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I think the problem with the sequel trilogy is that it ignores the basic rule of collaborative storytelling: never say No, say Yes And.
At core, all fantasy is cooperative storytelling between the author and the audience. Even the most encyclopedic fantasy worlds can never be fully fleshed out, the author always needs the audience to imagine the rest of the world as existing, and much of the joy comes from that kind of space for imagination. Boys love having that space for imagination to expand. Middle-Earth offers you vast vistas hinting at a world where the audience can imagine many other things happenings. 40k is the logical conclusion of this method: the whole galaxy is nothing but Yes And: yes there are Orcs and yes there are Elves and yes there are evil robots and yes there are terrifying psychic chaos demons and yes there is a giant bio-engineered fleet of bugs that are more dangerous than all the rest put together and yes there are vaguely anime inflected communist aliens and yes there are genetically perfect superhumans who can dual wield artillery.
Star Wars at first did the same in the OT and PT. ANH sets things in motion, and with each movie things just get bigger. The PT takes every idea in the OT and expands it.
The sequels are all No. They are No, not at all. Every question a viewer might have from prior movies is answered with "No, not really." No, the Republic wasn't refounded, not really, and it wasn't any good anyway. No, the Jedi order wasn't reformed, not for long, and it fell apart again instantly. No, the Empire wasn't defeated, not really. Even down to no, Han and Leia didn't stay in love.
The whole worldview of the movie is fundamentally negative and hopeless. It leaves no room for the viewer to imagine, and it leaves no room for collaborative storytelling to keep the universe growing.
So I guess I agree with you in concept, but I don't think it's any great feat. Anyone could have made garbage.
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