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Culture War Roundup for the week of September 30, 2024

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Spoilers for Joker: Folie à Deux (2024) ahead

Time for some low-stakes culture war. The sequel to Joaquin Phoenix's Joker movie is out. The first movie was essentially a remake of Scorsese's Taxi Driver with a little bit of supervillain flavour that resulted in a moral panic about how its empathetic portrayal of a mentally ill loner might spark an incel shooting. In the end, no shooting happened and the movie made bank.

The sequel now takes a different approach and turned out to be a musical featuring gay icon Lady Gaga. A bold choice that critics describe as

Moviegoers, particularly the comic-book inclined, loved “Joker,” although I do wonder what they’ll make of the sequel, which seems to extend a middle finger to anyone who reveled in the title character’s anarchy the first time around.

The Critical Drinker, a, uh, heterodox critic went a step further and had the following to say

[The protagonist] reverted to the same weak, timid Arthur that he was at the start of the first movie. And I can't shake the feeling that there is something almost mean-spirited in that kind of deconstruction. As if they're taking a swipe at the audience themselves for liking someone they weren't supposed to.

Internet randos floated memes to the same effect. First, a plot summary:

joker kisses a dude, gets raped in the ass by the cops and then he gets stabbed and dies at the end of the movie. not even a joke.

And now for some red hot culture war schizophrenia:

JOKER 2 is a humiliation ritual. You reacted to the first movie WRONG, and they're punishing you for that. You weren't supposed to sympathize with him. He was supposed to be a WHITE INCEL LOSER. Hence this 2hr snuff film. They thought doing this to Joel Miller, Luke Skywalker, Indiana Jones, Willow, Picard, and John Connor was enough for you to GET THE MESSAGE.

And while I think the above conspiracy theory gets the motivations and machinations of the ominous they hilariously wrong, there is something to be said about a Zeitgeist that sees anything enjoyed by (white) men as something in dire need of female supervision.

A small kink in that explanation: The second movie was written and directed by the same people. So, what happened?

It’s possible that the director/screenwriters/producers believed that the 2019 film produced a moral panic and they didn’t want blood on their hands. Perhaps they believed that they might be perceived as responsible for some incel-inspired shooting or violence against the state? So, they had to make a sequel to defang Phoenix’s Joker and make his character weak and pathetic. “Look at your ‘hero’ now, you filthy incels!”

The production studio, believing this same ridiculous notion, merely did a cost-benefit analysis. “Which will lose us less money: a box office bomb or a lawsuit and reputational damage of aggrieved families of the Great Incel Shooting of 2024?”

It’s possible that the director/screenwriters/producers believed that the 2019 film produced a moral panic and they didn’t want blood on their hands. Perhaps they believed that they might be perceived as responsible for some incel-inspired shooting or violence against the state? So, they had to make a sequel to defang Phoenix’s Joker and make his character weak and pathetic. “Look at your ‘hero’ now, you filthy incels!”

So let's say you're Todd Phillips in 2019. The movie you made makes a ton of money but it's liked by the wrong people. You are afraid you may inspire a shooter. I suppose "Quick! Let's make a sequel that will take 5 years to produce!" is one way to try and address that fear but it is not a very prudent one.

Not wanting to be known as that incel movie guy is perhaps a better explanation for that kind of behaviour.

The production studio, believing this same ridiculous notion, merely did a cost-benefit analysis. “Which will lose us less money: a box office bomb or a lawsuit and reputational damage of aggrieved families of the Great Incel Shooting of 2024?”

If a shooting were to happen, it would have happened in between the first and second movie coming out, at which point the second movie would have been cancelled anyway. Just not making a sequel would have been cheaper.

I suppose that sounds right. Maybe they always wanted to produce a sequel sooner but were delayed due to COVID/production hell, etc.

Also, maybe they legitimately wanted to make a good sequel? Just one that fundamentally alters the Joker’s character, and it took time to arrive at something satisfactory to all parties concerned. (Except, of course, to the audience.)