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Culture War Roundup for the week of February 16, 2026

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Certainly if I think about the way I've encountered some of this, there's, albeit usually in inchoate form, a desperate attraction to or craving for the feminine, and a sense that the masculine is ugly, violent, repulsive, brutish, or otherwise undesirable. The confused, sensitive young boy knows that he does not want to be his image of 'a man', which is probably a heavily jock- or pop-culture-inspired vision of a brute, and that he is attracted to things that are soft, gentle, and female-coded. But he cannot exist in a predominantly female space as a man, because he has come to see masculinity as, by its mere existence, a kind of violence or degradation upon that space. He wants the innocent and feminine, but sees himself as something that cannot coexist with that. He probably also has a Scott-like terror of engaging with women, of expressing male heterosexual desire, and so on. His picture of femininity and of women's lives is highly idealised - he's not actually hanging out with or spending much time with girls, and therefore does not know what they are really like. But he knows the glittering facade, and he wants it.

The result is a drive to purge himself of masculine traits, to expurgate the taint by any means possible, in the hope that through reinventing himself (possibly with chemical or surgical assistance, at the higher end), he can get himself out of this cursed category, and enter the idealised female one. This is how I interpret some of the drama you sometimes get around women's spaces, or businesses or services for women - there's a kind of trans woman who needs to constantly press into those spaces, for the sake of constant affirmation that, yes, he really has left masculinity behind entirely. The deeper you are into the process of transition or feminisation, the more important it is that every last sign of acceptance be validated, every last scrap of the male be rooted out and denied.

There's a lot of personal variation in this, but I do thus see, in my experience, a kind of performative misandry that you sometimes get in toxic trans spaces. (This is, it's fair to say, entirely AGP as a phenomenon.) It doesn't always present very strongly - sometimes just in the form of casual jokes about how male things are gross - but sometimes it does a lot more. I usually try to be charitable, on the basis that someone who has spent years and a great deal of effort trying to appear less male is not going to be a big fan of male-looking things, and it doesn't need to mean any actual malice towards men, but I've come to think there's a bit more to it than that. Masculinity is the problem, in this world.

To me one of the ways around this or out of this has to be via promoting a positive model of masculinity, but there are a few issues here. Firstly, it can't be just a dudebro model, so to speak. These boys already know they don't like that. There have to be ways to be strongly masculine and capable that are nonetheless in some way sensitive, courteous, intellectual, compassionate, and so on. Those are good traits and they need to take on appealingly masculine forms. Secondly, it has to be approved of by women. Female approval does matter. Now this probably isn't as hard as it actually sounds, because most real women do like men, but remember that the boys in this position don't have much contact with actual women; and also the media is a very unhelpful distorting factor here. But regardless, it must be something that women like.

Unfortunately, put like that it's obvious what the failure-state is - it's feminist messaging about 'good men', the kind that feels corporate and sanitised and frankly just wussy. It's that Gillette ad that everyone hated. So perhaps to this we should add a third requirement: it should be something that men themselves like. It has to appeal to men. If it feels like being lectured by an HR lady, it won't have any traction.

Recently I read an essay by Oliver Traldi about the portrayal of masculinity, and female sexual desire, in films, and in particular about the role of the 'monster'. It's fair to say that the monster, the compelling, sexually charismatic brute, is something that the sensitive boy flees from. I cannot blame him for that; I don't want to be the monster either. But there is nonetheless something in many women that thrills to imagine just a bit of the monster. Just a bit. Is reconciling those desires the problem? That the attractive, desirable man is supposed to combine two impossible things, firstly the polite, obliging, non-threateningly capable man who does everything a woman wants, and secondly, the powerful, dominating, or ravishing man, who makes the woman feel like the object of this compellingly rough desire? I'm a bit skeptical here because I think it might be rolling together the diverse desires of many women together into a single uber-woman, and then acting confused when they turn out to be contradictory, but even so, I am very struck by his conclusion:

A very different kind of film, Charlie Kaufman and Spike Jonze’s Adaptation, features the thought-provoking line: “You are what you love, not what loves you.” And why shouldn’t we think of men as characterized by the gentleness they seek, and women by the brutality they demand, rather than vice versa?

Maybe so. And if so, then I feel like what's going on with plenty of boys - certainly something that was going on with myself, though fortunately I never took the trans path (thank heavens I grew up before trans was a thing among teenagers!) - is that they struggle to find a way to unite their desire for the feminine with their identity as the masculine. Maybe they need a bit of what Eneasz Brodski talks about - liking and valuing the feminine, as the feminine, yet without seeking to become the feminine.

Maybe we need more honest-to-goodness complementarianism, that Robert-Jordan-esque understanding that the male and the female need each other, that they complete and enhance each other, and recognising and even loving that difference is the only way forward.

But maybe I'm just a cranky ageing Christian romantic. Who knows?