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Culture War Roundup for the week of September 15, 2025

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The romanticization of biker gangs traveled far thanks to the interwoven cross-section of 1960s counterculture that helped popularize it. Groups of American ruffian drug traffickers on two-wheeled transport, sexual revolutionaries, and psychedelic entrepreneurs found commonality in their love of drugs and rebellion to the Man.

Even before the 60s, see the Marlon Brando movie The Wild One from 1953, based on a story allegedly based on a true incident. See the famous quote from the movie.

The film's screenplay was based on Frank Rooney's short story "Cyclists' Raid", published in the January 1951 Harper's Magazine and anthologized in The Best American Short Stories 1952. Rooney's story was inspired by sensationalistic media coverage of an American Motorcyclist Association motorcycle rally that got out of hand on the Fourth of July weekend in 1947 in Hollister, California. The overcrowding, drinking and street stunting were given national attention in the July 21, 1947, issue of Life, with a possibly staged photograph of a wild drunken man on a motorcycle. The events, conflated with the newspaper and magazine reports, Rooney's short story, and the film The Wild One are part of the legend of the Hollister riot.

So post-Second World War veterans returned home, more disposable income and better conditions in the 50s, a rise in interest in all kinds of communal activities, leading to a lot of guys getting interested in motorbikes as a hobby and club activity, along with a bunch of guys who would always be the type to be rule-breakers involved in motorbiking, and the tension between 'back to normie society and its rules after living in a different environment during wartime' and 'sliding into involvement with criminality' leading to, as you say, the romantic view of the guys living outside strict rules of conventional society in their own replacement culture as modern-day pioneers.