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Notes -
So, what are you reading?
I'm reattempting Burnham's The Machiavellians. Feeling a need to revisit the roots of neoconservative thought.
Finished The Tainted Cup. Good, prose quality fell off a little toward the end, resolution was reasonably clever. It's got WSFA syndrome, but only to the extent it's obvious why it was written that way, rather than suffering from being written that way.
Bell's And We Are Not Saved. I bought it a few years ago when having a discussion with ymeskhout, as a crux example of how a lot of things that Rufo gets accused of being dishonest about actually happened, but largely left it on the shelf. Was going to try a deep crunch into how this sort of work smuggles false or misleading claims by clown-nose-on and clown-nose-off between academic work and 'popular writing', but my notes aren't really coming together in any real readable narrative, even presuming anyone else would care enough about it. There's some value to seeing what tools of persuasion are being used, here, to distinguish the honest from the malicious or misleading, but I could have done that with Rufo's writing for free.
For fun, Eldridge and Deveau's Game Over, from this discussion. It's so heavily and clearly written for women -- weirdly, despite a front cover that looks like standard male gaze smut -- that it's not that sorta 'fun', but looking at how the prose and social interactions work is still enjoyable.
I'm not familiar with this term.
Washington Science Fiction Association. Along with the similarly-named World Science Fiction Society (WSFS) and Science Fiction/Fantasy Writers Association (SFWA, no I don't know why), they were kinda on the other side of the Sad Puppies on the whole Hugo Award wars from a decade ago. Some stories are written 'for' a specific space, and just as you don't give a dog-lover a Newbery Medal-winning story, a lot of people who found Gentleman Jole annoying won't like The Tainted Cup.
Each of the three has a certain flavor of story that really glues into their particular social environment - WSFA tends heavily toward a lot of vaguely neuroatypical mystery stories with box-checking social awareness checks - whether because the author likes that sorta thing themselves or because they were trying to cater to their awards or both. I'd expect more the former here, since WSFA's mostly a short story place and The Tainted Cup isn't, but it's one of those things that pulls you away from the world-building when you see the pattern.
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