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Culture War Roundup for the week of June 23, 2025

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I'm not sure how much of Ellison's writings are his own faults, rather than exaggerated versions of failures he's seen and done, but there's definitely a mix and I agree that it probably doesn't favor him -- the man did end up with a bipolar diagnosis late in his life, and it pretty clearly wasn't some badge-of-accomplishment diagnosis. And he definitely has some of that 'I talked to a taxi driver' rather than 'I did this enough to grok it' going on.

Tbf, my gutcheck has some of the exaggeration in The Essential Ellison feels like self-loathing, even before I knew about the BPD... but it wouldn't, wouldn't it, whether because he actually had those flaws that bad or because he felt his minor failures were the end of the world. On the other hand, it's hard to tell how much of his hating was anti-anti-semitism rather than just being a hater in general -- the man famously loathed Star Wars and Spielberg in general, and had a number of non-Jewish cause celebres like van Vogt.

On the gripping hand, it's hard to tell how many of those cause celebres he really cared about, rather than just hating their enemies: From Alabamy With Hate is the best-known example, and particularly damning because its denouement revolves around a letter from a bigot who was 'bad as mud' but 'better' than racial minorities, without much consideration of what made Ellison good rather than just better than bigots, but it's pretty consistent everywhere from race to sexual behavior to the military to his stories to convention behavior. His enemies being idiots, or nazis, or chuds, or the teeming fandom masses, or normies, or whatever... might be better than racial resentment, but it's still not good.

I don't have a lot of room to criticize a hater for hating. I do have a lot of room to criticize a man that wrote at length about how science fiction and speculative fiction aren't the same thing, who can't do anything more himself.

On one hand, there is a point where you have to kill the buddha. Most heroes have feet of clay, few philosophers can commit to the bit to Diogenes level. Especially in media there's always going to be a temptation to present someone who's better than you can be, and whatever extent the mask molds the face, it's never going to be perfect and it can't change what's already happened. It's never pleasant to recognize the extent a writer's real positions are weaker than what they present, but Litany of Tarski -- but in turn neither does a philosophy of life become wrong merely because its proponents can't live up to it. Pratchett's view had its flaws and its failings, but wanting something that isn't true, or maybe even can't be true, because it's worth the progress toward it, is an acceptable tradeoff in my eyes.

On the other, I'm trying to write up an effortpost about cyberiatrogenic conditions (and, uh, come up with a better name than that), and one of the subleads is "the things we needed to hear, from the people who should have been there to say them", and how that's incredibly dangerous. Few heroes are carved full from in-situ marble, few philosophies can survive being used every day... except in this distant or fiction view, where every consideration comes through the camera lens, at most from wholly-artifical canned challenges built to reinforce the themes of a story. It's easy to forget that, or what it means. This is a way you'll be burned, and the stovetop hurts, and you'll be burned again. That's part and parcel of how heat works. Tech has let us forget that, for short periods and for induction cooktops, but that's an artifact of memory, not of the world.

Real people, whether Ellison or a childhood friend, will not be clones of you or homonculi of what you want or want to become. Real relationships mean friction. Pratchett's view had its flaws and its failings. Carrot Ironfoundersson (mostly) doesn't and can't. Beware what extent the latter has hacked your brain.

I'm trying to write up an effortpost about *** conditions

You have been awarded the hapax legomenon price for extraordinary achievements in rationalist brainwrangling.

Real people, whether Ellison or a childhood friend, will not be clones of you or homonculi of what you want or want to become. Real relationships mean friction. Pratchett's view had its flaws and its failings. Carrot Ironfoundersson (mostly) doesn't and can't. Beware what extent the latter has hacked your brain.

I feel like this would be different if Ellison had any sort of coherent views aside from being loud and angry. What did he stand for that could outlive him? Following along with the civil rights movement? Earning a few attaboys along the way? He mostly just spilled hate across countless pages.

Like I said below, I fell in love with the man's TV persona. And I greatly enjoyed many of his non-autobiographical stories. But undergoing this deep dive into the person has been a journey into the horror of the man. Where as I naively assumed before that the TV persona was the real Ellison because it was so much more impactful than Ellison on the page, and so I assumed written Ellison to be schtick, it turns out the TV Ellison was the schtick, and the written Ellison was the genuine article.

I can only describe it like this. There is a horror film coming out called "Cannibals Rape, Murder and Consume College Coeds 3". You watch all the press junkets and the actors seem very charming and likable. You know when you see the film you'll see some shocking stuff, but you know it's not real. There are no actual cannibals eating anyone.

Then 2 months later Italian authorities arrest the cast and crew because they did in fact rape, murder and consume one of the extras when they were filming in Sicily. Do you still separate the artist from the art? I mean, it was the most amazing cannibal film you've ever seen.

Possibly the only defining feature of Ellison's entire body of work is the hate. It used to exist in a box with suspension of disbelief applied. They were just words on a page. Now I have a sneaking suspicion that more likely than not, the hate was the realest part of him he ever put out there, and it's just sad. Not fun and edgy anymore.

Yeah, that's pretty fair. I'd argue Ellison a few other bits going on (eg, themes of self-sacrifice, some of the hate including legitimate criticisms, a not-IFLS-style scienticism), but I've got of tolerance for well-aimed hate, and I can understand his public persona as a lot deeper a disappointment than Moore-style stuff.

Kevin Spacey did this to both American Beauty and House of Cards for a lot of people pretty closely. So great analogy.

I haven’t read Ellison so I can’t really say, but it has consistently been true that among many artists of all types, suffering, restrictions and angst leads to great art (or at least, the reverse is true, conditioning on great art). The real question is, how often does art in general present actual worldviews rather than merely challenge them, or throw out fascinating ideas that we then grapple with and fill in ourselves? Quite often! I think that’s partially the point, that new ideas, perspectives, and filters can be intoxicating and intriguing. And honestly I view sci-fi writing as more art than science or engineering or something, despite the reputation and being more “cerebral” (not a bad thing). As visionary as art can often present, I think most art is actually overwhelmingly reactionary on both a personal and societal level. It’s just how art is. Once you see it you can’t unsee it, and it shows up everywhere.

So in that sense I do wonder if you put more expectations on his art than any art merits. At the same time I deeply sympathize and more specifically you might not be wrong (again never read him)