Quantumfreakonomics
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Weighted by screentime, the majority of the film is about the aesthetics of 90s furniture stores. It's hard to convey this feeling by text, so I focused on the thematic subtext of class and relationships.
Having thought on it more, the one healthy relationship in the film is between Male Lead's two employees. They are both lower-middle class. They even have the exact same job!
Kino Review: Backrooms
Spoiler warning obviously.
Backrooms the movie is superficially based on the 4chan meme “the backrooms”, and yes, there are lots of fun found-footage scenes visually exploring the aesthetics of liminal spaces, but good horror movies are never about the monster, they are about what the monster represents. Backrooms is about the fear that no educated professional white woman will ever love you.
Male Lead is a black entrepreneur who runs a local furniture store. Female Lead is his upstanding attractive white PhD therapist. Male Lead is in therapy primarily because his financially dependent law student wife (who is also an attractive white woman) left him.
It is hinted that Female Lead is also lonely and wants children. From a purely narrative perspective, it might seem as if Male Lead and Female Lead are destined to get together at some point. Taking into account their respective biographies, HAHAHAHAHAHAHAHA of course that wouldn’t happen. He is a schlubby loser from a lower social class and an unprestigious career. You can practically taste the ick she feels behind the professional facade in every scene they have together. It's great.
The twist is that Male Lead is the monster, and the climax is his grotesquely personified id rapaciously chasing Female Lead through a hellscape maze of his own creation. A surface-level analysis might fault the film for once again portraying male sexual frustration in a negative light, and yeah, that element is certainly there, but film (at least indie film) like all modern art is meant to challenge the viewer. On some level, one ought to reflect on how much of a monster one becomes on the inside when Stacy rejects you. I think the film earns it.
It takes two people for that.
I'm not the one saying no.
"I don’t endorse female secondary school teachers getting pregnant by raping their male students"
On the off chance that I become an oyster farmer and run for senate 10 years from now, let the digital record unequivocally reflect that I am 100% in favor of attractive single female teachers """""raping""""" their male students to get pregnant.
The purpose is to use them in certain hypothetical situations. If there are no hypothetical situations in which they are to be used, then they are entirely useless.
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I have only seen the film once, but I think the Wikipedia summary is an overly literal interpretation. In the context in which the monster is first fully revealed onscreen, it is a metaphorical extention of the frustration and aggression of Male Lead towards Female Lead.
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