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I'm not sure about the specific criterion, but I broadly agree with this. A "woke" show (or film or game or etc.) isn't "woke" merely by having diversity or messaging that appeals to woke people. It's something that specifically reflects the woke mentality in contrast to the standard 90s-00s liberal "diversity is our strength" mentality. Which is that the world is a constant war between different oppressor/oppressed classes, and that TV shows are just another battleground where the messaging or representation has direct downstream effects that play out in literal people being killed or injured or otherwise going through unnecessary suffering. As such, the primary determinant of the quality of a TV show is its messaging, with trivial matters like likeable characters, character development, intriguing plot, clever writing, visually appealing cinematography, engaging pacing, satisfying character arcs, and the like, taking a very far back seat.
If a show just integrates concepts like diversity into its script in a way that's natural and meant to play into those traditional or outdated ways of making a show "good," then I don't think it's reasonable to consider the show "woke" in any way. It's just a standard liberal show.
90-00 liberalism might be a good analysis versus woke. That being said turning a prepper whose “clinging” to his guns into a closeted homo might make the “woke” bar. And some of you seem to be concluding if the art is done well and feels natural it then can by definition not be woke since woke can only be things we don’t like.
I'm not watching the show, so I can't make a meaningful judgment on this specific case, but that's possible, depending on the execution. Closeted homosexuals is something that's been explored in fiction long before wokeness, such as American Beauty (which ironically starred a famously homosexual man as the straight protagonist), and I don't see the concept of turning a stereotypically conservative prepper into a closeted gay man to be automatically woke. From the other comments here, it seems that, if anything, having this be the 3rd episode in a way that breaks up the pacing of the show might be the strongest case of it being woke.
Hard disagree. It's to differentiate "woke" from "standard liberalism." These are different - though related and somewhat similar - clusters of ideologies, and "woke" is "woke" by how it differentiates itself from "standard liberalism." If a show can't be distinguished from what a standard liberal would make in terms of integrating their political messaging into the work (ie in a natural way that is meant to enhance the work by those traditional standards of how shows get judged, rather than supersede them), then I don't think it makes sense to call it "woke."
For a I watched a show and I think this is interesting post there’s some good ideas going on.
It seems as though people want to separate pre 2020 media from post 2020 media. Things based on pre-2020 of which this is can still have real characters you connect to. The left liberal of the ‘90-2016 maybe a little longer can do art. And for conservatives can be someone we can get along with.
Theres an added issue from video game people that the creators went from left liberal in the first game and their follow up is harder woke. That would be interesting to set a 1 year or so timer on this post to compare.
It seems like there is general agreement that gay love story episode 3 is well done art and hits home for that human element of deeply caring about someone.
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