coffee_enjoyer
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User ID: 541
He really is the globalist Forrest Gump. He had a hand in the subprime mortgage crisis? And the development of video game micro transactions? He helped Larry Fink’s son through the drama of knocking up his situationship? He’s acting on behalf of the Rothschilds while funding random far right geneticist bloggers? He may actually have had the most interesting life in his generation.
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I politely but passionately hold the opposite view of Train Dreams. I can’t say anything positive about it, except that some of the shots in the beginning were gorgeous. It presents an anachronistic view of the past and past attitudes, and it doesn’t say anything important or beautiful or useful about suffering. It doesn’t even present a particularly captivating portrayal of maximal suffering, if this were its intended object, and it doesn’t show its catharsis in any worthwhile way. In effect, it does nothing, but in fact no, it does worse than that. Because the director took the time to ensure that as you experience vicarious suffering for no reason whatsoever, you also become misinformed about the past: the women don’t believe in marriage ceremonies and everyone is an atheist (except the guy who is killed right after reciting the Bible, for being racist of course, and the kind fellow who finds trees divine). But the inaccuracies extend further, and more noticeably. Our protagonist in actual history was involved in labor strikes that won him an 8hr workday with Sundays off; he formed relief for laid off and injured workers; he formed ad-hoc civic and biblical organizations in his free time. That’s what 1890 to 1920 was actually like: hopeful men forming civic organizations. You had 50k woodworkers striking in Washington and Idaho during WW1 when the movie took place. These men weren’t hopeless, weepy, wimpy, and ignorant. And they would not have been traumatized seeing Chinese laborers deported (lmfao), because those were his wage competitors. White laborers were the very party who lobbied for mass deportations and got them, to secure their quality of life, which worked.
As art, unbelievably horrible; as propaganda, extremely skilled.
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