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I'm interested into getting into some deep NPR level culture war.
No geopolitics, no woke-vs-not debates, no (not) Trusting The Science.
I want to talk about books.
Let me NPR whisperspeak overanunciate that: mmmmbbbboooOOOOkksszzzz
Is postmodern literature
To throw up some examples of what I mean;
I've never read Vonnegut, Heller, or DeLillo at all, but I know they are "canonical" in the postmodern genre.
I made it 100 pages through Gravity's Rainbow and was earnest convincing myself I was "getting it" before literally slamming the books shut and verbalizing "This is fucking unreadable."
Back in college, I did the thing and carried around the Big Blue copy of Infinite Jest so people could see I was reading it and I stuck pens in various places to show I was capital-R Reading it. I think I made it a little further than 100 pages, but I can't be sure because I can't remember a damn thing about it.
In my opinion, I think postmodernism pretends to be this ultra-layered "commentary" on a bunch of intersecting meta-themes. Something like socio-political philosophy but explained through dense plots and idiosyncratic characters.
But ... it isn't? Nothing actually holds together. The plot becomes a non-plot or endless branches of a single plot. The characters become weird disposable mouthpieces for the author talking to himself. The commentary, such as it is, gets so jumbled that you lose the point.
And so postemodernism reveals what it actually is; a heavily stylistic exercise, much like jazz, where unnecessary complexity is treated as "skill." Additionally, it's a pure signalling mechanism. People get to do that think when you bring up Infinite Jest or Gravity's Rainbow; "Dude, there's like SO MUCH in that book, right? Crazy, yeah, no, I loved it" Which isn't saying anything at all, but inviting you to be the one who makes a fool of himself by venturing something like, "I'm not sure I got it though" to which the other person gets to puff themselves up and retort with, "Hahaha, yeah, it's not for everyone! Definitely pretty dense, haha." With the snide implication being "But me and my big ole brain totally got it".
This is why I ask, first, "is it real?" The serpentine prose in postmodern literature seems to me to be a kind of forer statement; a reader can (literally) read anything into what's being written and arguments trying to pin down essential meaning are pointless because the point is there is no essential meaning.
I like books about ideas and can deal with density. But I think a novelist has the duty to respect his readers and put together a cohesive narrative. Blood Meridian is an Epic in the classic Homeric sense. You can re-read it 10 times and pick up new strands of thinking on the biggest of The Big Questions; life, death, judgement, heaven, hell.
And it's also a sick western. So you can read it at the level of "fuck yeah, they killed those comanches" and get a lot out of it. You do not need to (although you may want to) keep a notebook next to you while reading. You can just read and get a lot out of it.
Slaughterhouse-Five and Catch-22 are legit, although I can't say the same for every work of postmodern literature.
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