problem_redditor
No bio...
User ID: 1083
This is a fantastic recommendation, and I do want to offer a counter-opinion to the negative reviews of Season 2 below; personally, I'm still enjoying it, about as much as I did Season 1 at this point. I don't really think they could've continued to showcase the daily lives of the severed workers without killing much of the momentum they built up in Season 1, and there's not too much they could've shown in the lives of the severed employees which they already didn't cover. Episode 4's execution was impeccable, despite building up to a reveal that was largely predictable, the way the episode proceeded was deeply uncomfortable. It felt like a horror movie.
One of the bigger gripes I do have with the season so far is that I think the hard narrative cut between Episode 3 and Episode 4 was weird, but the quality of the episodes have been great in my opinion.
Okay are you conducting some sort of social experiment where you gradually push the limits of what is considered acceptable in the Fun Thread before people start objecting en masse? Because if you were, I'd believe it. The topics of these legal cases have escalated dramatically week after week.
This is way more off-putting than anything in the CW thread IMO.
I dunno, I actually have a very high regard for Koreans and their mindset. This is just an anecdote but I did visit South Korea a while back and left with a very positive opinion of the people there - in fact they're the loveliest people I've ever met in any country, the hospitality they showed us travellers was just overwhelming. So many of the locals there actually went out of their way to help us and make our experience better, I wasn't expecting it at all. They weren't too hung up on social propriety like the Japanese sometimes are and they didn't help in a way where they were just politely showing service to foreigners, they did so as if they actually wanted to make sure we were safe and comfortable. It may well be my fondest travel experience, and part of the reason why is that it just felt so genuinely welcoming.
Regarding the Japanese and their "belief in Japan", I'm not exactly sure this is a positive - I get the sense they do so by ignoring all the warts and all in their own country out of a sense of nationalism, somewhat similar to how Chinese nationalists do so. This is exemplified in their treatment of WW2, where much of the country prefers to ignore it in stark contrast to other Axis powers like Germany. Koreans seem to be more self-critical and this is reflected in their media, but I think in some ways this is a good thing.
problem_redditor
2d ago
From how it’s presented I assume it is a 5-point scale, with the median value of 3 revised downwards to zero.
Grok seems to be schizophrenic when it comes to me. I put in the prompt and asked it to analyse my posts on TheMotte, and asked the question three times. I got Herbert Marcuse the first time (lol), Thomas Sowell the second, and George Orwell on the third go. These are all people with wildly varying politics on opposite ends of the spectrum.
Then I asked it to give me an ancient historical figure and it spit out Thucydides.
IIRC, there is a properly drafted plot from start to end, or so I've heard. This isn't a Lost scenario where the writers basically write themselves into corners they can't satisfactorily resolve.
That being said, the quality of the show is going to heavily depend on how they handle the overarching mystery.
Thanks for the detailed advice. At the moment I have six different possible plans featuring separate parts of China, all of which are still open to very heavy revision:
-
Beijing - Datong - Pingyao - Linfen - Xi'an;
-
Xi'an - Tianshui - Zhangye - Jiayuguan - Dunhuang (so basically travelling the length of the Hexi Corridor);
-
Suzhou - Tongli - Hangzhou - Hongcun - Wuyuan (as a jumping off base for Sanqingshan);
-
Chongqing - Chengdu - Leshan - Langzhong - Guangyuan - Xi'an;
-
Xiamen - Quanzhou - Tulou - Chaozhou - Kaiping - Macau; and
-
Kunming - Dali - Shaxi - Lijiang - Shangri-La.
I'm interested primarily in history + some natural sights (preferably without too many tourists!). Feel free to comment on some of these destinations if you've visited. But I realise that's a lot of items, way too much to individually work through, so I'll only ask questions about the destinations you've specifically mentioned.
Chongqing is definitely a place I'm highly interested in, not just because of the outright strangeness of the city itself but also the Dazu rock carvings outside of it. There are five main locations (Baodingshan, Beishan, Nanshan, Shimenshan and Shizhuanshan) and there's also yet another lesser known complex of rock carvings called the Anyue grottoes relatively close by. I've been wondering if the site is interesting enough to justify spending a night in Dazu just so I can explore all the grottoes at a leisurely pace, or if a day trip from Chongqing to see the main two sites of Baodingshan and Beishan would be a better use of my time. From Chongqing it is about 1.5 hours each way, which is making me wonder just how rushed a day trip would be just using public transport.
With regards to Chongqing itself, what are the main places you would recommend? I know of the famous Hongyadong and Kuixing Building, as well as Shibati, Xiahaoli and the Shancheng footpath. There's some historical/cultural sites such as the Huguang Guild Hall, Luohan Temple and Laojun Cave, which I will certainly visit if I go to Chongqing (Erfo Temple in Hechuan seems to be an easy day trip out too). I also hear about lots of old bomb shelters built during the city's short stint as a wartime capital, which have been converted into public spaces and libraries and restaurants and galleries. Is there anything else I've missed?
Kaifeng is an unexpected recommendation because I haven't heard anybody else speaking about it as a destination in spite of its historical importance (perhaps on the Chinese internet they are). What would you say are the best things to visit in that city? I broadly know about Daxiangguo Temple, Yanqing Taoist Temple, Shanshangan Assembly Hall, Kaibao Si Pagoda, Po Pagoda, Dongda Mosque and so on but they don't seem like enough to fill out an entire week. Would be interested to hear about your itinerary when you were there.
Guizhou's mountain villages are interesting and I've been looking at them for a while but haven't been able to fully narrow down what I want to see. Happy to hear your personal recommendations for the province. Something I keep hearing about a number of these villages (I hear it a lot about the Xijiang Miao Village) is that they're overly Disneylandified and set up for tourists? If possible I'd like to avoid that. Langde, Nanhua and Basha Miao Villages as well as Zhaoxing Dong and Dali Dong Village are some of the ones I'm interested in, I'm wondering if staying in one of those villages for a night is worth it. Fanjingshan is another big destination I am interested in.
Finally, how far north would you say I could go in December before the cold starts to get intolerable? Shanxi province has a lot of ancient Tang and Liao architecture and that makes it very attractive to me, but it's also very far north in China. Just trying to see how much my scope is limited by the climate.
Hope this isn’t too much, feel free to respond to as much or as little as you want.
Well, I've lived in both equatorial Malaysia and subtropical/temperate Australia. Despite growing up around the equator I could never stand the heat and mugginess; my preference is 15-18C, clear skies with some clouds, light breeze. The shoulder seasons in Australia are actually ideal for this.
Personally, I enjoy climates where it doesn't rain often either. Rain is annoying, it stops up infrastructure and makes everything slushy. Petrichor smells like shit too.
problem_redditor
28d ago
Perhaps I'm not prominent enough on this forum for you to have formulated a model of my preferences and/or personality, but now I have the inexplicable urge to ask you what you think my favourite novel is and see how close you actually get.
Sure, and the reason why AI generation in specific is a unique violation of the social ritual is because of an innate, knee-jerk ick people get with AI that they don't with most anything else. It's not down to some evaluation of output quality or even effort invested. There's a distinct reason why the "moat" has been arbitrarily established here and at no other point.
Seconded - I used to play piano, and Arabesque no. 1 was one of my favourite pieces to perform. It's almost unbelievably beautiful.
I can barely listen to recordings of it though, because so many interpretations of the piece play it way too fast.
I'm not saying a better firm is common, but would moving after busy season be something you'd be interested in doing? Using your expertise as a Consultant to make more money and do more varied work?
I've considered it before and think it's a good idea, in fact I've been in the process of remodelling my CV in order to apply to other jobs.
The inertia sometimes does feel a bit overwhelming and there's the fact I do like a good amount of my coworkers, which does make it a bit more difficult to leave, but jumping ship is probably the best option. I don't think I could stay in this role for much longer without hollowing out entirely, and in terms of wages many jobs in the same field offer better salaries than mine currently does, so it's a course of action I certainly can't argue with.
This is a very recent one, but Louis Cole - Life. He's one of my favourite modern jazz fusion artists, and the sax solo towards the second half of the song is absolutely tremendous. The underlying chord progression moves very quickly and isn't a particularly easy pattern to improvise over, yet the sax player almost seems to glide around all these constant key changes. Another great, albeit discordant, version of this from the same album is Bitches.
Oh, also, here's one actually from the 80s - JAGATARA's album The Naked King has some killer sax solos on it. Some good examples from there are the songs Hadaka No Osama (the sax solo in this one goes on forever, just wait for it) and Misaki De Matsuwa.
Also much of what Colin Stetson makes is achieved only with saxophone, so it's technically 100% sax solo, though his output is quite ritualistic, soundtracky and meditative and almost certainly not what you're looking for. It is beautiful music though; it's almost religious in quality.
The primary thing for me personally is that most of it is just being in your ship and watching the world move past. You're not really getting to explore the country you're visiting in any significant way, you're just getting little glimpses of it from the deck while it glides through the water. Though I suppose that is the appeal; to passively see the country without having to put in too much effort of your own - trying to make it through a foreign and unfamiliar place can be rather daunting.
But even that's part of the experience of travel IMO, the ability to get lost in the back alleys of some city or wander the trails of some national park and find all kinds of special hidden things you otherwise wouldn't have seen is a big attraction to me. I've long dreamed about driving west into the Australian outback with no clear plan and no destination in mind and just holing up in towns along the way, though that seems unlikely to materialise in the near future. It's a very stirring idea that lurks somewhere deep in my subconscious for no particular reason. Some nights I get a barely-controllable urge to walk blindly and directionlessly until my legs can't carry me any further.
I do understand why not everyone wants this kind of thing for every holiday though, sometimes the goal is primarily one of relaxation (as valid a reason as any other), so the explanation holds up well. I just think it comes down to the fact that I'm more likely to find things monotonous than your average person.
This isn't a defence of Uganda and I have no special love for the culture there, nor do I doubt that wifebeating is occurring in the country. I just press X to doubt on the idea that women uniquely or disproportionately face violence, in relationships or outside of them - Uganda is just a country where the acceptability of violence is much higher, perpetrated by or on anyone, and I wouldn't want to live there myself. There's no doubt that anyone would have a tough time, but I always scratch my head when I see people portraying situations that are bad for virtually everyone with an "including women and children" bent. To be charitable I get why people emphasise this aspect - it's much easier to push for aid when you stress how social ills affect women and children - but I still can't make myself like it.
I was indeed offering a hypothetical (mostly based on my limited knowledge of OP's situation and the fact he has described himself as a "depressed shrink"), but I half agree and half disagree with what you've written here.
As for anhedonia I have no answer. It's a term I learned on reddit, meaning at first I assumed it was just a pretend word meant to be a catchall excuse for not getting out of fucking bed. I'm not unwilling to believe it is a real thing, but I would suspect finding the root cause of this and sorting it out should be any one individual's main goal in life if he finds himself suffering from it for any length of time. Of course for the anhedonic there is always the convenient excuse: They simply don't have motivation to do anything. I cannot imagine a household where anyone would accept or tolerate this without taking some action to sort it.
Speaking as someone who veered closer to suicide at one point than I usually care to admit and who has also seen claims of poor mental health used as a way to excuse one's failures and a means of aggressively manipulating others (mostly by women who in retrospect exhibited many traits of BPD), I'm of two minds about this. Often it can be beneficial to adopt the mindset of "pull yourself up by your bootstraps and stop whining" and it helps induce a positive feedback loop wherein doing more productive things in turn improves your mood and consequently motivation, but there is a point beyond which it will actually make things worse; beyond a certain level of despair some external assistance can be necessary. Of course it's always a problem that should be solved, it should never be left to fester, but I find maturity is knowing the appropriate context in which one should deploy these two strategies.
Not enough time is a flimsy excuse. There is nearly always enough time for anything that matters. We carve out time for what is important to us. We do what we have to or need to do before we do what we want to do.
I don't necessarily disagree, but "anything that matters" is doing a lot of the heavy lifting here and doesn't really tell you what you should prioritise, since that is a value judgement that's heavily dependent on the individual. There is a lot of grey area in between "what you need to do" and "what you want to do". Yes if you're an extremely unhealthy weight, losing that weight should be a major priority. On the other hand, if you're within a healthy range perhaps reading books, learning things, etc may actually give you more utility than losing that extra weight and getting swole, depending on what you personally value.
Of course if you're just choosing between these two options you can likely do both to some extent. But tradeoffs inherently have to be made, and inevitably you will not have enough time for something. There are legitimate situations and preference rankings which result in goals like "exercising more" being put on the back burner.
Thanks! Xi'an features in two or three of my itineraries - I've heard good things about it from most everyone, so I'll try to prioritise the plans which pass through the city.
A nitpick, but after having done some really deep digging I would actually say China has the richest historical sites of all of Asia, even if much of it is terribly marketed to international tourists (the Cultural Revolution was bad, but there's so much history in China that it's impossible to Thanos-snap most of it away in a relatively short period, and other countries in Asia have also had somewhat analogous periods of cultural destruction like the Meiji Restoration).
I'll definitely agree that most of the really big Tier-1s like Shanghai, Shenzhen and Guangzhou are historical deserts, but that's in part because these cities got big relatively recently; they're nowhere near the core of historical Chinese civilisation. Shanghai was a small agricultural community for most of Chinese history and only really came into its own in the 1930s, and Shenzhen barely even existed until 1979. Most megacities in China are relatively history-poor, but that's in part because there wasn't that much history there to protect in the first place - the cities that are global hubs in China today are, for the most part, not the cities that were historically important. OTOH many of the older cities like Beijing, Chengde, Xi'an, Suzhou, Luoyang etc seem to have way more historical sites than your modal Asian city, not less. And Pingyao looks insane. I do plan to incorporate a lot of areas outside of the cities into my itinerary though.
Weather doesn't really matter that much to me, though -20 is pushing it a little bit and I'm mostly going to China to see history and culture (Shanxi and Shaanxi provinces are very attractive in that regard). I've heard of the Harbin Ice Festival before; have you gone yourself and would you recommend it?
problem_redditor
28d ago
No worries, I imagined that would probably be the case - it is just a forum after all and I'm not a super consistent poster, especially not lately. Mostly I just come up with a very long essay-style post every now and then on a hobbyhorse of mine, and then I drop out. Just got curious and thought I might ask.
I'd say that summary of my preferences is largely accurate, though it's not a long or obscure web novel actually. It's a piece of fiction I think most people here are familiar with.
problem_redditor
1mo ago
the distinction I'm making is between repurposing existing art (signing a premade card) and outsourcing it to a computer (someone else signs the card for you). I don't think these are directly analagous.
I would agree signing a premade card and someone else signing the card for you is not the same, and that the former is preferable. I don't believe this analogy, however, is appropriate for the situation of repurposing existing art vs outsourcing it to a computer.
In the former case, there is more effort involved in signing the card than there is in getting somebody else to sign it for you, and in addition signing a card yourself is indeed more personalised and you have more control over the output. In the latter case involving AI, it's not clear there is more effort invested when one takes preexisting art as opposed to prompt engineering so a generative model can spit out the correct output, and it's also not clear that the person taking preexisting art has exercised more personal control over the output than the AI-user. If anything, it's the opposite since the AI artist has a more fine-tuned set of controls over the output.
There is no difference; I'm just using these words interchangeably. They're the same picture.
Just the poverty and news headlines heuristic, or?
Yeah, that's a big consideration, I would be careful in parts of Western Sydney. Frankly, a non-insignificant part of it is also just me going off vibes; it's generally not hard to tell by sight alone which parts of the city are less friendly or maintained and where you might have a higher risk of being jumped. Some element of common sense in there too. Don't walk down back alleys where your avenues of escape are limited, for example, make sure you have ways to remove yourself from the area if a situation arises. Sometimes I do flout that rule, but it's not hard-and-fast, it's just one element that can be used to evaluate on the spot. It's all pretty ad hoc.
Sorry for the late response, could barely get up the energy to respond to these the past few days. I was partially venting, but also did want to crowdsource solutions.
Regarding your suggestion, I think it's probably the best way forward. My firm really doesn't pay much or offer much in the way of career progression because it's a small/medium size firm (albeit one which poached clients from a larger entity when it branched off from them, so it handles a much wider and more complex array of tasks than your typical small accounting firm), so I know I'll eventually have to move anyway if I want a better deal. The longer I stay here the more pigeonholed I'll be. Moving is just not that easy, especially when you actually like some of your coworkers and have grown somewhat fond of them.
Still, I can't argue against the logic of the decision, and I think if I stay here any longer I'll be a shell of myself.
You can think that an irritating, sniveling, weak man is responsible for his wife‘s infidelity and his family‘s downfall without making it about all men. ... you have to go along with the world presented in the film, especially if it conforms to reality: and the husband would indeed be expected to be the protector of the family.
This is true, but his critiques have an unambiguously political angle to them, and he also makes it very clear here that his selective assignation of responsibility is not just because of the submissiveness of the man in question, it's also due to his evaluation of the man as responsible for the protection of the family - his gripe is that they are no longer taught to be masculine, and are as a result derelict on that front since they can no longer be a bulwark for their families and societies at large. Further, he often makes it quite clear within his analyses of films that the perceived erosion of the male gender role is a disaster, and upholding it is certainly an element of his own personal philosophy.
Additionally, he notes that the assertiveness the husband lacks has been ‚bred out‘ of men – imo he is more highlighting the contradictory demands society places on men, than blaming them for their failure to fulfill them.
I do think Drinker's critique is meant primarily as a systemic one, and he certainly places a large portion of the blame on society's attempts to undermine these norms and not on the individual man. Still, the fact remains that this is a male gender role he's decided should be enforced. Hell, I do appreciate and agree with some of his points - such as the acknowledgement that traditional masculinity was in fact a social good, but I do hugely disagree with the seemingly unilateral upholding of these gender roles, wherein no role will be enforced upon women at all. I kind of understand why people don’t express these sentiments - the Overton window has shifted such that enforcing a complementary role on women would be political suicide - but it’s still cowardice.
In general, my view is that both mainstream conservatives and feminists are quite similar in this regard (men should protect and provide for women in various ways, without receiving many of the traditional benefits that made that role palatable to them). Conservatives are just moderately better because they enforce that role on men while allowing them to gain a modicum of token respect through it, feminists have only vilification to offer them with the utterly condescending title of "ally" as the carrot on the stick to make them comply.
The Gift by Ishmael Ensemble is a tune I've been enjoying lately. It almost sounds Thom Yorke-esque, like it could've been a track on the album In Rainbows.
Also I've been looking into East Asian classical music lately and some of it sounds incredibly alien and bizarre. Here are two examples: Korean ritual music and Vietnamese court music.
More options
Context Copy link