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PaperclipPerfector  5d ago (text post)   24594 thread views

Culture War Roundup for the week of January 19, 2026

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the result will be something like a Matrix style dystopia where all of us are forced to watch adds as we move from one addictive pleasure to the next in a digital experience machine, whether we like it or not.

Ray Bradbury wrote this story back in 1953. When I read it as a teen in the 70s, it seemed so far-fetched as to be impossible. Now we're living in that world, or getting very near to it. The real horror is how easily everyone (except the murderer) has adapted to this world of constant stimuli and invasion:

“…Then, of course, the telephone's such a convenient thing; it just sits there and demands you call someone who doesn't want to be called. Friends were always calling, calling, calling me. Hell, I hadn't any time of my own. When it wasn't the telephone it was the television, the radio, the phonograph. When it wasn't the television or radio or the phonograph it was motion pictures at the corner theater, motion pictures projected, with commercials on low-lying cumulus clouds. It doesn't rain rain any more, it rains soapsuds. When it wasn't High-Fly Cloud advertisements, it was music by Mozzek in every restaurant; music and commercials on the busses I rode to work. When it wasn't music, it was interoffice communications, and my horror chamber of a radio wristwatch on which my friends and my wife phoned every five minutes. What is there about such 'conveniences' that makes them so temptingly convenient? The average man thinks, Here I am, time on my hands, and there on my wrist is a wrist telephone, so why not just buzz old Joe up, eh? 'Hello, hello!' I love my friends, my wife, humanity, very much, but when one minute my wife calls to say, 'Where are you now, dear?' and a friend calls and says, 'Got the best off-color joke to tell you. Seems there was a guy-' And a stranger calls and cries out, 'This is the Find-Fax Poll. What gum are you chewing at this very instant?' Well!"

…"Fine! Then I got the idea at noon of stomping my wrist radio on the sidewalk. A shrill voice was just yelling out of it at me, 'This is People's Poll Number Nine. What did you eat for lunch?' when I kicked the wrist radio!"

"Felt even better, eh?"

"It grew on me!" Brock rubbed his hands together. "Why didn't I start a solitary revolution, deliver man from certain 'conveniences'? 'Convenient for who?' I cried. Convenient for friends: 'Hey, Al, thought I'd call you from the locker room out here at Green Hills. Just made a sockdolager hole in one! A hole in one, Al! A beautiful day. Having a shot of whiskey now. Thought you'd want to know, Al!' Convenient for my office, so when I'm in the field with my radio car there's no moment when I'm not in touch. In touch! There's a slimy phrase. Touch, hell. Gripped! Pawed, rather. Mauled and massaged and pounded by FM voices. You can't leave your car without checking in: 'Have stopped to visit gas-station men's room.' 'Okay, Brock, step on it!' 'Brock, what took you so long?' 'Sorry, sir.' 'Watch it next time, Brock.' 'Yes, sir!' So, do you know what I did, Doctor? I bought a quart of French chocolate ice cream and spooned it into the car radio transmitter."

…"Then I got the idea of the portable diathermy machine. I rented one, took it on the bus going home that night. There sat all the tired commuters with their wrist radios, talking to their wives, saying, 'Now I'm at Forty-third, now I'm at Forty-fourth, here I am at Forty-ninth, now turning at Sixty-first.' One husband cursing, 'Well, get out of that bar, damn it, and get home and get dinner started, I'm at Seventieth!' And the transit-system radio playing 'Tales from the Vienna Woods,' a canary singing words about a first-rate wheat cereal. Then-I switched on my diathermy! Static! Interference! All wives cut off from husbands grousing about a hard day at the office. All husbands cut off from wives who had just seen their children break a window! The 'Vienna Woods' chopped down, the canary mangled. Silence! A terrible, unexpected silence. The bus inhabitants faced with having to converse with each other. Panic! Sheer, animal panic!"

..."It'll take time, of course. It was all so enchanting at first. The very idea of these things, the practical uses, was wonderful. They were almost toys, to be played with, but the people got too involved, went too far, and got wrapped up in a pattern of social behavior and couldn't get out, couldn't admit they were in, even. So they rationalized their nerves as something else. 'Our modern age,' they said. 'Conditions,' they said. 'Highstrung,' they said. But mark my words, the seed has been sown. I got world-wide coverage on TV, radio, films; there's an irony for you. That was five days ago. A billion people know about me. Check your financial columns. Any day now. Maybe today. Watch for a sudden spurt, a rise in sales for French chocolate ice cream!"

He pressed a code signal on a hidden button, the door opened, he stepped out, the door shut and locked. Alone, he moved in the offices and corridors. The first twenty yards of his walk were accompanied by "Tambourine Chinois." Then it was "Tzigane," Bach's Passacaglia and Fugue in something Minor, "Tiger Rag," "Love Is Like a Cigarette." He took his broken wrist radio from his pocket like a dead praying mantis. He turned in at his office. A bell sounded; a voice came out of the ceiling, "Doctor?"

"Just finished with Brock," said the psychiatrist.

"Diagnosis?"

"Seems completely disoriented, but convivial. Refuses to accept the simplest realities of his environment and work with them."

"Prognosis?"

"Indefinite. Left him enjoying a piece of invisible material."

Three phones rang. A duplicate wrist radio in his desk drawer buzzed like a wounded grasshopper. The intercom flashed a pink light and click-clicked. Three phones rang. The drawer buzzed. Music blew in through the open door. The psychiatrist, humming quietly, fitted the new wrist radio to his wrist, flipped the intercom, talked a moment, picked up one telephone, talked, picked up another telephone, talked, picked up the third telephone, talked, touched the wrist-radio button, talked calmly and quietly, his face cool and serene, in the middle of the music and the lights flashing, the phones ringing again, and his hands moving, and his wrist radio buzzing, and the intercoms talking, and voices speaking from the ceiling. And he went on quietly this way through the remainder of a cool, air-conditioned, and long afternoon; telephone, wrist radio, intercom, telephone, wrist radio, intercom, telephone, wrist radio, intercom, telephone, wrist radio, intercom, telephone, wrist radio, intercom, telephone, wrist radio . . .

It's also funny how he forecast the Internet of Things; for him, it was an example of the horrible interference in human life, for us, it's the Latest Modern Must-Have:

"Remember, I did a dance on my wrist radio? Well, that night I laid plans to murder my house."

"Are you sure that's how you want me to write it down?"

"That's semantically accurate. Kill it dead. It's one of those talking, singing, humming, weather-reporting, poetry-reading, novel-reciting, jingle-jangling, rockaby-crooning- when-you-go-to-bed houses. A house that screams opera to you in the shower and teaches you Spanish in your sleep. One of those blathering caves where all kinds of electronic Oracles make you feel a trifle larger than a thimble, with stoves that say, 'I'm apricot pie, and I'm done,' or 'I'm prime roast beef, so baste me!' and other nursery gibberish like that. With beds that rock you to sleep and shake you awake. A house that barely tolerates humans, I tell you. A front door that barks: 'You've mud on your feet, sir!' And an electronic vacuum hound that snuffles around after you from room to room, inhaling every fingernail or ash you drop. . . .

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