Do you have a dumb question that you're kind of embarrassed to ask in the main thread? Is there something you're just not sure about?
This is your opportunity to ask questions. No question too simple or too silly.
Culture war topics are accepted, and proposals for a better intro post are appreciated.

Jump in the discussion.
No email address required.
Notes -
So, what are you reading?
Graeber and Wengrow's The Dawn of Everything has raised expectations, but it remains to be seen if it will fulfill them. So far they have tried to reconsider the Enlightenment in light of discussions missionaries had with the natives of the New World, on the assumption that the records of these discussions are sincere and not just European uses of "Indians" as characters to project their own subversive beliefs.
The topic of indigenous influence on what we call western culture has been on my radar ever since I read Felix Cohen's brilliant 1952 paper Americanizing the White Man. Normally I would consider these kinds of things to be proto-woke nonsense, but Cohen immediately struck me as a man of intelligence, dedication and nerve, so it has stayed with me. He posited that core American traits existed before the settlers ever came:
Cohen goes on to describe what he sees as native contributions in various domains including democracy, agriculture and sport. I have also found it amusing that he mentions " the golden tan of an Indian skin" given that arguably the most famous trait of Donald Trump is that he is orange.
I've been reading, and am most of the way through Fifty-Three Days on Starvation Island: The World War II Battle That Saved Marine Corps Aviation. It's decent I guess. I'd say it's kind of two types of book combined into one.
One type, and the type IMO it actually works at, is as a series of short stories about the air battles between the "Cactus Air Force" on Guadalcanal in WWII and the Imperial Japanese forces. This is in the early days of the war, when American forces were mostly few in number, poorly trained, poorly equipped, and going up against the the cream of the crop of experienced Japanese veterans. The forces end up fairly evenly matched overall, and the stories are exciting. The Americans sometimes take a beating and sometimes dish one out, depending on the details of how well equipped they are at the moment, what tactics the Japanese use that particular time, the weather, etc.
The other type is as a coherent overall story with characters that you care about and who have a narrative. I think it fails at that. There's just too many people, coming and going at random times. There's brief individual stories about some of them, but I don't feel like I remember any of them in particular, or understand them or really care about them in particular. Major issues get brought up as a huge problem, then just forgotten about.
Of course, I still respect their sacrifices and all that. I just don't think it works narratively. It does make me understand a bit more why so many more compelling but fictional war movies keep the focus excessively tightly on a small group that suffers relatively few casualties during the story, even if that isn't really that realistic.
More options
Context Copy link
More options
Context Copy link