this in a similar genre to the Antimemetics series, though the authors are on opposite poles of the ideological spectrum. God-Shaped Hole is quite NFSW, just a warning.
Lewyn
I am at the center of everything that happens to me
1yr ago
I don’t believe it’s been covered here, at least not recently. I’d certainly be interested in hearing about it.
This is the main thrust of it from Matt Taibbi from his statement to congress this month. I don't know why they released the leaks as tweets; it's impossible to find specific receipts for these statements when they're broken up between 20 threads over several accounts...
We saw the first hints in communications between Twitter executives before the 2020 election, where we read things like:
Hi team, can we get your opinion on this? This was flagged by DHS:
Or:
Please see attached report from the FBI for potential misinformation.
This would be attached to excel spreadsheet with a long list of names, whose accounts were often suspended shortly after.
We learned Twitter, Facebook, Google, and other companies developed a formal system for taking in moderation “requests” from every corner of government: the FBI, DHS, HHS, DOD, the Global Engagement Center at State, even the CIA. For every government agency scanning Twitter, there were perhaps 20 quasi-private entities doing the same, including Stanford’s Election Integrity Project, Newsguard, the Global Disinformation Index, and others, many taxpayer-funded.
A focus of this fast-growing network is making lists of people whose opinions, beliefs, associations, or sympathies are deemed “misinformation,” “disinformation,” or “malinformation.” The latter term is just a euphemism for “true but inconvenient.”
Ordinary Americans are not just being reported to Twitter for “deamplification” or de-platforming, but to firms like PayPal, digital advertisers like Xandr, and crowdfunding sites like GoFundMe. These companies can and do refuse service to law-abiding people and businesses whose only crime is falling afoul of a distant, faceless, unaccountable, algorithmic judge.
Another troubling aspect is the role of the press, which should be the people’s last line of defense.
But instead of investigating these groups, journalists partnered with them. If Twitter declined to remove an account right away, government agencies and NGOs would call reporters for the New York Times, Washington Post, and other outlets, who in turn would call Twitter demanding to know why action had not been taken.
By implied threat of regulation I mean the unsaid thing that would be on these companies' minds when they received a communication like this — what will they do to us if we refuse to comply? These requests weren't based off a legitimate court order, just the government saying "We'd really like it if you stopped this person from saying things we don't like." Right now they're doing the most they think they can get away with, ReportMaxxing and informal requests, so if given increased jurisdiction over content we have good reason to suspect what they'd immediately start doing with it.
Lewyn
I am at the center of everything that happens to me
2yr ago
I don't think the Taliban were exempt from bans in the pre-Musk era. There was a fairly popular account that sprung up in 2021 right after the pullout that was supposedly them, but it got nuked after about a month. By now most, though not all, of the conservative accounts banned under the old regime have been let back on. I think Signals is expressing uncertainty whether the Taliban PR account is genuinely them. I'm leaning towards thinking it's real due to the post informing people that Lord Miles is missing. But it's hard to tell anything these days honestly.
I've been playing and thoroughly enjoying Fire Emblem Engage over the past week. The story is bland, with some of the worst hero worship I've ever seen in an RPG, but the gameplay is probably the best it's ever been in the series. Here are my thoughts on it as someone who's played about half the entries in the series. I'm maybe 3/4 through right now, so I suppose my impressions could still change.
The presentation is solid, with better environmental design and seemingly less asset reuse than Three Houses. Many lines are unvoiced though which feels like a step back from Echoes and 3H. The character designs range from trashy gacha game tier to quite good, depending on who you're looking at. The environments are gorgeous and the music is incredible.
The story is pretty generic with fairly obvious plot twists. It's serviceable though, and not actively terrible like Fates. The characters take the unfortunate Awakening route where most of them are one-note gimmicks who just repeat their gimmick(s) in every support conversation. The cast is large enough that despite this, you should find yourself with a full roster of people you like and want to keep alive. I like Alfred, Diamant, and Ivy quite a lot, as well as many of the meme characters that the gameplay makes you grow attached to. I prefer how 3H and Genealogy handled their characters better, with a tightly connected cast of characters whose interactions developed both the characters and the world, but I like the new cast nonetheless.
The big new mechanic of the game is the Engage Rings, which are 12 rings that each contain the soul of a protagonist of the previous entries. Characters can "Engage" them to receive guidance and significant power from the hero stored inside them. The game glosses over the sheer existential horror of being a disembodied spirit bound to a ring for seemingly forever, aware of the world around you but unable to interact or communicate with it until the main character awakens your ring, so... I will too, I suppose. You steadily acquire more of the rings as the story progresses and assign them to your units, who can use them to call on extremely powerful abilities.
Storywise, the rings are pure fanservice, and often feel like a missed opportunity. Many of these characters are already very similar to eachother coming into it — at least half are infantry lords with similar personalities who use swords in their own stories — and Engage flattens their personalities even further into basically a single, happy, supportive blob with one personality between the 12 of them. It might be more interesting to have the rings be the spirits of characters and heroes or villains from the game's own worldbuilding, with distinct personalities and histories that vary between the spirits, but I get why they went the way they did. I've played the games about 2/3 of the included characters and it is fun to see them here, even if it does feel like the I clapped when I saw it meme.
Going by gameplay the rings are awesome. They give varied, interesting abilities that can play to a unit's strengths or shore up their weaknesses, and each one has a flashy, single-use move you can use each time you Engage it. Many characters have unique mechanics that echo the mechanics from their own games (Lucina's abilities are based on pair-up attacks, Corrin has terrain-altering moves, Leif cheats and uses whatever weapon is most advantageous when attacked, just like the enemies in his game.) that make the unit you attach them to play radically differently. The rings are definitely overpowered, but the game throws so much of its own nonsense at you that they actually feel somewhat balanced, though your experience may vary based on difficulty and how much you grind.
The game itself is a blast, minus some tedious minigames like the fishing. The map design is strong, units have varied niches, fights are challenging and feel cinematic, skill inheritance and ring placement give you lots of unit building options, and I can go on. Engage is easily shaping up to be one of my favorite entries in the series. Strong recommend if you enjoy RPGs, strategy games, or Fire Emblem.
Lewyn
I am at the center of everything that happens to me
1yr ago
PF2e looks really fun. It seems like it was made by and for people tired of 5e's lack of crunch. What do you plan on playing?
We're all on Virtual Tabletop as well. I don't know if it'd be my first choice, but there are a lot of advantages to it over in person, like presentation, handling rolls, etc. If a campaign takes advantage of the online tools I think the switch is worthwhile, but when the GM doesn't do that it always feels worse than in person.
Lewyn
I am at the center of everything that happens to me
1yr ago
I plan on it, but I'm waiting a year or two for the unofficial patches, DLC, and good mods to get established. I'm hoping I enjoy or can at least stand the game design and writing, because it will be a big portent for how the next Elder Scrolls will turn out.
Lewyn
I am at the center of everything that happens to me
2yr ago
I was a bit unclear with the "until they're 60" line I was quoting, but I'm fully for locking that type of offender up for the rest of their natural life with no chance of parole. If I related to the victims, I would probably want blood, but there are other considerations beyond personal satisfaction. Locking him up this way ensures he's never able to harm an innocent citizen again and lowers the likelihood of him person harming the people who have to live with or guard him in prison. In a world where we could 100% verify guilt without bias, I have no issue with the death penalty, but for practical reasons I'm against it.
The others probably shouldn't be jailable offences to begin with.
How should we punish comparatively minor offenses? I think we should come down hard on crimes that don't produce a body like thievery and armed robbery since they lower trust and make people feel unsafe, even if the objective harm they have is minor compared to some white-collar crimes. Just because I don't want those people around doesn't mean I want them to face constant prison violence, though.
Lewyn
I am at the center of everything that happens to me
2yr ago
The reason you ask for the player to roleplay his speech but not to describe his sword swing technique is because D&D is a game that exists in our heads. It is a real as the group believes it to be. That is to say, it can be very real, but this requires collective suspension of disbelief, engagement, buy-in, and yes — roleplaying. You aren't taken out of the collective fantasy by your fighter's player not knowing how to swing a sword, but you are by the player who is supposedly the high Charisma party face clamming up whenever an NPC speaks to him.
I don't have an issue with such players being at my table, and in my experience they tend to avoid those kinds of characters anyway. You don't need a silver tongue to be able to play a charismatic character, but you need to have some degree of wit and charm. If a player wants to give a speech, I'm not exactly expecting St. Crispin's Day, but he should have something to say.
Lewyn
I am at the center of everything that happens to me
2yr ago
That one is interesting, because Wikipedia is claiming it affects "5-15% of women of all ethnic backgrounds," which is less than the number of women I've seen with facial hair. I'm guessing it's fairly easily managed with a razor, and in any case facial hair is far from the only physical tell of sex, so that doesn't seem to pose an issue to what I'm saying.
To be more charitable we can go with whatever rare genetic condition may cause a woman to appear extremely mannish. In which case I would probably assume she is male unless corrected. That would be very unfortunate and I feel sympathy for her having to go around life that way, but she is by definition a rare genetic outlier. We can openly say that this is not the way it normally biologically works and don't feel the need to collapse biological gender categories over it.
If it was a political issue where people were identifying with this disorder or trying to medically induce it, demanding at risk of job loss you accept it, trying to normalize and give it to children, etc. and this was all surging at once within the last 10 years? At that point it leaves the category of weird genetic outlier and I start to ask what's going on here.
LOTR is the exceedingly rare case where I prefer the movie adaptation over the book. I found the Hobbit and Fellowship books enjoyable, but the Frodo sections of Two Towers and ROTK were... difficult to push through. Movie Two Towers made the right decision to interweave Aragorn's story with Frodo's, instead of hitting you with it all in one uninterrupted block.
I've been asking it to generate some new monsters and other content for D&D. I've been adding new enemies to Roll20 and wanted to generate new variants of existing monsters, so I'd say something like "generate a kobold, but it has these attributes and does X, Y, and Z." I'm also working on a growing system as a player downtime option, so I asked it to "generate a list of fantasy plants. Give each one a growing time in weeks, flavor text, and if it responds to X, Y, or Z type of cultivation." I was fairly impressed at what it could consistently give me, though it obviously has a ways to go. It was a great way to fish for inspiration and mechanics before refining them into something usable.
Right now, it's best used as a way to rapidly generate ideas/content before someone who knows what he's doing polishes and fixes it. I haven't seen it output anything that was passable out of the box. This is how I feel about AI image generators too; in the hands of an artist, they have insane potential.
The real strength of the software is its working memory of context. You can issue corrections, prompt it with more information, tell it to adjust something, and it'll do it. That's what impressed me more than the generation itself, I think. The main limitation right now is it doesn't remember anything outside of a session, and it has trouble going past half a dozen revisions or so. This is to be expected since it's a free service at the moment, so I only see this improving.
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