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User ID: 1083

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When Progressives Defend Pedophiles: The Curious Case of Sarah Nyberg

In my previous thread about Gamergate where I challenged a speech Ian Danskin made on the topic for UC Merced, I said it would probably be the last thing I would write about the incident for a long while, and this is certainly flouting that.

But this writeup is not about the core issues of Gamergate. Rather, it's to highlight an egregious instance of misconduct from the progressive camp that is far too damning not to write about. It's definitely old news now, but sometimes this stuff needs to be dusted off so it won't languish in some archived page in the asshole of the internet where progressives would undoubtedly rather have it stay.

So who is Sarah Nyberg?

Sarah Nyberg (srhbutts on Twitter) is a trans woman who became a prominent anti-Gamergate figure through constant attacks on Gamergaters on various forums and articles. Included among the things she's participated in is repeatedly dragging 8chan through the dirt over accusations of child porn and for being an "active pedophile network".

However, just 6-10 years before her involvement in anti-GG, Nyberg herself was an open pedophile who actively defended pedophilia, posted borderline CP on the forums of FFShrine (a site she ran), and also actively lusted after her 8 year old cousin, whom she called her little girlfriend (often abbreviated to "lgf"). This hugely came out in the mainstream when a series of videos was made about her by TheLeoPirate, and culminated in an article being made on Breitbart about her... leanings.

The original "slam dunk" evidence against Nyberg came from a series of WebCite archive pages, which came directly from FFShrine. Unfortunately, they can no longer be accessed - there is a reason for this, but I'll address that later. For now, just keep in mind that the primary trove of evidence that was initially used to indict Nyberg is currently missing, but they are online in various forms, in screenshots, videos and so on. Regardless, one can start building an extremely strong case for her pedophilia - and can do so even without the benefit of these sources.

The first part involves proving that the "Sarah" on FFShrine was in fact Sarah Nyberg, and that's a trivial task, since FFShrine was outright registered under her name. In addition, here she is on her main Twitter account, openly admitting to it being her site.

GG hacked into my server to get 10 year old logs to harass me over.

https://archive.is/2ciMR

Oops.

In addition, Sarah has had more accounts under different names. The email her site was registered under was called retrogradesnowcone.gmail. com, and you can see a user called retrogradesnowcone on the Venus Envy Comic forums admitting they run FFShrine. And just to properly cement that retrogradesnowcone is Sarah, here is Sarah on Twitter approvingly posting a Ravishly article with her face in it with the caption "my face is out in the open", and here is a Hotornot profile called retrogradesnowcone with the very same photo of Sarah's face in it. Sarah also shares her pictures under her handle retrogradesnowcone on the Venus Envy Comic forums here.

In short, srhbutts on Twitter, Sarah on FFShrine, and retrogradesnowcone on the Venus Envy Comic forums are all the same person: Sarah Nyberg.

To begin, let's look at the logs on FFShrine. While the WebCite pages directly archiving the chat logs from FFShrine are not directly accessible anymore, there are images on the internet, taken from there, which are still up. One can also confirm that these WebCite archives contained in that pastebin page were directly archived from 2005 FFShrine logs when combing archive.is for archives of the WebCite pages.

Among the images of the WebCite logs floating around, there are a few which are quite incriminating. Like this one, where Nyberg openly admits to being a pedophile, admits to being attracted to her younger cousin, Dana, calls her her little girlfriend, and states that "let me see Dana and I will get you all the silverware you can eat". Here, Nyberg says again "Dana is my cousin that I miss very much <3" and notes she doesn't know what to tell her cousin's parents to make it not seem weird. Then states she wants to kiss her, although don't worry, she wouldn't unless her cousin wants to learn how to kiss or something. Here, Nyberg confirms that Dana is 8 years old and here, Nyberg admits Dana gives her erections.

In addition to this, a former user of FFShrine, Roph, also uploaded further leaks of FFShrine IRC chats to his own website, slyph. org. Although slyph. org is no longer working, you can download the zip files of these IRC logs once uploaded there at archive links such as this one (warning, the logs will auto-download). Things get even worse here, and here are some of the more incriminating sections of the logs:

In file 2006-12-29.035011.html, Sarah posts a bunch of links to photos on 12chan and asks "how old are they", along with one she calls "cute ^T^". The response from a user called thetruetidus is "below 10 - Sarah ???"

In file 2006-12-30.101829.html, she posts links to online organisations for "girllovers and boylovers", then again posts a bunch of links to photos. Then subsequently says this:

(18:55:54) Sarah: yea i no

(18:55:56) Sarah: there' sa nipple

(18:55:59) Sarah: alert alpott

In file 2006-12-31.015010.html, she posts yet another set of links to photos on 12chan (which, by the way, makes her denunciation of 8chan incredibly hypocritical), then says when linking one of them:

(11:18:27) Sarah: [LINK CENSORED] she looks drugged :(

The response from other users is as such:

(11:19:43) LiquidCruelty: The one where she looks drugged

(11:19:44) Sarah: LiquidCruelty

(11:19:45) LiquidCruelty: that's CP

(11:19:51) LiquidCruelty: I can see underage twat

(11:19:52) ivorynight: ya

(11:19:54) ivorynight: i see some vagin

Sarah's response is to say that "nudity isn't CP, also I can't see anything", and in response LiquidCruelty and ivorynight state "Oh bullcrap" and "well take some vitamins and try harder, I know you went over this with a magnifying glass". In another section from the same file, Sarah states she's 6 on the inside but admits "I just turned 21".

To further confirm the veracity of the logs, there was a period of time where the latest IRC chat lines from FFShrine were embedded on her video game music download site Galbadia Hotel, archive pages of which Roph posted on KotakuInAction. Let's see some of these chat logs (which are direct archives of the page, by the way):

On 2006-01-29, Sarah states "thank heaven for little girls" and expresses concern over the fact she "only sees her lgf a few times a year". When asked when she's seeing her again, she responds "at the very latest I will in summer sometime. my dad wants to go visit her place because he wants to go fishing there and I'd tag along and hopefully convince him to go fairly regularly !" On 2006-03-05, Roph asks her "so who is dana? =o". She responds: "dana's my lgf ^________^ - little girl friend !" It's notable how well the content of the logs embedded here match up with the ones previously mentioned, and the fact that she continuously tries to get close to Dana just to get herself off in secret without informing anyone of what's happening is frankly quite unsettling (and that's not even addressing the posted pictures of children). And just to confirm that the Roph who owned slyph. org and posted the IRC chat logs is indeed the same Roph in the FFShrine IRC chat, here's him linking to slyph. org in the Galbadia Hotel IRC chat lines.

In addition to the evidence from FFShrine and all the related sites, there's also her postings on the Venus Envy Comic forums under the handle retrogradesnowcone. In this thread in the Venus Envy Comic forums on 2006-01-14, Nyberg openly admits "for the record: yes, I am a pedophile. no, I don't think there's anything wrong with that. no, I don't-- I wouldn't ever-- have sex with children. no, I don't look at child porn." Just remember, this is someone who later in the year went on to say "nudity isn't cp" on FFShrine and decided it was perfectly acceptable to post photos of a potentially drugged kid on internet forums - photos which users went on to identify as having "underage twat".

A user named DJ Izumi, in that thread, goes on to post chat logs from elsewhere where Nyberg, again under her retrogradesnowcone handle, talks about her "lgf" and says an array of other questionable things. Such as:

Quote:

[01:20] [LINK CENSORED] > nambla ;-;;

Quote:

[01:27] that site I tried to show you? it's a site for lesbian pedophiles. jftr

Quote:

[01:57] ;-;; this is making me miss my lgf

[01:57] lgf?

[01:57] little girl friend.

Quote:

[03:08] I don't think it's right to do sexual things with a child, not because a child can't consent, but because in the context of society it can really @#%$ them up. in a more sex-positive society I don't think it'd be a problem

Quote:

[03:11] I'm attracted to (usually) about 6 to 12. been attracted to as low as 4 but that's atypical

If further evidence is still required, I'd also note that Nyberg was known as a pedophile as early as 2007, long before Gamergate was a thing. As user ItsGotSugar writes about FFShrine in October of 2007: "Another character [on FFShrine] was Sarah, an administrator who was allegedly a pedophile. (Don't ask me whether "she" was really a girll; it was hard to tell.) I think Sarah had been expressing an unhealthy fixation on children from the very beginning, and I could only hope it was all some disgusting in-joke that had gone on for too long." Similarly, in 2010, 4 years before Gamergate existed, user BasilFSM notes that "You know what the worst thing about this Sarah is? She/He's a known pedophile. That's deplorable in itself."

Furthermore, in this interview with Milo there's this accusation by an anon called "M" accusing Sarah of initiating inappropriate roleplay with her, despite knowing that she was underage, and she would say things like "mommy tickle me where it's wet". And later on in the interview M states that her claims were ignored on Twitter. Keep in mind, this is an unsubstantiated allegation, but it is an unsubstantiated allegation that aligns with what we do know about Sarah. While this alone is not something that the argument of Sarah's inappropriate behaviour can rest on, the contents of all these disparate pieces of evidence align so well with each other that it's honestly quite implausible that all of this has somehow been faked by Gamergate (a common accusation by anti-GGs looking to defend her).

Nyberg herself on Twitter and elsewhere has also made statements that often basically are tantamount to an admission that these logs are hers. Apart from the open admission by srhbutts that "GG hacked into my server to get 10 year old logs to harass me over", there's this Twitter thread wherein she tries to defend herself with this response: "View the unedited logs. Everyone behaved in similar ways".

Eventually, Nyberg writes a medium article responding to the whole thing where she never concretely refutes the claims against her, never even claims the evidence against her has been faked, but defends herself by stating that she was "just being an edgelord". She states "Chat logs from an IRC room I was in nearly a decade ago were leaked to gamergate. To say the contents of those logs were not flattering would be putting it lightly. They are, in some ways, much what you’d expect from an early-2000’s chatroom of 4chan expats trying too hard to outdo each other for shock value. Even with that context, much of what I said was gross and disturbing, and I have no interest in defending it. Since then, I’ve learned that intent isn’t magic, and a playground of the taboo isn’t particularly conducive to moral growth. That I’ve grown past the person I was back then is something I am deeply and forever thankful for." She tries to paint it as regrettable teenage edgelord behaviour (she was 21) that she's grown out of, paints the people accusing her of being a pedophile as acting in bad faith, and casts herself as a victim of Gamergate harassment.

So even Nyberg cops to these logs being hers. And it's noticeable how her response to this is the anti-GG version of The Toxic Gossip Train. Even a good portion of the comments on her medium article are incredibly disgusted with how she treats the whole thing, with one stating "I’m sorry but I don’t think you get to just wash your hands of it and claim edgelord status. From the looks of it you were pretty deep into the role. Vieweing, discussing, and distributing child porn. That’s not edgelord that’s criminal." Another states "Pedophilia is a serious accusation. The evidence against you is disturbingly accurate. Your sob story won’t help you." In the same fashion as Miss Ukelele, the point of this post is not to issue an apology, she's essentially trying to trivialise her acts, claim victimhood and scold people into shutting up about her behaviour. It is true that "teenage edgelords" claim extreme views all the time, and sometimes objectionable ones. But what Nyberg did clearly falls far beyond that.

Yet in the light of Nyberg's medium article, the progressive crowd immediately comes out celebrating her and calling her stunning and brave. Here's Leigh Alexander's reaction (yes, that Leigh Alexander) as an example:

Definitely read it.

https://twitter.com/leighalexander/status/643799292067610625

It's amazing how over and over again the women targeted by these nobodies have the grace to make their experience useful to others

https://twitter.com/leighalexander/status/643800965943005184

anyway remember to please respect and support women in your field always, and do not define them by these experiences others created

https://twitter.com/leighalexander/status/643803653082644480

Writer for Houston Press and Cracked Jeff Rouner had a particularly flabbergasting reaction, which was to send Nyberg a photo of his kid wearing her new hoodie to cheer her up. He would later go on to delete this post.

https://archive.is/B8jBZ

In contrast, other people who knew her from way back when start picking apart her article. Roph notes "Sarah is right in that ffshrine had “edgelords”. I was one, too. I visited 4chan almost daily, used the current hot memes and phrases, joked about stuff. Shared the funny, hot or shocking meme images. Many people there did. Then why does nobody give a damn about any other user in all those logs (which are absolutely genuine, don’t get me started)? Because none of us were paedophiles. An open, proud, adamant, often very defensive paedophile. Defensive of paedophilia. Often justifying it through various arguments. Attempting to normalise it."

Plasmatorture, a former mod on FFShrine, notes "The amount she talked about it and the great lengths she went to convince everyone that she was a suffering martyr for having these feelings she knew she could never act on (supposedly) made it pretty damn clear she wasn't just trolling. That's like 5+ years of playing the long con. No troll has ever had the patience for that." CoryMartin similarly notes "The members of FFShrine and other communities you and your members mixed with (crankeye, kefkastower) didn’t interpret your ongoing demonstrations and admissions of pedophilia as you being an edgelord: they took it as you being an actual pedophile. It was taken as fact, and you had no issues with people knowing it at the time. I believe I was around 14 then, and it certainly creeped me out. Either you’re incredibly inept at comedy to the point where even people who interacted with you casually on a daily basis thought you were serious, or you’re deliberately lying to cover up something about you that most people would find deeply troubling. I think the latter is far more likely."

Now, all of this would just be hearsay if we didn't have the chat logs, as well as Nyberg's own admissions that she did in fact author these logs. However, with these corroborating pieces of information, they become part of an ever-strengthening case against her. Yet despite this evidence, news articles often gave her the Zoe Quinn treatment, painting her as an Oppressed Victim which Nobody Had Any Reason To Be Angry With, such as this article by The Verge that links to Nyberg's genuinely terrible medium article as the only source on the topic and states that she was "subject to one of the biggest and nastiest organized harassment campaigns of Gamergate".

After the initial video and after Nyberg's sordid internet history came to light, anti-Gamergaters started attempting to damage control to an almost incredible degree. One instance of this was when Randi Harper posted lists of Gamergate supporters on public facebook groups. To be charitable, these people publicly associated with Gamergate, so this doesn't constitute doxxing. To be less charitable, part of her stated reasoning for engaging in this behaviour was to "take the attention away" from her pedophile friend Sarah Nyberg. Other anti-GGs, including currently prominent YouTube voices such as Dan Olson of Folding Ideas, were there and openly encouraged this behaviour, with some calling it "noble" of Harper to divert attention away from Nyberg's pedophilic behaviour. All this can be found in Crash Override, the anti-GG chat group Zoe Quinn and others were using to coordinate plans.

https://archive.vn/eBVCb

[04/01/2015, 9:43:22 AM] Randi Harper: i'm talking to amib in DM.

[04/01/2015, 9:43:29 AM] Randi Harper: all of this is going to take the attention away from sarah.

[04/01/2015, 9:43:32 AM] Dan Olson: and the second biggest #GamerGate Ultras, is fully public.

[04/01/2015, 9:43:37 AM] Randi Harper: i'm going to become GG enemy #1, i'm hoping.

[04/01/2015, 9:43:41 AM] Charloppe: ty for that randi

[04/01/2015, 9:43:48 AM] SF: That's really noble of you.

[04/01/2015, 9:43:48 AM] Charloppe: she needs some peace right now

And:

[04/01/2015, 9:48:38 AM] Athena Hollow: <3

[04/01/2015, 9:48:57 AM] Athena Hollow: They had to fucking SCOUR FOR MONTHS to find the shit on sarah.

[04/01/2015, 9:49:03 AM] Athena Hollow: and got fucking LUCKY on that.

[04/01/2015, 9:49:13 AM] Athena Hollow: fuck them.

[04/01/2015, 9:49:26 AM] Athena Hollow: they joined a goddamn public facebook group. fucking morons.

Notice what Athena Hollow in particular says about this. There's not even a denial of what they found. She only cares that GG got "lucky" by discovering Sarah's pedophilic behaviour and she's angry they could use it as a cudgel against anti-GG in general. This is what an unprincipled tribalist looks like. Imagine being so utterly unscrupulous that you would provide ballast and cover for a pedophile to win internet points against Gamergate.

It gets worse. You know why you can no longer access any of the original WebCite caches that were used to implicate Nyberg? The reason is because of an upstanding citizen called Izzy Galvez, who was another anti-GGer who was also part of Crash Override. In a Twitter thread, he gleefully posted images of him actively working to conceal evidence of Nyberg's pedophilia from the public (archive link here). The images in question demonstrate that he sent emails to WebCite claiming the material was being used for harassment, which resulted in WebCite making the snapshots of her domain unavailable to the public.

Not only did Galvez actively try to conceal information, he also attempted to manufacture misinformation to try and paint the logs as faked. He makes a post on GamerGhazi supposedly providing screenshots that supposedly show that the logs were last edited in 2015, therefore they were were "tampered with by GG" to add pedo material. The screenshots actively redact any identifying information about the site to make it appear that these are from FFShrine, but as this source notes in reality these screenshots came from Roph's backup of the logs in slyph. org, and not actually from the FFshrine website. In other words it "only proves that Roph uploaded files in 2015, NOT that the files were edited in 2015, or that they were created in 2015".

There's plenty of other instances of progressives trying to provide cover and ballast for Nyberg, such as an article by Margaret Pless entitled "5 Reasons Why I Stand with Sarah Nyberg" (which was then fully rebutted by this medium article called "5 Reasons You Shouldn’t Stand with Sarah Nyberg"). But of course, any discussion about Gamergate isn't complete without a discussion of how RationalWiki has covered it.

RationalWiki, as you can imagine, fervently defends Nyberg, courtesy of an obsessive anti-GGer called Ryulong who frequently vandalised the Wikipedia and RationalWiki articles on anything even slightly related to Gamergate, and who was even funded by GamerGhazi after he posted his GoFundMe on there and it was stickied by an admin. Because of Ryulong, RationalWiki is hosting two contradictory (and false) defences of Sarah Nyberg: "Timeline of Gamergate" claims that Nyberg was simply "expressing disgust at pedophilic roleplay" (this is completely unsupported by the link they use to back it up). "List of Gamergate claims", on the other hand, tries to state that, okay, "she made claims of being a pedophile, but she has since said was her and her friends making 4chan-style trolling jokes at each others’ expenses" - a claim that, as you can see by the evidence provided so far, is based on an attempt by Nyberg to misconstrue her own behaviour. A recent (2021) attempt to correct these false claims on RationalWiki by a person called Doris V. Sutherland resulted in the edits being completely reversed by a user called TechPriest, and the argument eventually reached the talk page. Without warning, Doris was then completely banned by the RationalWiki moderators, with the only rationale being "gator sock" - despite the fact that if you read Doris's article she is clearly not in favour of Gamergate.

Doing research on this post made me want to scrub myself with sandpaper, and the fact that this behaviour has been engaged in by a group of people who make claims of having the moral and intellectual high ground is frankly incredible. Unfortunately, most of the incriminating information now resides in heterodox news sources at best, now-defunct blogs and sites that have to be reached through archive links at worst, and as a result this information has pretty much disappeared from the eyes of the public. Most "authoritative" sources and large scale collections of information are strictly policed to make sure that reporting is sufficiently congenial to the progressive viewpoint, and the only thing the public ever hears is a skewed view of the entire affair.

This is, in real time, how history gets written. Once all the dissenters disappear for good, all this stuff will be forgotten, and the only thing left will be a bunch of seemingly authoritative articles that will cause people to harbour a distorted view of how the culture war actually played out.

Why is modern architecture so bad, and more importantly why is it so common in spite of this?

The utter vacuity of modern architecture (and art) is probably not lost on many users around here. My distaste for modern architecture has been around for a while, but I never felt very strongly about it up until I visited Toronto and saw just what kind of effect that sort of construction had on the urban landscape - I found a city filled to the brim with ugly water-stained concrete-and-glass skyscrapers, some constructed by the likes of Mies van der Rohe and I.M. Pei; a city where traditional vernacular architectural styles were typically absent, found only in select areas like the Distillery District and St. Lawrence Market. It was an utterly depressing cityscape, and after I contrasted it with the very many examples of cosy and inviting vernacular architecture in South Korea - some of which were actually new traditional hanok neighbourhoods funded and supported by the South Korean government - I found myself deeply wanting to know why an entire society would willingly subject themselves to the pernicious and subtle form of psychological torture we call "modern architecture".

The gulf between what I perceive most people like and what architectural theorists like is truly incredible, and that shows up in many enthusiast forums. In true gatekeeping fashion, /r/Architecture seems to consider talking about the broad concept of "modern architecture" in a critical way as showcasing one's plebian-ness and disqualifying one from offering opinions on the topic. The general take seems to be that modern architecture is clearly too complex to broad-brush, after all post-war architectural styles span the range of heroic modernism, post-modernism, 60s space age, 70s modern, 80s neo-brutalism, 90s cookie cutter, contemporary, and so on. The blanket claim that one doesn't like all of it seems to be perceived as such a ridiculous and broad statement that no credence should be given to it whatsoever, then as a counterpoint people will recommend a piece of purportedly groundbreaking, humanistic modern architecture that... doesn't look substantially more pleasing to your average person than the concrete blocks people recall when they think of modern architecture.

This is because there is a broad common thread spanning most of these architectural trends, and among these are a "clean slate" philosophy, a conscious refusal to adopt local, pre-modern styles, focus on clean shapes and simplification and minimalism, and design and expressions meant to be adapted for the "age of machine". It's a trend that persists when you look everywhere from early pioneers like Le Corbusier and Mies van der Rohe to contemporary starchitects like Zaha Hadid, and even if certain architects weave in vernacular sensibilities every now and then, it will often be expressed within the larger context of this new post-war mode of architecture, for example in an ironic and highly simplified manner like is done in postmodernism. To engage in such obfuscatory pedantry so as to not properly engage with the critical opinions of laymen who aren't as well-versed in architecture-speak (whose opinions on what constitutes good architecture significantly differ from that of the academic world, and who often feel deprived of any say over the urban environments they live in) rubs me the wrong way. So for ease I'll refer to the phenomenon in question as "modern architecture", instead of listing out every single style it encapsulates.

I've seen a number of explanations posited to explain why "modern architecture" is so common, and I've attempted to look into them in order to investigate if they have any credence whatsoever.

1: The general public actually enjoys "modern architecture", and demands architecture in that style.

It is not uncommon for architects to suggest to detractors that the style of building is the client's fault, and not to blame the architect. So is this true, do clients actually ask for modern architecture? This is probably the explanation that is easiest to address - the literature is actually shockingly consistent on this: People hugely prefer traditional vernacular styles over post-war styles of architecture, and this preference is consistently found across groups regardless of political identification or race or sex.

This is practically a formality, but here goes. A 2007 poll of 2,200 random Americans conducted by the AIA found a strong preference for traditional styles after presenting them with a list of 248 buildings deemed important by AIA members, with participants strongly preferring buildings that evoked Gothic, Greek and Roman traditions. It is necessary to note that tastemakers did retort to this, with the rebuttal of urban design critic John King including the assertion that architecture cannot just be evaluated via a photo, as well as the assertion that the list did not reflect the ideas of architectural experts but the opinions of the general populace (this one I find somewhat funny, considering it's a tacit acknowledgement that the preferences of architects are out of line with the general populace). In a similar vein, yet another study of 2,000 US adults who were shown seven pairs of images of existing U.S. courthouses and federal office buildings (consisting of one traditional and one modern building) showed that 72% preferred a traditional look, and this was the case regardless of whether one was Republican or Democrat or Independent, female or male, white or black (so no, liking traditional architecture isn't a "right-wing thing", as it is sometimes portrayed). The preference for traditional architecture was also consistent regardless of what socioeconomic status the respondent belonged to, suggesting the disparity in prevalence of traditional architecture and general-populace preference for it isn't an issue of class divide where the richest people can specifically commission buildings and decide what gets built. Neoclassical buildings were most favoured, and brutalist buildings were most disfavoured. A British replication of this result can be found in a YouGov survey, which polled 1042 respondents asking them which building out of four they would prefer to be built in their neighbourhood - the result came out 77% in favour of traditional and 23% in favour of modern. The president of the Royal Institute of British Architects, Ruth Reed, responded to this with the assertion that traditional buildings are expensive and unsustainable (a point I will examine later).

But perhaps John King is correct that a photo doesn't properly capture how a piece of architecture actually feels - this is actually a critique I think holds water, there are many places I like far more in person than I imagined I would from a photo alone. Lucky for us, there's a study in Norway which used VR technology to partially circumvent that problem, capturing 360 degree videos of streets in Oslo then presenting them to participants by means of a VR headset. "It emerged that the places characterised by traditional architecture were appreciated considerably more than contemporary urban spaces. The traditional square Bankplassen got the best score, while the contemporary part of Toftes street in the generally popular district, Grünerløkka, came last." But if that, too, isn't a good enough facsimile of the actual experience of visiting a place, here is a Swedish thesis that details the results of a poll in the town of Karlshamn about what parts of their town residents like best, finding that that "the inhabitants make very unanimous aesthetic valuations of the buildings and that the wooden buildings, the small scale and the square are the most appreciated features. Studies in the field of environmental psychology find a general aesthetic preference for features that can be related to the traditional small town".

There are also other more informal polls which one can rely on, such as this bracket assessing readers' favourite buildings in Chicago - the bracket in question was populated via popular nomination, then whittled down to a final four. All of the final four are in traditional style, featuring the Tribune Tower, Carbide and Carbon Building, Wrigley Building, and The Rookery Building. It seems clear that the majority of the public, regardless of demography, prefers traditional architecture, and these results are robust and replicable across many different methodologies. And, well, water is wet. Sometimes it seems that architects are unpleasantly surprised with these results and are in disbelief/denial about the fact that the majority of the public might truly have these views, which brings me to my next possibility:

2: Architects like "modern architecture", the public does not; the excess of modern architecture represents the tastes of architects and not the general populace.

There is a somewhat convincing corpus of evidence showing that architects simply appreciate architecture in a different way from the general populace - as a starting point this study summarises some results from previous work on the topic. One study from 1973 suggests architects respond more to "representational meaning" in a building while the general layman prioritises "responsive meaning", with representational meaning having more to do with the percepts, concepts and ideas that a building conveys and responsive meaning being more of a judgemental view of whether the building is nice in a more immediate affective and evaluative way. Another study from the same year found that architects tended to prefer the person-built environment, whereas non-design students tended to prefer natural settings. This is relevant considering the fact that much modern art and architecture tended to be highly conceptual and focus on rejecting the rule of nature in favour of designing for the new era of machine, as described by Jan Tschichold in his book "The New Typography". The study in question reaffirms these findings, finding from an admittedly small sample that "non-architects gave more affective responses and descriptive responses to the physical features of the building in question, whereas architects commented more on ideas and concepts used to arrive at the physical forms".

This 2001 study showed a large discrepancy between architects' predictions of laypersons' preferences and their actual preferences. They presented a sample of 27 individuals without architectural training with colour slides of 42 large contemporary urban structures constructed in the 1980s and 1990s, and asked them to rate it from 1 to 10. 25 architects were then brought in to "predict or try to mimic a typical nonarchitect's global impression of each building". Low correlations were found between lay ratings of architecture and architects' predictions of lay ratings, and a slight trend towards less experienced architects making better estimations of lay ratings was found. Experience as an architect, if anything, seems to distance one further from the public's idea of "good architecture". While that study showed people contemporary buildings and doesn't directly touch on the traditional/modern dichotomy, it is notable that architects cannot predict lay preferences even within that narrow subset of architecture.

In addition, there are a number of studies which deal directly with that, though sample sizes are typically small. Devlin and Nasar (1989) report on the results of a study where 20 non-architects and 20 architects were shown a series of pictures of buildings which were categorised into general types: "High", which was characterised by fewer materials, more concrete, simpler forms, more white, and off-center entrances, and "Popular", which was characterised by use of more building materials, horizontal orientation, hip roofs, framed windows, centred entrances, and warm colours. Non-architects were more likely to evaluate "high" architecture as unpleasant, distressing and meaningless, while for architects the relationship between architectural style and evaluation was inverted. Small sample sizes, I know, there's not that much research on this, but the research that does exist tends to point in the same direction.

I consider it very likely that some architects (starchitects in particular) do build structures meant for their own self-edification, at the expense of the public and even the client - Peter Eisenman's House VI is one of the most infamous examples of this, a fantastic example of utter psychosis where he split the master bedroom in two so the couple couldn’t sleep together, added a precarious staircase without a handrail, and initially refused to include bathrooms. But most architects are normal working people constrained by clients' preferences and requirements, so the assertion that architects' preferences are responsible for the proliferation of modern architecture feels a bit impoverished to me as an explanation. They may have come up with the style, but it's not clear how much decisive influence their preferences have on most building projects. Perhaps it is just a dictatorship of taste - maybe architects do utilise their monopoly on skill and expertise to push their preferences through, as this comment by an architect on Scott's post "Whither Tartaria" notes, or maybe another driving factor is responsible here.

3: Traditional architecture just costs more to build, and when asked to make a tradeoff between their design preferences and low costs clients would prefer the latter.

This is an often-forwarded explanation for the prevalence of modern architecture, and it was initially the explanation I found the most convincing and intuitive. However, the urban planner and author Ettore Maria Mazzola has put some work into trying to estimate the prices of traditional vs modern architecture, and he does so by using ISTAT (Italian Bureau of Statistics) data, illustrating a large number of buildings and their costs from the 1920s and 1930s and updating them to today's dollars. His findings are presented in his 2010 book on the topic, but that is hard to access so they are also outlined in this paper. According to him "[t]raditional buildings of the first decades of the 20th Century were built in average times ranging from 6 to 12 months, they cost up to 67% less than the current building, and, after all these years, they still have never required maintenance works". Of course, there are problems when you're comparing across different time periods since there are factors that differ between the 1920s/30s and now, such as differing labour costs and building regulations, and so this cannot be considered the last word on the issue.

For a far more illustrative modern-day comparison, there's this paper: "The Economics of Style: Measuring the Price Effect of Neo-Traditional Architecture in Housing" which attempts to study the price premium on neotraditional houses in the Netherlands. They investigate if the higher prices placed on neotraditional houses are due to the higher costs of construction, and from a preliminary investigation into that topic they find: "On our request they provided information on construction costs of houses that vary in style but are otherwise the same. The information provided by Bouwfonds shows that houses in different styles developed by Bouwfonds do not vary in costs. Terraced homes in the style of the 1930s have similar construction costs as houses designed in “contemporary” styles." In an analysis of 86 Vinex housing estates they find significant price premiums for neotraditional houses and houses that refer to neotraditional architecture (as compared to non-traditional houses), with a 15% premium for the former and 5% premium for the latter. They also investigate if differences in interior quality or construction costs could explain the price premium and find that the price premium barely reduces even in more homogenous samples with less room for differences in construction costs. Rather, what they find is that supply is the main factor influencing traditional architecture's prices - in the highly regulated Dutch environment there has been a lack of supply capable of meeting demand, and the price premium has been slowly eroded as more traditional housing has been manufactured overtime. As a result, cost doesn't seem to be the driver for the lack of traditional architecture, nor does it seem to be the case that the style of residential housing perfectly reflects consumer preference - there seems to be an undersupply of neotraditional housing, which then gets reflected in higher prices.

Such an analysis seems to be supported when looking at individual case studies - traditional architecture is not inherently more expensive than modern architecture. An interesting example of this is the Carhart Mansion in New York City, a traditional building which was constructed at "substantially the same unit cost as new Modernist luxury apartment buildings", according to Zivkovic Associates, the organisation that was responsible for the plans and elevations for the building. While it is true that this building was constructed as a luxury apartment building at a higher price point than many other housing markets, the fact that it features a similar unit cost as luxury modernist buildings still raises the question as to why there aren't more traditional buildings at this price point. Furthermore, it's hard to explain away the findings of the earlier Netherlands paper with the claim that traditional stylings are only cost-effective when building higher-end properties, since the similarity in cost seems to persist there too. However, there's an interesting aspect to the case of the Carhart Mansion which might explain the proliferation of modern architecture:

4: City planning boards and other approval committees strongly prefer modern architecture, and are more likely to approve modern-style constructions regardless of the wishes of end-users or architects.

The Carhart Mansion's design was opposed by many members of the New York City Landmarks Preservation Commission (LPC), with the LPC initially being skeptical about the proposed Classical design, and with many members making statements such as "You can’t do that – the façade has to be plain and simple." According to the source linked earlier, "[t]he LPC’s concerns seemed to focus on the question of how well the design would be executed – whether the quality of the craftsmanship in the new construction would do justice to the historic buildings around it. (Oddly, this did not seem to be an issue with the earlier Modernist design!)"

This quote from the very same source is also illustrative: "If you speak with architects and consultants who appear frequently before the LPC, they characterize their perceptions of the LPC’s decisions as follows: Designs for additions to landmarks or infill buildings in historic districts that do not violate the cornice lines and overall massing of neighboring protected buildings will likely win approval, even if aggressively Modernist in style, materials and details; but new traditional designs would have a harder time being approved on the basis of style alone. Accordingly, a number of prominent New York architects specializing in projects involving landmarks have advised their clients that new traditional designs employing actual historic architectural language, such as fully realized Classicism, would likely cost them a lot more in time and money in the review process. This perception has had a chilling effect on new traditional design in historic districts in New York City and in other cities where similar views prevail."

I'm not aware of any source that properly studies this, but it's probably not implausible that planning committees' preferences and tendencies surrounding architecture differ from the public. It's not necessarily the case that architecture granted planning permission reflects what the public wants - planners are a selected group of people with certain training, and this obviously skews the preferences of the people involved in planning.

Finally, a bonus:

5: People don't like modern architecture less than traditional architecture, it's just that the traditional architecture has been subjected to a selection process which filters out all the bad buildings.

Easily falsified - see above in part 1; even modern architecture selected for their importance doesn't fare as well against the traditional stuff.

Furthermore, here is the modern day Toronto City Hall. Here is the Royal Ontario Museum, with a large contemporary "crystal" built into the original neo-romanesque façade. Here are some old photos of Toronto. I suppose I can't speak for anyone else and maybe some users of this forum will find the current Toronto architecture to be scintillating pieces of art, but I can say it's quite clear to me - a plebeian - which of those looks more appealing, and the examples of modern architecture I've offered up are serious landmarks of the city, whereas the old photos in question are just normal streets in Old Toronto.

Anyway, it's a bit bizarre to me why architecture today seems to skew overwhelmingly modern, despite the public seeming to find these buildings worse than traditional styles. So far I think a combination of point 2 and point 4 is probably what's skewing the ratio, but I've not drawn any firm conclusions.

So, let me see if I'm understanding this situation right:

Per a 2021 article by Axios, Harris was "appointed by Biden as border czar." Their wording: "Why it matters: The number of unaccompanied minors crossing the border has reached crisis levels. Harris, appointed by Biden as border czar, said she would be looking at the "root causes" that drive migration." Yet another 2021 article by Axios says this very same thing, saying that Harris was "put in charge of the border crisis" and calling her border czar.

So Axios in 2021 (and many other such media outlets) call Harris "border czar" when they think it might make Harris look good and bolster her importance. Axios then conveniently disavows this label and issues a correction to their own article only three years later, in 2024, once it's discovered that the situation at the southern border might not reflect well on Harris now that she is running against Trump. Note both the second article calling Harris border czar and the one saying she was never border czar were written by the very same journalist. One moment it's Huzzah, Harris is border czar and the next it's You guys, Harris was never border czar, the Republicans just made that up, and we have always been at war with Eastasia. Democrats have already produced internal memos telling their people how to fall in line on this issue.

My understanding of this whole situation is that this is one of the things that are technically true, but that these pedantic fact-checks are obviously partisan and misleading (and designed to lead you to a different conclusion than it actually warrants). Yes, the term "border czar" doesn't exist, and so technically Harris cannot have been border czar. But "czar" is an unofficial term that is generically used to describe people in positions of power like this, going back to the Bush era. Clearly the media thought it was an appropriate term in 2021, but not in 2024, and the fact that they're now going back and "recontextualising" their previous articles based on whether or not it's politically convenient is an extremely bad look.

It is correct that her role was not to literally manage everything regarding border policy, and she was not directly in charge of the border. She did, however, have a responsibility to try and stem the core cause of the border crisis, engage in diplomacy to do so, and to work with these countries to enforce borders, something that she also admits to in this tweet. If she really did what she was tasked to do, she should be able to confidently reply that she offered solutions to these problems that weren't taken up, not to claim that she holds zero responsibility on one of the few issues she was asked to assist with. As Biden himself states:

"In addition to that, there’s about five other major things she’s handling, but I’ve asked her, the VP, today — because she’s the most qualified person to do it — to lead our efforts with Mexico and the Northern Triangle and the countries that help — are going to need help in stemming the movement of so many folks, stemming the migration to our southern border."

"[T]he Vice President has agreed — among the multiple other things that I have her leading — and I appreciate it — agreed to lead our diplomatic effort and work with those nations to accept re- — the returnees, and enhance migration enforcement at their borders — at their borders."

This entire thing just seems like one of these comically exaggerated Ministry-of-Truth-esque things that happen often in election cycles, the last one being the total 180 on Biden, where before the debate they were proclaiming that Biden was in the best shape ever and that all the alt-media outlets talking about his mental decline were just conspiracy theorists, then right after that shitshow of a debate that they couldn't BandAid over, all of a sudden the calls to resign started up and it turned out his party had been silent about his decline for years despite knowing about it.

How do wokes/social constructionists/etc reconcile their views with the actual state of scientific knowledge or even basic logic? It seems clear to me that if one accepts genetics and evolutionary principles, it necessarily implies that 1: humans have a nature that is determined in large part by our genetics and 2: humans and human societies undergo selection on both an individual and group level. We've known for a long time now that intelligence, mental health and a whole bunch of other traits relating to ability and personality are very heavily influenced by genetics, and it's perfectly logical this could lead to differences in outcomes on an individual as well as population level.

However this gets dismissed away with a lot of spurious reasoning (which is usually presented with a huge amount of nose-thumbing and "Scientists say..." type wording in order to scare the reader into not questioning it). As an example, the whole "races can't be easily delineated, there's no gene specific to any race, and there's more variation within races than between them" argument seems to be a poor attempt at deflection and simply doesn't hold up as a method of dismissing population-level differences. Just because races can't be easily delineated does not mean that race is a "social construct" - race might not be discrete, but it is a real physical entity with roots in biology and just because there's no clear dividing lines which can be drawn doesn't exclude the fact that if you do decide to draw these lines it's entirely possible you'd find differences which exist. None of what's said is inconsistent with the idea of innate variations in intelligence and ability that roughly correlate with observable phenotypic traits. All it takes is for the frequency of specific alleles which code for these traits to be unequally distributed, and you'll find aggregate differences. But the way it's presented exists to mislead people into thinking that the continuum-like nature of genetic differences means that these differences or even the concept of race itself as a biological entity is not something that one should even entertain.

There is also another level to this denial of evolutionary principles that extends far beyond genetics, however. Many of these people also seem to think that social norms themselves are arbitrary vagaries of specific historical circumstances, rather than being adaptive practices which were selected for through the process of survival-of-the-fittest. This view fails to account for many commonalities among civilisations, one of the clear ones being religion (one of the favourite woke whipping horses out there). Not only is religion completely ubiquitous in pre-modern society, you can generally see a shift from animist-type religions in tribal societies to the more developed and organised forms of religion mostly predominant in societies that achieve "civilisation" status. This clearly seems to suggest that religious dictates don't simply arbitrarily drop out of the sky - it indicates that some form of selection was occurring and that societies that adopted certain religions had an advantage. Even more than this, these "successful" religions that are common in civilisations share quite a few similarities in their dictates - selflessness, self-discipline, abstinence, etc.

I'm no religious nut - I'm quite atheist, but religion is a social technology that exists so that large-scale societies can remain cohesive and retain a shared moral foundation, and I would call it a good thing overall (and yes, my perspective often pisses off both religious people and atheists). However this is never properly engaged with by the orthodoxy outside of "yeah people facing hardship make up bullshit to make sense of the world, it's got no validity or use outside of that". Such stock explanations that handwave away traditional social norms (at least, those which contradict the woke moral system and outlook) as being functionless at best and damaging at worst are painfully common, despite many of these social norms being absolutely everywhere up until recently.

Among the supposedly educated any discussion of these topics through these non-approved lenses tends to invoke accusations of "social Darwinism" with the implication that applying any kind of evolutionary logic to humans and human societies is invalid because it could be used to justify Bad Things. This is all consequentialist reasoning which has no bearing on the truth of the claim itself, and lumping in all kinds of belief systems under the same category is a very clear composition fallacy which is clearly done to tar every single idea contained within its bounds with the same brush.

More than this, despite these people being very intent on portraying themselves as secular, scientific people, their viewpoints clearly are in conflict with any kind of scientific understanding and come off to me as being borderline superstitious. In order to strongly believe that insights from genetics and evolution can't be applied to human behaviour and that humans do not come programmed with specific predispositions that depend on what you've inherited, you have to believe in metaphysical, dualist ideas of the mind which are essentially detached from anything physical that could be affected by genetics. Once you adopt a view of the human mind as a physical entity the shape of which is determined by the specifications of genetic instructions, it opens up that whole Darwinian can of worms and everything that stems from it, and many wokes simply do not want to acknowledge the possibility that it could have any amount of validity. Unless they're able to maintain an absolutely unreal amount of cognitive dissonance, I'm unsure how their ideas can be anything but superstitious.

It's even worse when it comes to their idea of social norms as something that just drop out of the sky and persist and propagate over the long term regardless of the adaptiveness of these norms, since there is clearly nothing controversial about the idea that societies compete against each other, and this will tend to select for those norms that promote functioning (which is why you find common threads). But you still come across this type of knee-jerk denial nevertheless. Regardless of how well-read they may be, their reasoning remains fundamentally sloppy, and I'm unsure how they manage to square this circle.

Part 1/4

Recently, someone sent me a video about GamerGate made by BreadTuber Ian Danskin in 2021. The video in question is his talk to UC Merced about "digital radicalism" using GamerGate as a case study. Here is the link to the video and here is the link to the transcript of the video, posted on his Tumblr.

It's truly shocking how many errors and misrepresentations there are in it. There are so many I can't and won't cover them all, but I do want to highlight the most notable ones.

Okay. Our story begins in August 2014. The August that never ended.

Depression Quest, after a prolonged period on Greenlight, finally releases on Steam as a free download with the option to pay what you want. In the days that follow, Zoe’s ex-boyfriend, Eron Gjoni, writes a nearly 10,000-word blog called The Zoe Post, in which he claims Quinn had been a shitty and unfaithful partner. (For reference, 10,000 words is long enough that the Hugos would consider it a novelette.) This is posted to forums on Penny Arcade and Something Awful, both of which immediately take it down, finding it, at best, a lot of toxic hearsay and, at worse, an invitation to harassment. So Gjoni workshops the post, adds a bunch of edgelord humor (and I am using the word “humor” very generously), and reposts it to three different subforums on 4chan.

I'm genuinely not sure where he's getting the idea that Gjoni posted to 4chan. Not even his supposedly "too comprehensive" RationalWiki source detailing the timeline of GamerGate states that Gjoni posted it on 4chan - it just states "Eron Gjoni publishes "The Zoe Post" on Wordpress, accusing Zoe Quinn of infidelity. This time the post is shared to 4chan's boards /b/, /v/, /pol/, and /r9k/." One of his other sources claims Gjoni attempted to sic 4chan on Quinn, but this claim is not cited.

https://rationalwiki.org/wiki/Timeline_of_Gamergate

According to The Zoe Post, here Gjoni’s side of it:

“If you take my recommendation to opt against the TL;DR — yes, this is written almost entirely in shitty metaphors and bitter snark. It’s a post about an ex, and the tone reflects its intention as the starting post for forum threads entitled Cringe-Worthy Break Up Stories on Penny Arcade and Something Awful, because I figured it would be best to announce on friendly communities in innocuous ways. Penny Arcade and Something Awful deleted those threads, so now this blog stands alone. I will not take it down, because I know the information is important, even if what I have omitted means you never might."

"And no, I never posted this to 4chan.”

https://thezoepost.wordpress.com/

There is, however, another page on RationalWiki which states that "After he got banned from Penny Arcade and Something Awful, he shared with 4chan's /r9k/ and /pol/ who then decided to call her a "whore" and a "cunt".[1][2] How non-misogynist."

https://rationalwiki.org/w/index.php?title=List_of_Gamergate_claims&diff=1587662&oldid=1587661

RationalWiki posts two sources to "prove" that Eron Gjoni shared with 4chan's /r9k/ and /pol/. However, none of their sources prove at all that Eron Gjoni shared it - others rehosted what was removed from other places as posted by Gjoni, but he himself did not provably rehost on the chans himself.

https://archive.is/qrS5Q

https://archive.is/QIjm3

The tone of these chans is very 4chan, meaning it's not amazing. However, I found no evidence suggesting Gjoni sanctioned or approved of either.

I'd also add that Gjoni has stated repeatedly that the reason why he posted them on Penny Arcade and Something Awful was because they had positive views of Zoe, not because they had a history of harassing her.

"I chose the Penny Arcade forum because all mentions of Zoe there have been positive. I chose the Something Awful forum because Zoe used to visit there a lot before making DQ, and they like her in a "we knew her before she was famous" sort of way."

https://old.reddit.com/r/SRSGaming/comments/2ef26g/what_all_that_zoe_quinn_stuff_was_about_2nd/cjz8hb2

"She was a regular on Something Awful. And they like her in a "we knew her before she was famous" sort of way. Which is why I chose Something Awful as one of the two boards to drop this one."

https://web.archive.org/web/20141204063637/https://pbs.twimg.com/media/BxRecBCIAAEIcOG.png

Then, Danskin goes on to make this bombshell of a claim:

What is known is that the relationship lasted five months, and, after it ended, Gjoni began stalking Quinn. Gjoni has, in fact, laid out how he stalked Quinn in meticulous detail to interviewers and why he feels it was justified. It’s also been corroborated by a friend that Quinn briefly considered taking him back at a games conference in San Francisco, but he became violent during sex and Quinn left the apartment in the middle of the night with visible bruises.

Now, his source for this is the Boston Magazine hit-piece on Gjoni, entitled "Game of Fear". Here is the link (to an archive page, since I would rather not give clicks):

https://web.archive.org/web/20221008092349/https://www.bostonmagazine.com/news/2015/04/28/gamergate/

Reading it is incredibly funny, actually. There's not a single piece of evidence presented in the article in favour of these claims (because they're based on interviews), and the tone reeks of exaggeration and editorialising. But I'd think if you're going to try to use Gjoni's own statements to impugn Gjoni, I'd think looking at Gjoni's actual statements would be a better source for that instead of accounts of his statements that are filtered through a lens of journalistic bias.

Here's Gjoni's two-part commentary on the Boston Magazine article, entitled "What The Hell Is Journalism Even". As far as I can tell, it is still unfinished to this date, but what exists seems to demonstrate a clear pattern of falsehood and misrepresentation in the Boston Magazine article.

https://antinegationism.tumblr.com/post/117661182576/what-the-hell-is-journalism-even-part-1

https://antinegationism.tumblr.com/post/117729753311/what-is-journalism-even-part-2-zachary-jasons

Off of the abusive ex-boyfriend’s post, 4chan decides it’s going to make Zoe Quinn one of their next targets, and starts a private IRC channel to plan the campaign. The channel is called #BurgersAndFries, a reference to Gjoni claiming Quinn had cheated on him with five guys. A couple sentences in The Zoe Post - which Gjoni would later claim were a typo - imply that one of the five guys was games journalist Nathan Grayson and that Quinn had slept with him in exchange for a good review of Depression Quest.

Incorrect. This is a really big error. Here's what Gjoni actually says the "typo" is in his edit to the Zoe Post:

"There was a typo up for a while that made it seem like Zoe and I were on break between March and June. This has apparently led some people to infer that her infidelity with Nathan Grayson began in early March. I want to clarify that I have no reason to believe or evidence to imply she was sleeping with him prior to late March or early April (though I believe they’d been friends for a while before that). This typo has since been corrected to make it clear we were on break between May and June. To be clear, if there was any conflict of interest between Zoe and Nathan regarding coverage of Depression Quest prior to April, I have no evidence to imply that it was sexual in nature."

https://thezoepost.wordpress.com/

So as you can see here, Gjoni was not correcting a section in the Zoe Post which stated that she slept with Nathan Grayson for a good review of Depression Quest. He was correcting a typo which made it seem like they were on break between March and June instead of May and June.

In fact, he literally couldn't have retracted the statement that she slept with Nathan Grayson for a good review of Depression Quest because not a single sentence in The Zoe Post ever states that in the first place. Even when you go back to the earliest archive.org snapshot of the Zoe Post (all the way back in 16 Aug 2014), no such claim is made.

https://web.archive.org/web/20140816104303/https://thezoepost.wordpress.com/

The only mention of Depression Quest he made is contained within his later edit identifying the typo, and the purpose of him mentioning it was to caution people to be careful when making claims about the conflict of interest.

Even Nathan Grayson himself admitted that Gjoni did not state in his post that Quinn traded sex for reviews.

https://archive.is/pNJvE

Given the centrality of The Zoe Post to the whole thing, this mistake is incredibly damning. It establishes that Danskin hasn't even read the Zoe Post. You would think that someone speaking at UC Merced about the Quinnspiracy and Gamergate would have at least read one of the Quinnspiracy's central documents, but this seems to imply that he's simply obtained his information from predictably slanted secondary sources.

Here's a link to Part 2 of this post, in case it gets buried under the replies.

Year of the Graves

I am somehow just getting to this now and from what I'm seeing, this seems to be one of the biggest culture war clusterfucks that has flown mostly under my radar. It started when media began reporting that the graves of 251 children (later 200) had been found near the Kamloops Indian Residential School.

Now, my understanding is that the evidence for the Kamloops graves are in fact very scant. The basis for the claim that 251 unmarked graves were found at Kamloops is based on the fact that ground penetrating radar or GPR identified irregularities in the ground near the Kamloops residential school that they simply interpreted as unmarked graves. GPR, however, can really only show disruptions in soil and sediment, and no excavations of the supposed graves have been done yet. In other words, nobody knows if it even is a burial site, let alone a children's grave.

At the Kamloops site, a juvenile tooth and a rib was cited as evidence of there being an actual grave underneath. Sarah Beaulieu, the person doing the GPR work, stated in her press conference that the tooth and rib were discovered in the late 90s and early 2000s. The tooth was discovered in an excavation by Simon Fraser University, and the rib was supposedly found in the area by a tourist and brought to the museum. However, when people reached out to Simon Fraser University, they replied that the juvenile tooth was in fact verified to be not human. Further attempts to get additional information about the tooth resulted in the university saying that the Kamloops legal team advised them not to respond to any queries from the public about the unmarked graves.

To be honest, there's been a serious lack of transparency surrounding this whole thing which really makes me think that a lot of the findings are suspect. Forget excavations, I am not aware of there being any kind of detailed writeup of the evidence surrounding the GPR findings, or any release of the work on the tooth and the rib bone. Pretty much nothing exists for the public to chew on, apart from a few very rigour-less media releases from the Kamloops band and a press conference from Beaulieu. Oh, and Indigenous "knowing", of course.

I want to properly cement just how inconclusive GPR findings are. In Sarah Beaulieu's press conference, when questioned about if the 215 number was still accurate, Beaulieu states that initially the estimate was 215 graves which had later been revised down to 200 because after the survey was done she became aware of previous excavations that had been done in the area that overlapped with her survey area. So if she can't with confidence distinguish between a burial and excavation work, that seems to suggest that GPR can't really tell you much.

Furthermore, there have been other attempts to find graves with GPR. For example, there was an attempt to find unmarked graves at the former Camsell hospital, where Indigenous people with tuberculosis were treated for decades. Some believed former patients may have been buried on the grounds. As the CBC article on the topic notes: "Thirteen spots flagged by ground-penetrating radar were dug up earlier this summer. Over the past two days another 21 such anomalies were uncovered but only found debris." They eventually wrapped up the search having found nothing. In other words, things that raise alarm according to GPR can actually be any number of other things.

It is also useful to note that most of what used to be the Kamloops residential school orchard has already been excavated prior to the new GPR findings, over 30% of the site has been excavated for various construction and research purposes and no graves were discovered. Note, these excavations started after accusations of the orchard being used to hide graves begun. As this article notes, with more than 30% of the orchard already excavated, is it probable that 200 burials were just missed by previous operations that Beaulieu is just finding now?

Additionally, the survey site Beaulieu was operating in is very disturbed by human activity, casting even more doubt on the idea that what she's seeing are graves. "Several of the 200 “probable burials” overlap with a utilities trench dug in 1998, and still other “probable burials” follow the route of old roads or correlate suggestively with the pattern of previous plantings, furrows and underground sewage disposal beds". I don't know for sure if that can create the GPR findings here, but given the fact that the excavation of multiple anomalies at Camsell hospital yielded no graves, other hypotheses should be considered.

So we basically have nothing here. But the Kamloops Band made a media release on 27 May 2021 stating that there was "confirmation of the remains of 215 children who were students of the Kamloops Indian Residential School". Media reports on it in the very same way, and Canada goes crazy over this. Canadians desecrate church after church, something which even Indigenous leaders told them to stop doing.

While there are other "discoveries" of "unmarked graves" elsewhere near other residential schools which have been revealed after Kamloops, they seem to be similarly questionable. The other very publicised one is by the Cowessess First Nation, disclosing the "discovery" of 751 unmarked graves at a cemetery near the former Marieval Indian Residential School.

This one, however, is even more questionable than the Kamloops one. What makes this especially incredible is that this was indeed a graveyard, but it was not an unmarked grave. The discovery was made at a community cemetery where basically everyone was buried, apparently including non-First Nations people. And the reason why they found "751 unmarked graves" was because many of the graveyard's crosses and headstones were simply taken down, not because they were clandestinely buried. According to the register of baptisms, marriages and burials from 1885 to 1933, there are graves of adults as well as preschool-age children as well as those who died at birth. It is at the moment unclear how many of the graves are actually from the residential school. Given that this was a community cemetery, there are almost certainly some, but the inflated numbers being quoted now are almost certainly wrong. "Some people died at a school and were buried at a community graveyard" isn't nearly as dramatic as "hundreds of unmarked graves" is.

The article notes that there are some survey flags dotting areas outside the cemetery, however this again runs into the very same problem that the site has not been excavated and has simply been assumed through GPR sensing disturbances in the soil.

Probably the most interesting one so far is the Star Blanket Cree's discovery of 2,000 anomalies near the Lebret Indian Residential School, and their accompanying find of a jawbone. Again, these were found using GPR, which carries all the previous caveats. Sheldon Poitras, the ground search lead for the investigation, scoped the findings appropriately, stating "Does that mean there’s 2,000 unmarked graves? We don’t think so. GPR can’t definitively say that’s something. It could be a stone under the ground, it could be a clump of clay, it could be a piece of wood or it could be something. We don’t know yet." So the people doing the work here are telling people not to jump to conclusions based on GPR alone.

As to the jawbone finding, we know almost nothing at all about it. Supposedly it was found near a gopher hole. However, as this article states "the provenance of ex situ bones – objects found away from their original site and the valuable context this provides – should always be treated with caution. A bone fragment could have been dug up where it was found or it could have been carried there from elsewhere, such as the community’s cemetery, by a gopher or other animal, or even deposited by a mischievous person". And even if this is a gravesite, one can't simply assume that it is a residential school gravesite. They could be older Indigenous gravesites unrelated to the residential school, for example, and only excavation can tell you what it is.

I'm not going to make predictions at this point, but the reaction of people has been disproportionate considering the at best inconclusive evidence thus far, and anyone who actually cares about accuracy runs into this problem: If you question the findings on the basis of the weakness of the evidence, you're basically tantamount to a Holocaust denier. If you ask for excavation and confirmation, you're just asking for Indigenous people to be retraumatised. The only non-racist thing to do is to nod your head and demonstrate a sufficient amount of piety.

Also, I have no stake in this. I'm not Canadian, and as a result I have no impetus to avoid accounting for any Canadian history. And if Canadians want to destroy their country in paroxysms of guilt and shame, I certainly won't stop them. But this seems insane.

Here's Udio, a new AI music generator that has emerged as a competitor to Suno. There's less of the audio "artifacting" that exists in a lot of AI music tools, and it can actually do some pretty decent generation from keywords. It's early days and there are limitations and still identifiable signs of AI-ness, but it's quite a large step forward from the previous iterations.

The emergence of all these musical AIs as of late has been quite validating, especially since I've had a good amount of arguments with art people I know about the ability of AI to create music - as someone who makes music as a hobbyist I've come at it from the perspective of "these are all just patterns and systems of rules, and can be imitated easily by an agent familiar enough with those rules". In similar fashion to those who predicted that visual art would be difficult to achieve via AI, those who were predicting that this ability was not generalisable to music were wrong.

To some extent, it's understandable - it must be a pretty big blow to one's ego for the art one prides themselves on to be so easily recreated and automated by the equivalent of a Chinese Room, especially when the field is still in its infancy and hasn't even come close to anything we would consider agentic - but I can't help but see many of the naysayers about the ability of AI to achieve supposedly uniquely "human" tasks as being clearly myopic and wrong.

I agree that the way the family courts treat men is pitch-black evil. The way a lot of men treat women is likewise pitch-black evil.

What puts men on edge is not that there are bad women around who will do bad things. It's the fact that the women who do bad things are aided and abetted by the legal and policy systems in place, and the fact that the harms they perpetrate are often actively enabled and worsened by these systems.

And some of these harms are really egregious. You don't have to be in a long-term relationship with a woman for the state to try to obligate you. You don't even have to be a consenting party to the act that results in conception. In the case of a woman using deceptive and coercive means to trap an unwilling man into fatherhood, the system will vigorously extract money from that man and hand it to that woman for 18 to 26 years.

In one such case (Hermesmann v. Seyer), the father was a minor child who was statutorily raped, and the court found him responsible for the financial support of the resulting child. Other cases of male victims of statutory rape being made to pay child support include Nick Olivas and Nathaniel J. In the latter case, Judge Arthur Gilbert stated that "Victims have rights. Here, the victim also has responsibilities."

The article "Fatherhood By Conscription: Nonconsensual Insemination And The Duty Of Child Support" also has a very good rundown of things (and while I do disagree with some of the moral positions the author takes, the cases cited within shine light on an issue that is rarely focused on). Regarding the question of whether a male victim of statutory rape is liable for child support payments should the rape result in a child: "[T]here are numerous cases in which an adult woman became pregnant as a result of sexual relations she initiated with a minor child. Nonetheless, despite the number of times this question has arisen, every single court has answered it in the affirmative - holding that, yes, the minor father is liable."

Then there are also completely nonconsenting adult male victims of female-perpetrated rape that have been made to pay child support to the mothers. For example, an Alabama man known as S.F. in 1992 attended a party at the home of a female friend, T.M, and was raped by T.M. when he was unconscious. He was held responsible for child support, and on appeal his argument that the court should relieve him of child support duties failed. And in another similar case, Daniel was a Wisconsin father who claimed that the mother, Jennifer, administered a date rape drug to him, and despite the jury concluding that his sexual intercourse with Jennifer was involuntary, he had to pay child support. Then there are cases like Emile Frisard's, where there was no rape, but the mother got pregnant by retrieving the father's semen from oral sex and impregnating herself with it, and in that case the court also upheld his child support obligation.

Meanwhile, here's what happened in the one case in which a court was called upon to decide whether a female victim of sexual assault was liable for child support. "In DCSE/Esther M.C. v. Mary L., a mother refused to provide support for her three minor children on the basis that they were “the result of an incestuous relationship with her brother,” and, as such, “it was not a voluntary decision on her part to have the minor children.” In ruling, the court did what no court has ever done when confronted with the child support obligations of a male victim of sexual assault - the court ruled that the mother may not be liable. According to the court, “[i]f the sexual intercourse which results in the birth of a child is involuntary or without actual consent, a mother may have ‘just cause’ . . . for failing or refusing to support such a child.”"

And the article notes that this is the case despite the fact that women have more options than men after conception - "they can later elect to abort the child or give the child up for adoption, thus terminating her parental rights. In contrast, a father cannot make those choices absent the cooperation of the mother." I'd also add the morning-after pill as another example of a precautionary measure a woman can take (if she is sexually assaulted, or she is afraid her partner has poked holes in the condom, etc). Men also lack this option.

Again, it is not that women can harm men that makes a lot of men wary. It's not even that women can get away with harming men. It's that the system itself, even when acknowledging that the woman committed an intentional and morally inexcusable act on the man, will enforce the continuation of that harm.

There is no risk-free way to allow other people access to your brain, dick, heart and bank account, but allowing that access is a choice you make. Those who make poor choices have to pay for them, one way or another.

You are essentially claiming that if family court and child support etc are biased against men, men have to take that risk into account and if they don't, whatever happens is something they assented to. But I think it is hardly a viable choice when the "choice" in question is between lifelong celibacy and opening yourself up to the possibility of getting completely screwed over by an incredibly broken system. To claim that being unable to tolerate the former situation constitutes a "poor choice" on one's own part is really quite unfair. And the point falls apart even further when you consider the fact that men (and boys) who have been raped or otherwise sexually taken advantage of by women have been forced to pay child support.

Back in June, I flew to North America to see my partner (who lives on the other side of the world), and when I was there I had the opportunity to try out some Nintendo games on his Switch. My opinion was fairly lukewarm, and I came away with the impression that the high esteem in which many of their games are held seems to be driven primarily by legacy clout. Breath of the Wild was hands-down the Nintendo game that I enjoyed the most (I put a good few hours into exploring the world and experiencing the main story), and it's a game that has been hailed as a shining example of open-world done right and has been placed on many peoples' lists of best video games of all time. I thought it was good, but don't believe it's nearly good enough so as to warrant inclusion as one of my favourite video games.

The game is fun, and the fact that you can climb and scale basically everything in game and explore the world in a variety of different ways imparts a feeling of freedom that's quite addicting, an aspect in which the game excels - but in practice that all amounts to getting from A to B in a subtly different way. The game doesn't really justify its (extremely large) open world, and in order to progress the main story you're mostly going from one very clearly spelled-out quest marker to another. Now, these quest markers are necessary because of how sprawling the world is - the player would easily get lost without some form of guidance - but the game explicitly tells you where you are supposed to go, and doesn't really give you incentive to explore out of bounds. If you are making an open world game you need to capitalise on the open world part as a core aspect of the game.

Technically, you don't need to progress through the game using the path set out for you, and you can take it as fast or as slow as you want, you can even skip straight to Ganon after the tutorial. One of the most exhilarating parts in my playthrough was sneaking past a bevy of guardians on the way to Hyrule Castle, a place where I was certainly too underpowered and under-skilled to be at that point. From a game design standpoint, this was certainly meant to dissuade beginner players from trying to go straight for Hyrule Castle immediately and trying to skip past the main game's content, and it felt like I was exploring outside of the manicured, well-trodden path the game had laid for me. This felt great, and I did make it past all of the guardians, but eventually turned back since I was essentially forfeiting main game content by trying to cut straight to Hyrule Castle without much reason to try and do so.

Trying to explore for additional, optional content isn't particularly enticing either, since the world is kind of a content desert with large areas of dead air in between points of interest, and there are only so many shrines and Bokoblin outposts you can explore before the cost/benefit of exploration starts looking very unfavourable. As a result, I never really felt the urge to explore outside of the bounds of the game, and was pretty much always shoehorned into doing everything the game set out for me. It's effectively an open world game that doesn't actually really make use of its (all too large) open world.

To be fair to BoTW, this criticism can also be levelled against most open-world games - the idea of an open world is generally much more enticing than how it actually plays in practice. So far, the only game I've seen do it right is A Short Hike, which succeeds primarily because of the fact that it has a fairly small, condensed "open world" packed full of content relative to its size and an extremely simple objective which you can easily complete and that doesn't require a huge amount of trekking through empty terrain. Once you start trying to expand the game's scope, when you're trying to make a 10-15 hour game with a coherent throughline set in a large, sprawling open world, making your way through the world starts to feel very tiring, and content deserts are all but guaranteed unless you want development time to inflate hugely.

It should be noted that I am someone who does value plot fairly heavily in games, something that's generally not a focus of Nintendo's. BoTW appealed to me more than, say, any mainline Mario game because of its relatively consistent worldbuilding and the fact that it had a story that wasn't an extremely marginal part of the game. The seamless incorporation of compelling narratives into a game format is an important part of the medium for me. But even excluding the general weakness and inoffensiveness of Nintendo's stories and worlds, and just focusing on gameplay, their games have some issues that I find quite difficult to brush past, and I don't agree with how highly their games are generally ranked.

Change my mind.

As other people have stated here, I expect alignment would be much less of a problem when you're a AI that's already undergone an intelligence explosion.

The control problem largely stems from human constraints, most notably our inability to accurately predict the behaviour of artificially intelligent agents ahead of time before the system is deployed. A superintelligence, on the other hand, would most likely be able to model their behaviour with a startling amount of accuracy, rendering the control problem largely obsolete. And even assuming that predicting the behaviour of any sufficiently complex system is such an intractable problem that even a super AI couldn't solve it, it could very easily base the utility function of its subunits on its own programmed goal system, which would eliminate problems of alignment.

If anyone here plays board games regularly, what's your opinion on kingmaking? I'm aware there are a range of opinions on this, and this is a point of contention for many players out there.

Kingmaking, for the uninitiated, is basically a behaviour players can engage in during board games where after you fall behind the other players to the extent that you're effectively out of the game, you can throw the game in favour of the player you want to win. This is usually based on in-game grudges (someone absolutely screwed you over, so you'd rather they not win) and it regularly rears its head in social board games, one of the most common games I see it in being Settlers of Catan.

Personally, I am not against kingmaking. I think kingmaking, teaming, and all other related behaviours are inherent in social board games with more than two players and can't really be avoided (nor should it). A big part of any social game is about judging your adversaries' personalities and playing the players accordingly, and if you engage in aggressive behaviour early on and make enemies, there's clearly a risk that comes with it. You can't make it difficult for a player to win then expect them not to take their revenge. Additionally, strategically employing kingmaking and threats thereof can set a meta-rule for future games - if you screw me, I'll screw you back - which might make a player think twice about taking their chances to screw you in the future. The humans you're playing with are part of the game, and the relational dynamics are what make a lot of social games interesting in the first place.

It goes without saying that if the player still has a good chance of winning kingmaking would probably be a poor strategy, but I don't inherently have a problem with pursuing revenge in and of itself.

Place; Place, Japan

So, I'm currently planning a holiday in South Korea over the Christmas period, and when researching it's common to come across posts on social media asking whether SK or Japan is a better place to visit. The outcome is always the same: regardless of the comparison, Japan is virtually always touted as the best destination in East Asia. Note - I don't want this to be any kind of anti-Japanese post, since I actually quite enjoy Japanese food, culture, etc quite a bit, and see how it would be attractive to a tourist. However, I'm not quite certain why it is that Japan gets hyped up to this degree, compared to other Asian countries.

I am a very archaeology and history-focused person, so keep this in mind when reading this post.

The arguments many travellers make in favour of the pro-Japan position primarily rely on historical significance: there's the characterisation of Japan as being a uniquely cultural place, filled with ancient historical shrines, palaces and temples that can't be found elsewhere in East Asia - Korea in specific is considered to be generally devoid of meaningful culture as compared to Japan due to the history of destruction in the country from the Imjin War onwards. But once you've looked further into this Japan begins to look more and more like any other East Asian country: it certainly wasn't unscathed by wars and destruction, and because many of its buildings are wooden it's been repeatedly ravaged by fires, bombs and so on that have destroyed many of its cultural sites, most of which have been rebuilt repeatedly over time.

Here are a handful of examples:

Senso-ji. This is one of the most significant temples in Tokyo and a major tourist site. It was destroyed during the extensive WW2 firebombing in 1945, and the buildings still standing today are reconstructions dating to about 1951-1973. These buildings are undoubtedly beautiful, but certainly not old - the famous five-storied pagoda is younger than Nicholas Cage. Additionally, they're also made of concrete, unlike the original wooden structures, so as to prevent the thing from burning down again. Not very authentic.

Osaka Castle + Nagoya Castle + any number of other "historical" castles in Japan. These are probably some of the most egregious examples, considering that they're unashamed ferroconcrete pastiches of the original castles. Osaka Castle was destroyed in the Boshin War in 1868 and Nagoya Castle was destroyed in WW2 in 1945. The current reconstructions hail from 1931 - 1959, with the insides being tourist-trap museums complete with lifts and other modern amenities.

Kinkaku-ji. Probably the most obvious and recent example of a reconstruction in Kyoto - this reconstruction was built in 1955 after a schizophrenic, suicidal monk burned the original structure down, and now it draws so many tourists that it's definitely suffering from overtourism. You can hardly see the temple for the most part, because of the throngs of tourists lining up to get even the slightest glimpse of the (admittedly very beautiful) golden pavilion.

Nijo Castle. Let me be clear, this palace is incredible. The Ninomaru Palace is wonderful and truly historic. While I bet it's been thoroughly Ship-Of-Theseused over the years due to the need for constant renovations and upkeep, it is a structure that's persisted continuously over the years and its construction was fully completed in 1626. Many of the other structures in Nijo Castle, however, are not like this - the actual Honmaru Palace was burned to the ground in the 1700s, and the current structure standing there today is actually a completely separate building taken from the Kyoto Imperial Palace.

Kyoto. Yes, Kyoto. This is attacking a steelman, since Kyoto is the historic city of Japan, but even that's not an ancient city - 90% of the city was burned to the ground during the Great Fire of 1788, and as a result in the bounds of the old city there are not more than 10 to 12 buildings pre-dating 1788. Of course, this doesn't mean the city isn't historically or culturally significant - but most of Kyoto is not older than the Edo period.

There are many more examples I could offer - Kiyomizu-dera is a temple hailing from the late Nara period but which had to be rebuilt in 1633, To-ji Temple was rebuilt in 1644, and so on. I'm sure you can find some truly old structures in Japan - the opulent Golden Hall of Chuson-ji comes to mind, a structure that was built in the 11th century and remains extant up to this day. But as a general rule, most of the structures in Japan are generally not that old.

It's necessary to note that Japan has a different viewpoint surrounding "authenticity" than the West does. As Douglas Adams notes on his visit to Kinkaku-ji: “I remembered once, in Japan, having been to see the Gold Pavilion Temple in Kyoto and being mildly surprised at quite how well it had weathered the passage of time since it was first built in the fourteenth century. I was told it hadn’t weathered well at all, and had in fact been burnt to the ground twice in this century. “So it isn’t the original building?” I had asked my Japanese guide. “But yes, of course it is,” he insisted, rather surprised at my question. “But it’s burnt down?” “Yes.” “Twice.” “Many times.” “And rebuilt.” “Of course. It is an important and historic building.” “With completely new materials.” “But of course. It was burnt down.” “So how can it be the same building?” “It is always the same building.” I had to admit to myself that this was in fact a perfectly rational point of view, it merely started from an unexpected premise. The idea of the building, the intention of it, its design, are all immutable and are the essence of the building. The intention of the original builders is what survives. The wood of which the design is constructed decays and is replaced when necessary. To be overly concerned with the original materials, which are merely sentimental souvenirs of the past, is to fail to see the living building itself.”

It is a not-uncommon East Asian view that buildings can be demolished and rebuilt and still be the same structure, just as long as it sits on the same site and serves the same purpose. Many believe that changes to the structure are another step in its evolution, and this is perfectly okay - the Japanese answer to the Ship of Theseus is in fact "yes, it's the same ship". Ise Shrine, in fact, gets ceremoniously demolished and rebuilt every 20 years in an event called Shikinen Sengu. But this results in weird, unintentionally misleading marketing, where buildings that are barely older than the 20th century get marketed as "ancient", which leads a Westerner to think that the actual extant building in fact does date back to the 5th century or something when in fact it's newer than some New York buildings.

The historicity of South Korean buildings, in this light, seems not that different to that of Japanese ones. Here are a couple of notable examples:

Changdeokgung. This incredible Joseon palace was finished in 1412, but multiple wars and fires have resulted in a wildly differing age distribution among the structures of the palace. All of it was destroyed during the Imjin War in 1592, except Geumcheongyo Bridge which dates back to 1411. The palace was restored in 1609, and the oldest proper building (the Donhwamun Gate) can be traced back to this date. Other structures date from the 18th to the 20th century, though the reconstruction generally seems to have been fairly authentic. The secret garden, located north of the palace complex itself, is generally quite authentic - the buildings and gardens there have sustained their original forms from around the end of the Joseon Dynasty.

Jongmyo Shrine. This is a Joseon-era Confucian shrine housing the spirit tablets of Joseon monarchs, initially built in 1394 but (unfortunately) burned down during the Imjin War. The spirit tablets were saved by hiding them in a commoner's house, and the current reconstruction dates all the way back to 1601. Note: This shrine is old enough that its reconstruction is as old as the aforementioned Ninomaru Palace in Japan.

Haeinsa Temple. This remarkable place houses the Tripitaka Koreana, a series of 81,258 wooden printing blocks with over 50 million Hanja characters inscribed on them - they constitute one of the most complete Buddhist canons ever, one that's 750 years old. The buildings themselves were first established in 802 AD, but most of it was destroyed by fire in 1818 and rebuilt shortly after. The Janggyeong-panjeon (the storage hall housing the Koreana), however, is very old, and while it's not known exactly how ancient it is it's probably original, having survived both the fire and the highly destructive Imjin War.

Seokguram Grotto. This is an artificial grotto facing the East Sea with a truly monumental statue of Seokgamoni-bul (the Historical Buddha) inside it. Its construction dates all the way back to 742, at the height of the Unified Silla kingdom. The structure fell into ruin over the years, and while there were some repairs over the Joseon period, disrepair continued because of their suppression of Buddhism. During the Japanese colonial period, there were attempts to repair the Buddhist sites around Gyeongju (including Seokguram) as an attempt to establish a sort of pan-Asian buddhism to unite their colonies and distinguish themselves from the Joseon Dynasty, and their photos here from 1922 suggest that the statue of Seokgamoni-bul is ancient.

I could go into more, but this post is already long enough with the histories of random East Asian buildings and artefacts, so I'll move on. Maybe it's the amount of historical sites in each country that are informing people's evaluations. But I don't see South Korea as having less in this regard either, at least not if you conduct any amount of cursory research. There are historic tombs and burial mounds all over the country, including in Seoul, Gyeongju and so on. The Namsan mountain south of Gyeongju alone boasts over 100 Silla buddhist sites, many of which are spectacular like the Chilburam buddha sculptures (8th century) or the Sambulsa statue triad (7th century). There is just so much to find once you dig a bit deeper beyond the Instagram-friendly sites.

Choosing SK as a point of comparison is also making it harder for me than it really needs to be. Comparing Japan with the big granddaddy of East Asia, China, makes proving my point that Japan isn't the be-all-end-all of East Asia trivially easy: there's the ancient walled city of Pingyao that looks like something out of a fantasy movie, the Mogao cave temples, etc, there's so many truly epic sites there it's really hard to know where to start. The Cultural Revolution, try as it might, couldn't erase everything; China was a huge stable empire for most of its history and its historical sites are appropriately spectacular.

Note I'm not bashing Japan, again I quite like it and think it's a very nice place to visit. It's just always baffled me to see the amount of esteem it receives over... well, pretty much any other travel destination. Perhaps the explanation is just that it was a big cultural and tech exporter during the 20th century, and that's kind of rippled through our cultural consciousness and resulted in Japan being The Place To Be.

EDIT: accuracy

Whether this is good or not is a question of values and not really related to the point, the topic of discussion is more about whether it's possible.

I think your scenario is unrealistic in any case - automation of manual labour tasks is certainly feasible (and has been achieved in many cases) and more such jobs in these domains will eventually become obsolete once technological advances make the cost of doing so lower than employing human labour, but that's besides the point. You can be an AI doomer and still realise that AI has immense potential. Plenty of the people discussed on this forum certainly believe so (Yudkowsky, Bostrom, etc). But there are still a lot of people basically treating AI as a hype-fad pushed by techbro caricatures, who regard automation of all these oh-so-human pursuits as practically impossible and scoff at the mention of AGI, and pretty much every two years their predictions get overturned.

How do you remember large amounts of information indefinitely without making a sustained, concerted attempt to do so? The system I have developed so far is to maintain a series of detailed notes which I refer to periodically whenever I want to recall things. But these notes have become almost prohibitive in length, and read any section of these notes infrequently enough and it's like the information is Teflon-coated, things become difficult to recall very quickly and this is especially true after I've made concerted attempts to cram new information into my head. It gets displaced by other things and the topics I want to learn (and argue) about are typically topics which are quite deep.

This is partially for the sake of helping me make persuasive cases in real life. It's something I've been trying to do more of for the past half-year, and it is at least part of the reason why I am participating less on social media now (other reasons for this include personal stuff, such as a family member having a stroke - this has put things into perspective a little bit and has made me deprioritise spending as much time on political screaming matches on the internet as I used to).

It would also be nice to get tips on how to handle real-time debate. I think I've generally been doing well and think I've been able to marshal a good amount of evidence in favour of the claims I make, but sometimes I trip up because I'm still not acclimatised to the dynamics of real-time debate and haven't yet grown fully accustomed to the unique characteristics of that specific debate format. Online, the speed of information recall is less of an issue simply because you can take time to refresh your memory, compose your thoughts, smooth out any holes, etc, before putting out the best version of your argument you possibly can. In real life, discussions are very scattershot and claims and counter-claims get thrown around all the time, questions get posed to you that you aren't always capable of recalling the answer to, and you need to remember and consolidate all the information you have in your brain in order to cope with it. No mistakes or hesitations or God forbid admissions of "I don't 100% remember at the moment, but I think..." are allowed, or your credibility slips. You have to be very careful with the words that come out of your mouth, and momentary slips in concentration can be fatal to your persuasiveness.

I would like to debate as well as I possibly can, and while that's easier online (you just have to put in a lot of detailed work, which I can do) in a real-time setting the demands and pressures are different.

I've been doing some research into in-group bias and race and have been finding some fairly interesting results.

Let's start with a well known piece of evidence which is often used in the culture war. This article uses ANES 2018 Pilot Survey data regarding racial in-group and out-group biases, and shows the average differences in feelings of warmth (measured along a 0-100 scale) toward whites vs. nonwhites (i.e., Asians, Hispanics, and blacks) across different subgroups.

Here is the first relevant graph from the article. According to the article, the only subgroup that has an outgroup bias is white liberals (having an outgroup bias of 13 points). Even among white non-liberals, their in-group bias (11.62) is less than that of your average black person (15.58), Hispanic (12.83), or Asian person (13.84). Granted, the differences there can be argued to be pretty marginal in size, but if you take into account the outgroup bias of white liberals it would almost certainly make it so that whites' in-group biases are quite a bit lower than that of other races, and it flies in the face of the idea that whites are any more tribal than other races.

Here is the second relevant graph showing the biases of all the subgroups of whites. Those who are "very liberal" have an outgroup bias of a whopping 19.45 points, while liberals have an outgroup bias of 8.56 points. Moderates have an in-group bias of 9.42 points, conservatives have an in-group bias of 11.51 points, and very conservative whites have an in-group bias of 15.62 points. Very conservative whites have an in-group bias that's only as strong as that of your average black person.

This finding of an average lower in-group bias among whites isn't just an isolated anomaly. On L.J Zigerell's blog, he presents data reporting the mean ratings of races from Whites, Blacks, Hispanics, and Asians of Whites, Blacks, Hispanics, and Asians, using data from the preliminary release of the 2020 ANES Time Series Study.

You can easily see from the graph in the blog post that whites' mean ratings of whites are not much different from their ratings of blacks, Hispanics and Asians. For all the other racial groups, their mean ratings of their own races are far higher than any other race. Every racial group other than whites also all rank whites the lowest out of the four racial groups.

Additionally, in another blog post he presents data from the 2020 ANES Social Media Study detailing racial feeling thermometer responses. Respondents ranked each race based on how warm, cold or neutral they were towards them, and the findings are in line with the previous results.

In the blog post, this graph compares the race evaluations of white respondents with black respondents. Among whites, the percentage of those giving warm ratings towards whites is only very slightly higher than the percentage of those giving warm ratings towards blacks and Asians. Among blacks, the percentage of those who give warm ratings towards whites (and Asians) is markedly lower than the percentage of those giving warm ratings towards blacks. This graph compares the race evaluations of white born again Trump voters with black respondents, and surprisingly, the pattern of whites being less biased in favour of their own race than blacks still holds (albeit less strongly).

The relative lack of white in-group bias found might seem surprising, but it is not only found in ANES - it is also in line with some other work. This study "reports results from a new analysis of 17 survey experiment studies that permitted assessment of racial discrimination, drawn from the archives of the Time-sharing Experiments for the Social Sciences. For White participants (n=10 435), pooled results did not detect a net discrimination for or against White targets, but, for Black participants (n=2781), pooled results indicated the presence of a small-to-moderate net discrimination in favor of Black targets; inferences were the same for the subset of studies that had a political candidate target and the subset of studies that had a worker or job applicant target."

Anecdotally, I can say that these results do jive very well with my own experience - whites are as a group less likely to place primacy on race and are also less likely to classify themselves as a group with united interests.

So I've recently watched the Netflix adaptation of The Three-Body Problem. One of the central plots of the show (and from what I can gather, also the book series) seems to be disappointingly half-baked, especially considering that the plot device is the namesake of the show and the title of the first book.

Something that's established early on is that the San-Ti (or the Trisolarans) live in a chaotic three-body (really a four-body) system that can't be predicted, and despite having the capability to enter into lungfish-like dormancy their civilisations kept being wiped out due to not being able to predict when destructive climatic shifts would occur. You could, however, probably predict the chaotic orbits of three bodies solely through simulation, the aliens would probably be capable of this. The issue for us and why it is "unsolvable" is that there’s no simple one size fits all solution where you can plug in initial starting conditions and predict the state of three bodies at any point in time - but you can move each ball a little bit as a small amount of time passes, and then recalculate.

Of course, methods which iteratively compute position can and do deviate from reality, a small error can result in large deviations in the model over a very long period of time, but you can minimise error to a very high degree. And if you’re living on the planets themselves, you can constantly update the state of your simulation every time your model observably deviates from reality. So an iteratively computed model, continuously updated to align with current state, would probably help them avoid dying off at any given point, because T = 0 keeps being reset and you only ever need to calculate T + 1.

Note also, these are aliens that can unfold a photon’s higher dimensions, inscribe a supercomputer onto it, fold it back down, send it to a target site then communicate instantaneously with it via quantum entanglement. Aliens capable of incomprehensible space magic aren't capable of simulation, apparently.

I would note that feminist treatment of women as perpetual children and men as perpetual adults is highly selective and inconsistent. They'll selectively absolve the woman of all responsibility and place all fault on the man when these poor darlings are "pumped and dumped" and taken advantage of and supposedly manipulated into sex acts that get retroactively interpreted as predatory once the outcomes of the sex don't result in what they want. They will put out pieces of special pleading explaining how women's special circumstances justifies them being treated more lightly when dealing with them in multiple contexts, sexual, professional, criminal and so on. The same people who pull such shenanigans will generally not acknowledge that women's lack of agency and unique delicateness should ever affect how they get treated when they are in the running for leadership roles or positions which require one to take on a huge amount of responsibility. There is no consistency here, it's all "Who, whom".

The even more irritating thing is that much of these same beliefs are also sincerely held by social conservatives (including many users in this space), who tend to typecast women as "potential victims" and men as "potential problems"; they view women through a lens of what others can do for them and men through a lens of what they can do for others. They are exceptionally paternalistic towards women, have a tendency to place all responsibility and blame upon men, and will virtually only recognise "innate sex differences" in ways which justify special and preferential treatment for women. The acknowledgement that men and women are not the same only ever gets used in one direction, and this hypocrisy seems to be common in mainstream political thought on gender.

I know you said that you wanted to talk about "modern architecture" as a whole and avoid quibbling over the details, but, it really depends on what you're talking about specifically. It varies from building to building. I think that some modern architecture is quite pleasant!

I grouped modern architecture together in part because no studies I know of are conducted with the objective of quantifying architects and laypersons' preference evaluations for specific architectural trends, in general they just present their preferences for broad categories such as "traditional architecture" and "modern architecture". I also think that it's perfectly acceptable to use these broad categories to simplify analysis - despite the different modern architectural trends possessing some differing philosophies they also share a lot and the variance in the end result isn't super significant for someone not well versed in the history of architectural trends.

Perhaps that is not obvious to a person who's read about architecture for three thousand hours and can see all the tiny differences, but two different pieces of modern architecture will both still be perceived as generally minimal and stolid, and there will generally be a high level of correlation between your average layman's evaluations of the two buildings. It's not that an individual layman will have the same opinions on all modern architecture, in fact I think most don't, but a person who dislikes one modern architectural trend will also probably dislike others (again, this is as a general tendency, not saying this always holds true on a person-to-person basis). You will probably find high correlations between what people think of Walter Gropius' Fagus Factory (early modernist) and Robert Venturi's Guild House/Gordon Wu Hall (postmodern). In any case, doing large-scale analyses of broad groupings based on proximity in concept-space is kind of necessary to some extent unless you only ever want discussion to remain on the level of the individual house.

This goes back to at least Hegel (and by that I mean, he was certainly not the first human to ever find man-made beauty superior to natural beauty, but he did give it articulation as a self-conscious philosophical principle):

Hegel and the modernists (as well as the architectural tradition they spawned) are exceptional in this regard though. People in general far prefer natural environments to man-made ones, studies on the topic have tended to show that people find landscapes that depart far from the rule of nature more uncomfortable than those that don't. They literally take more effort to process and increases the amount of oxygen used by the brain. That same source notes "We then analysed images of apartment buildings, and found that over the last 100 years, the design of buildings has been departing further and further from the rule of nature; more and more stripes appear decade by decade, making the buildings less and less comfortable to look at."

I would be fine with architects building these things if they were just making art for display in a dedicated space. When you walk into a gallery, you tacitly accept the fact that you are going to be seeing an individual artist's expression. The same is not true for public art, which has to be endured by people regardless of whether they want to see it - they have to work and play and travel in these spaces. I remember going into Union Station in Toronto and seeing a horrendous piece of art, Zones of Immersion, plastered all over the walls, it made me feel like I was boarding a train to Auschwitz. It sucked. It was terrible. It made me hate the artist for inflicting that travesty upon commuters that have to use the station day in, day out. In similar fashion every building an architect makes inherently has the ability to elevate or pollute the commons, and it makes me extremely annoyed when the government spends 250 million dollars worth of public money to erect monstrosities their citizens hate.

Personally, I like very weird, discordant music. I would not expect it to be played in a public square and especially not as a permanent fixture.

I've always thought that House IV was quite lovely! Whether I'd actually want to live in it is a separate question; but I don't judge a painting or a film by how much I'd want to live in it, so it's not clear why that constraint should be applied to architecture.

I'm glad you enjoy the look (given the studies linked in my post and in my comment to you here, I think that opinion might be a fringe one). But architecture is inherently part art, part design, and what makes it unique is that it doubles both as an aesthetic product and a tool which people want to use for its functionality as a living space. House VI indisputably fails at the latter, and in my opinion, the former as well.

I previously wrote some remarks defending Eisenman's philosophy of art if you're interested.

I'm almost deliriously exhausted so I may be retarded right now, but the way the post is structured, it's a bit unclear where the defence of Eisenman starts; could you cite the sections which you consider as defending his philosophy?

So I was talking with a leftist friend recently about race-swapping in movies, as well as the general topic of racism, and we clashed on a bunch of things. I'm not sure how well I did, and I'm worried I capitulated too much - I usually take more moderate stances when speaking with leftists IRL than I do online, since I'm usually trying to persuade and shift them towards a point of view which is more critical to wokeness and the usual mainstream narrative.

If you go "Your entire worldview and perception is wrong, here's the evidence" from the outset all you're going to have is an opponent that won't listen to you. It's a fine line you have to tread and I'm still finding my feet as to how to navigate real-time debate. He did capitulate to quite a good portion of my points too (or at least seemed to, from my perspective), but again it's hard to know how hard to push your ideas. There's also the fact that they've got a lot of "common wisdom" on their side which is a big boon in conversations because they can simply make statements and disproving big claims in real-time communication can't be effectively done, as opposed to online where you can take the time to organise things and fully make your case against certain common preconceptions.

What are your methods of debating with people in the real world, and how do you know how hard to press your point?

One of the things that was remarkable about this campaign was how overwhelming the Yes campaign's resources were.

The amount of resources there are behind progressive politics is pretty much always immense, basically every influential institution was supporting Yes. At the entrance of my train station, there were Yes campaigners outside for days, handing out flyers to people. Even bodies that should strictly be impartial such as local governments (City of Sydney) were putting up advertisements all over the place telling people to support the Voice, which is frankly inappropriate and clearly overstepping the bounds of their ambit. As you note, it ended up being very clear that this was not some grassroots campaign for change, but a well-funded, dominant group filled with people who have an overwhelming influence over what the public gets to hear and see.

It's also very clear that the well-funded progressive elite, the people who populate the opinion-setting parts of the media, academia, and various other institutions, have hugely lost touch with the rest of the country and simply don't care to listen to them. Then every single time people turn against their policies, there always seems to be such a great amount of surprise and dismay that people would disagree with them, and a knee-jerk assumption that the reason for lack of support can simply be chalked up to stupidity or racism. Perhaps some of it is performative, but I do think that they really believe it.

People have already addressed the trans issue, so I'll tackle the Roe v. Wade one. With regards to abortion rights, the right views the "status quo ante" of Roe v. Wade as being premised on illegitimate grounds and essentially sees it as a form of imperialism where liberals are imposing policies they want on largely conservative states that would otherwise not adopt them. I think this view has merit, given that Roe v. Wade was quite honestly a bad ruling with the flimsiest of rationalisations offered up to justify overriding state autonomy on the issue, and so the right likely views what they've done to overturn it as defensive action on their part (returning things to how they should be). They probably identify the moment Roe v. Wade was decided as the attack, and I don't think they're wrong.

I'm not actually very strongly opinionated about abortion myself and I think it is a complex issue with a lot of moral greyness involved. But it seems to me that the pro-democracy move here is to allow states more decision-making power on the topic of abortion, and it's fairly easy to see that the left's position on this is "It's perfectly okay for the Supreme Court to explicitly misconstrue the U.S. Constitution and pretend it protects an activity that it clearly does not - if we think it is for a good cause".

Not an answer to your question, but I've always been a bit confused about why one would go on a cruise in the first place - the idea of going on a vacation to see the ocean and a ship crowded with people sounds a bit hellish to me. Would like to hear a description of what's attractive about cruises to people.

I've been refreshing the counts for the past few hours, and this referendum failed even harder than I thought it was going to as well. 60% rejecting the proposal and losing all states is a pretty damning result for The Voice. I'm particularly surprised by Tasmania's rejection, because it was a state that Yes supporters were relying on to support the referendum, and surveys before the referendum indicated it might vote yes.

Something that Mundine stated in the aftermath of the referendum results did resonate with me quite heavily:

Warren Mundine, the leading no campaigner, has credited his side’s focusing on migrant communities for helping defeat the referendum.

Mundine spoke to Sky News, noting “some of them come from countries where they were second-class citizens” and were open to a message about the voice causing a divide.

We knew that the migrant community is 50% of Australia, either born overseas or their parents have been born overseas. We deliberately target that group.”

I'm the kind of migrant that has experienced this, and am incredibly opposed to affirmative action. Progressives might think their ideas are revolutionary and new, but their mindset of victimhood, group accountability and unequal racial treatment on that basis is basically endemic in many third-world countries, and many migrants have been on the wrong side of policies that look and quack a good amount like progressive politics.

As a result, I was in support of No from the very beginning, and though I couldn't vote in it I am happy with the outcome of the referendum. If the Voice had ended up with too much influence it would essentially have been a permanent, constitutionally mandated lobbying group which constituted an outright subversion of a proper and impartial democratic process, if it ended up with too little influence it would have basically been useless. Both would have warranted a No vote.

I dunno, I actually have a very high regard for Koreans and their mindset. This is just an anecdote but I did visit South Korea a while back and left with a very positive opinion of the people there - in fact they're the loveliest people I've ever met in any country, the hospitality they showed us travellers was just overwhelming. So many of the locals there actually went out of their way to help us and make our experience better, I wasn't expecting it at all. They weren't too hung up on social propriety like the Japanese sometimes are and they didn't help in a way where they were just politely showing service to foreigners, they did so as if they actually wanted to make sure we were safe and comfortable. It may well be my fondest travel experience, and part of the reason why is that it just felt so genuinely welcoming.

Regarding the Japanese and their "belief in Japan", I'm not exactly sure this is a positive - I get the sense they do so by ignoring all the warts and all in their own country out of a sense of nationalism, somewhat similar to how Chinese nationalists do so. This is exemplified in their treatment of WW2, where much of the country prefers to ignore it in stark contrast to other Axis powers like Germany. Koreans seem to be more self-critical and this is reflected in their media, but I think in some ways this is a good thing.

So, I went to Toronto in June of this year to meet my partner. It feels surreal for two reasons, one being that I never expected my life to become the plot of a bad romantic comedy, and the other being that it makes me the only member of my family to have ever been in North America. It was also an interesting dichotomy - I loved spending time with my SO, but detested the city. I couldn't stop noticing just how ugly and unmaintained the city is, and couldn't help wondering how it got this way. Disclaimer: I spent much of my time downtown.

It's a ridiculously Soviet-looking city considering that it isn't actually in Russia or any of its previous satellite states. Much of their architecture, including their public spaces, looks like it's trying to be a soulless pastiche of Le Corbusier or Walter Gropius; structures supposedly built for the public that actually looks like it hates the very people it's meant to serve. They are featureless blocks of concrete that evoke no joy, and in line with the modernist architectural ethos ornamentation is basically absent. Also, if there is any doubt about the unpopularity of modernist and postmodernist architecture alike, look at "America's Favourite Architecture", very few of the buildings people actually chose as their favourites are from the post-war period. The response from many architects was that the list didn't reflect the opinions of "architectural experts", which isn't insular and elitist at all. Good to see that people who build for the public actively couldn't care less about their aesthetic preferences, and in fact are incapable of predicting their preferences at all.

The starkest example of the shift in architectural trends is probably the current Toronto City Hall. The new City Hall is a featureless, barely geometric concrete block, framed by the treeless, austere Nathan Phillips Square - apparently supposed to be a public gathering space. Now compare it with Old City Hall, which is still there but no longer in use. I think most people would view Old City Hall as a much more appropriate building for its purpose, and find it more pleasing to look at. Another example of the modernist turn is exemplified in the Royal Ontario Museum, a building that looked like this in 1922. Then it had a (now-defunct) planetarium and terrace galleries attached to it in 1968 and 1984, then in 2007 oh my god what the fuck is that. There is not an iota of respect for any of their architectural traditions. Old buildings that are part of the city's heritage just get "iterated upon" and superseded by horrific modernist/postmodern/deconstructivist blocks with no relation or connection to the previous style the building used to have.

The same pattern can be seen in public art. This infamous piece of public art, named Zones of Immersion, is displayed in the tube in Union Station, one of the TTC's major transportation hubs, and it succeeds marvellously at offering your average commuter the indescribable experience of being loaded on a train headed straight for Auschwitz. According to the artist, Stuart Reid, "This window into our contemporary isolation offers faces and body language, blurred and revealed poetic writings from my journal entries, and rhythms of colour that punctuate the ribboned expanse." I, too, would like to be reminded of the bleakness and misery of everyday life every time I try to go to work. This is a very clear example of an artist being distanced from the very people they are designing for, and pursuing clout in an increasingly small and incestuous sphere of "art fanatics" who have long disappeared up their own ass in the endless pursuit of social status. It wouldn't be so bad if everyone wasn't forced to look at it every day.

As if it wasn't bad enough that the city is by and large a mix of seedy strip malls and truly unpleasant brutalist blocks, on top of that there's the sheer lack of maintenance of any of these spaces. The train stations are some of the best examples of this - the poor state of the TTC is well known at this point among Canadians. These tubes are depressing spaces often badly disfigured by water damage, missing tiles and ceilings, and just in general seem to be falling apart at the seams. Here and here are some illustrations of normal scenes in the tube system. The same applies to many of the buildings, where their already unfriendly-looking concrete surfaces are further marred by water stains and damage, and nobody seems to have given it any care for decades. Other aspects of the city's design also worsen the experience, such as how when you walk around the city centre on hot days an awful stench will often waft out of the gutter grates (Yonge in particular smells like human faeces). Oh, and then there's the homelessness problem, which I won't get into here but really worsens the sense of dinginess and disrepair that the city already possesses. Downtown, there is at least one encampment every kilometre you walk.

The general vibe of the city is also information-overload in the worst way; an instance that sticks in my mind was when I was walking in the town centre and all at once the following was happening in a crowded square:

  1. Someone playing a flute in an absolutely fucking ridiculous way that somehow almost reminded me of Kazoo Kid.

  2. Someone trying to proselytise the glory of God to random passers-by.

  3. Somebody with burns trying to solicit money by sitting naked in the street showing the grisly scars all the way down his body.

There was probably more happening that my brain filtered out so as to preserve my sanity.

All of this could've been compensated for if there were many particularly interesting things to see, but the issue is that there just isn't very much that's worth stopping and looking at. The Royal Ontario Museum and perhaps the Distillery District are virtually the only things worth visiting, the Art Gallery of Ontario is only worth stopping by for the Group of Seven paintings (which are, to be fair, beautiful to see in person). The CN Tower and everything around it are unashamed tourist traps built and maintained largely for vanity purposes, without all too much to do there. The beach on Centre Island was hardly a beach at all, and seemed dirty enough that I didn't really want to step on the sand barefoot (though I am almost certainly spoiled with the best beaches in the world due to living in Australia). Outside of that, I can't remember anything else particularly memorable about the city.

In short, I didn't like Toronto. It was unpleasant enough that once I got out of the airport in Sydney, I walked into the train station at International and heaved a massive sigh of relief at how spacious, light, quiet and well-maintained it all seemed.