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PaperclipPerfector  3d ago (text post)   2648 thread views

Friday Fun Thread for January 16, 2026

Be advised: this thread is not for serious in-depth discussion of weighty topics (we have a link for that), this thread is not for anything Culture War related. This thread is for Fun. You got jokes? Share 'em. You got silly questions? Ask 'em.

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I recently asked ChatGPT what the most recent global children's literature phenomenon before Harry Potter was. Surely someone must've written something since the Narnia books. It confidently said Matilda and refused to budge even when I told him I had no fucking clue who Matilda was.

Anyway, this Friday I found myself on a long bus trip with only a phone to keep me company and I decided to see what it was all about. And, oh boy, was I not impressed. Is everything by Roald Dahl as bad as Matilda? I wouldn't read this trash to my child if you paid me. The last book I inadvertently read that was equally terrible was The Girl that Played with Fire by Stieg Larsson.

Roald Dahl is awesome and holds a deservedly esteemed place in the canon of British children's literature. I distinctly recall that one of the blurbs on my edition of Harry Potter and the Philosopher's Stone observed that "comparisons to Dahl are, for once, justified" — on this side of the pond, comparing a children's writer to Dahl is like comparing a model of car to a Rolls-Royce. I'd hazard a guess that just about every British or Irish Millennial (or older) would have at least a passing familiarity with a few of Dahl's works and their iconic illustrations by Quentin Blake: these books are a true generational monocultural touchstone. I heartily recommend The Twits (my first encounter with the concepts of body positivity and gaslighting — no really), James and the Giant Peach, Fantastic Mr. Fox, Danny, the Champion of the World, The BFG and The Witches. (And, yes, I do think Matilda is great, and marginally superior to its transplanted American film adaptation, which I think holds up remarkably well.)

Interestingly, in addition to his career as a children's novelist, he also wrote delightfully wicked and macabre short stories for adults, many of which were published in outlets like Playboy and/or adapted as episodes of Alfred Hitchcock Presents. One of these, "The Great Automatic Grammatizator", is alarmingly prescient in addition to being a cracking read.

I guess they just don't have enough penetration into the non-Anglo world, other than the chocolate factory one (and I would blame Gene Wilders and memes for that).

I'm genuinely surprised. Danny DeVito adapted Matilda for film, Henry Selick (of The Nightmare Before Christmas fame) adapted James and the Giant Peach, Wes Anderson directed multiple Dahl adaptations including Fantastic Mr. Fox, and no less than Steven Spielberg directed the most recent adaptation of The BFG. Just these four films made an inflation-adjusted 505 million dollars between them, and they're far from an exhaustive catalogue of all the various adaptations of Dahl's works. I appreciate that Dahl isn't as widely known in the states as in the UK and Ireland, but I assumed that the average Millennial or pre-Millennial American would be familiar with at least one of his non-Chocolate Factory works or its cinematic adaptation. The man was far from a one-hit-wonder.

I meant Anglo as in the core Anglosphere. You know, Five Eyes (and Ireland?).

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