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Notes -
I gave it a very fair shake and was mostly disappointed. The prose leans purple, the protagonist is... okay, but "quirky" in a manner I do not find charming. He's painfully earnest, and the feral child being resocialized deal overstays its welcome. It's been long enough that I've forgotten much of my criticism, but I'd describe it as a mid novel at best.
That's a shame, because To The Far Shore is up there in terms of novels I've read on RR. Post-post-apocalyptic Oregon Trail, with radiation magic and fallen civilizations rediscovering muskets and the ruins of hyper-advanced civilizations that came before? You bet I enjoyed it.
Both are by the same guy, which is annoying. It means Warby can write. He just can't write this.
Consider the starts. Mazelton begins media res, he arrives at TTFS ready to fire: paranoid Ma assassin with an almost pathological lack of empathy, an inventory of opinions about everyone in the room, instincts honed by a clan that treated "eat carrion if you must" as parenting advice.
Tian arrives with nothing. The opening arc is the author manually installing a soul, one trauma-recovery beat at a time, and the prose is straining for emotional registers the protagonist can't yet supply. That's where the purple comes from. Lavender adjectives are what you reach for when your POV character is still booting up.
Xianxia compounds it. The genre wants a genuinely virtuous MC so cultivation breakthroughs feel earned, which makes "sweet boy from the trash heap" the obvious play. It is also rather played-out in the genre, and once Tian commits, his available range is roughly Pure to Slightly Less Pure. The supporting cast keeps trying to drag him somewhere more interesting. They were losing, when I gave up on it.
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