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Explorations in Identity and Media

ryandv.substack.com
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Conversely, what effect does the absence of adequately many representations of self have on our own self-image & identity? Without a reflection in the black mirror with which to see ourselves or be seen by others, do digital vampires even exist in a world where the Web has supplanted the real?

Sorry to be annoying, but could you just make your point plainly without pretentious metaphors? What do you mean by digital vampires? What is the black mirror? Do you just mean people without a social media presence? If that’s what you mean then why not say it? If that’s not what you mean, then perhaps my confusion is a predictable outcome of this writing style. Does this post say more than just a link to /r/instagramreality? It’s hard to tell if you don’t say it clearly

Most of his references are to landmark philosophers on media, i.e. Baudrillard and MacLuhan (they were both way ahead of their time, they lived in the era of TV but saw trends that would persist into the age of the net), which he does explicitly call out. Also, the title is a reference to one of Baudrillard's keystone works.

I will note aside that Simulacra and Simulation, of Matrix fame, is an absolute must-read if you're interested in social media/advertising/market of "signs".

The fourth stage is pure simulacrum, in which the simulacrum has no relationship to any reality whatsoever. Here, signs merely reflect other signs and any claim to reality on the part of images or signs is only of the order of other such claims. This is a regime of total equivalency, where cultural products need no longer even pretend to be real in a naïve sense, because the experiences of consumers' lives are so predominantly artificial that even claims to reality are expected to be phrased in artificial, "hyperreal" terms. Any naïve pretension to reality as such is perceived as bereft of critical self-awareness, and thus as oversentimental.

Sound familiar?