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Notes -
This is why the best ranking method is a simple thumb up/down (or upvote/downvote, or like/dislike). Then you report the ratio, which runs the whole gamut from 1% to 99%. YouTube used to do this before they decided that dislikes were problematic. FIMFiction still uses it.
(Admittedly, this system does have the issue of only working in aggregate; there is no way for a single reviewer to distinguish between something that is barely worth watching and the greatest story ever told.)
No, this is just the Rotten Tomatoes problem all over again. Up/down works fine but not stellar because a movie everyone universally finds to be on the good side of fine, gets near-100 ratings while movies with higher highs and lower lows, that are on the whole “better” movies, get lower ratings.
I rate movies about how far they are above or below replacement, reflecting the fact that that’s how most people actually decide what to watch. A 3.5 is fine: you can watch it, it will be a movie with average enjoyment. A 4 is better than its peers: prefer it in any head to head comparison. A 4.5 is one to go out of your way to watch. A 5 is a 4.5 but one that had an especially memorable impact on me personally. A 3 is worse than replacement - it’s a below average movie. And ratings from 2.5 and down are various degrees of how aggressively you should avoid them, with a 1 star creating a negative memory you’d rather have lived your life without, ie actively harmful.
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