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True, but the child[ish]-ness of that approach goes both ways; an audience that doesn't do that misses out on what the artwork had, but an artwork that isn't trying to hide what it has [beyond what is inherent/integral to the artwork] for [and this is subject to interpretation] "fuck you lololol" reasons.
And the "fuck you, domination over accommodation" thing they embody means they legitimately don't understand those characters. Hence their rush to overwrite the plain text with 'no, he can't just be a crossdresser with other motivations, he has to be trans' [even though this breaks the entire reason his character arc ends the way it does].
>Tells the MC to kiss her
>Accidentally pushes MC off the roof instead
>Promptly commits suicide
The funny thing about her characterization is, and unique to Hiruko due to her circumstances, that a good chunk of it is in the background and implications of certain events. I think she's the only character that does this across any of his works.
Why do you think so?
(I was legitimately shocked when I played that route because it's in large degree a match for this. Which is why I don't think it needed to be any longer; it showed V'ehxness was this way, and then ended.)
Because she's hot and I wanted more. Give her a 100 day route in the DLC, Kodaka.
(The dynamic is as you described in your linked post, but there's an entire genre of femdom / role reversal fiction that works like this, it's not at all limited to /ss/)
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