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RedRegard


				

				

				
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joined 2022 November 09 21:32:36 UTC

				

User ID: 1832

RedRegard


				
				
				

				
0 followers   follows 0 users   joined 2022 November 09 21:32:36 UTC

					

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User ID: 1832

I was thinking of adding some caveats more or less for what you’ve mentioned. Games that aspire to create extremely vast world’s for the sole purpose of escapism, games that focus more on modularity and repetition than complex storytelling, games that have some sort of unique visionary use of AI in mind.

And I could see content created by writers who make use of AI being OK as well. The artist can compensate for the AI‘s weaknesses while using it selectively as a specialized, rather than all purpose, tool. As AI does have some strengths, mainly as a search tool. It’s hugely deficient if you ask it to be creative though, and I don’t believe it’s doing much more than merely copy pasting content from its database.

In any case, I resisted this impulse on the basis that most of this stuff seems either degenerate or a suspect.

Funnily enough, I was thinking exactly of the Elder Scrolls as a series that in some cases has produced slop content of a hugely superior calibre to AI. I speak of Morrowind here. There is no way AI by itself would ever come up with exceptional banalities like three naked Nord barbarians who’ve been identically robbed by witches or dirt farmers giving you the exact same encyclopaedic digressions on regional geography anytime you ask. AI can give you banalities all right, but not of any variety that suggests an underlying meaning or humour to it. These aren’t examples of genius, but they are examples of the kind of colour and charm that humans will give you even in the service of creating slop, and in both cases, they work not just as bland content, but as stuff that enhances the actual quality of the game. AI can’t resist reverting to the generic, so it would entirely come down to human creators to invent these sorts of bizarre outputs. In fact, in many cases I think it’s the twists and turns of the creative processes themselves that humans have to go through that leads them down these unlikely avenues. Case in point, the absurdity in these examples was a direct product of what humans had to do to try and overcome their material limitations.

Disagree on all accounts. When AI does content, it’s ultra generic, has no sense of tone or effect, and lacks any of the idiosyncratic spontaneity of even sloppily put together human content. There’s also a lack of broader complexity, meaning that any ‘character development’ it’s adding to a given story isn’t corresponding to a grander vision of what that story aspires to be or is about, but is essentially just the cut and pasted clichés, tropes, and emblems of other works that only incidentally contains some of their meaning. I’d prefer content to be cut rather than given over to AI.

Male testosterone is necessary for warmaking capacity, entrepreneurial culture, and keeping totalitarianism in check. It brings many positive advantages that more than outweigh its negative ones. The problem with high crime, low IQ populations is that they do not provide very many benefits, but bring great costs.

Or the Zanj Rebellion Arabs. I hope I live to see the petro Islam oligarchs overthrown by their own greed.

Saltburn, Oppenheimer, Cyberpunk: Edgerunners. I don’t know if any of these will become iconic, but then iconic has come to mean milkable corporate crap in recent decades, so we might be through with the age of iconic media. We might be through with the very concept in the era of IPs.

I don’t see how the presence of non-Jews in Israel can be anything other than a transient state. Jewish nationalism is extremely strongly encoded in its institutions, culture, and constitution such that there will always be an impending threat to its minorities of some sort of fascistic upwelling towards the expulsion of minorities and purification of the state, even if presently this nascent urge (being fundamental to non permeable forms of nationalism) is held in abeyance.

There is an infinite demand for labour in the forms of landscapers and butlers and such for the moneyed. That’s essentially what has come to pass with the rise of service economics. Of course for the past 30 years wages for people below the 90th percentile have been stagnant.

I disagree, I think you’ve got the relationship backwards. People who are already addicted to media demand the meaningless bulk content. They reel at more substantial works. Substantial works would require them to invest themselves in a more enriching way in what they consume. Offering them infinite high quality works wouldn’t get them to actually partake in said works, and this is shown by the fact that currently most people give little attention to those that are already on offer. For them to partake in quality works would presuppose them not being addicted to consumer slop.

Don’t rich people already have essentially infinite income? They do spend a lot of time frolicking on yachts and treating themselves to various extravagant delights, but for all that, their lives seem fuller than those forced to accept drudgery.

The original is at least readable. It suggests personality and context, the nature of which makes it funny. I can’t say that the ChatGPT examples in this thread have anything at all to make them worth reading. Like the best of what the bot produces, there’s sometimes this sense of airbrushed elegance, but never any sort of underlying texture.