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Notes -
I HAVE TO IMAGINE that there aren't many recordings of actual Medieval music around to train the AI on.
Well, that's a problem, because there are some, but they are utterly drowned out by so-called "bardcore" or "neo-medieval" music that has very little to do with what actual medieval music sounded like other than that is has a thin veneer of what modern audiences think it sounded like. The funniest part is that, in addition to medieval, it's tagged as modal and Gregorian Chant, when it's neither of those things. We have a pretty good idea of what actual medieval music sounded like by virtue of it having been written down, and we know what the theory behind it was and what the performance practices were. Almost everything in that example is anachronistic. Actual medieval folk music would have been monophonic in texture (every voice and instrument is playing the same melody line; modern concepts of accompaniment didn't exist yet) and modal in harmony (tonality i.e. chords had yet to be invented). The prodromes of modern harmony were present beginning with organum around 1200 (where the vocal lines would occasionally sing different complementary notes), but that would have been Latin church music, not any king and queen larping. You'd get polyphony in the 14th century but again, it would take folk music a long time to catch up to what composers were writing for the church. It wasn't until the 16th century that what we would call modern harmony and performance practice was fully developed and widespread in Europe. Before then, music would have sounded more like this, especially in England, which was far away from the locus of culture at the time.
The fact that authentic music is all but drowned out by bastardized modern versions is only further proof of the limitations of AI training—garbage in; garbage out. What you posted has more in common with a Taylor Swift song than with actual medieval music.
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