Be advised: this thread is not for serious in-depth discussion of weighty topics (we have a link for that), this thread is not for anything Culture War related. This thread is for Fun. You got jokes? Share 'em. You got silly questions? Ask 'em.
- 125
- 1
What is this place?
This website is a place for people who want to move past shady thinking and test their ideas in a
court of people who don't all share the same biases. Our goal is to
optimize for light, not heat; this is a group effort, and all commentators are asked to do their part.
The weekly Culture War threads host the most
controversial topics and are the most visible aspect of The Motte. However, many other topics are
appropriate here. We encourage people to post anything related to science, politics, or philosophy;
if in doubt, post!
Check out The Vault for an archive of old quality posts.
You are encouraged to crosspost these elsewhere.
Why are you called The Motte?
A motte is a stone keep on a raised earthwork common in early medieval fortifications. More pertinently,
it's an element in a rhetorical move called a "Motte-and-Bailey",
originally identified by
philosopher Nicholas Shackel. It describes the tendency in discourse for people to move from a controversial
but high value claim to a defensible but less exciting one upon any resistance to the former. He likens
this to the medieval fortification, where a desirable land (the bailey) is abandoned when in danger for
the more easily defended motte. In Shackel's words, "The Motte represents the defensible but undesired
propositions to which one retreats when hard pressed."
On The Motte, always attempt to remain inside your defensible territory, even if you are not being pressed.
New post guidelines
If you're posting something that isn't related to the culture war, we encourage you to post a thread for it.
A submission statement is highly appreciated, but isn't necessary for text posts or links to largely-text posts
such as blogs or news articles; if we're unsure of the value of your post, we might remove it until you add a
submission statement. A submission statement is required for non-text sources (videos, podcasts, images).
Culture war posts go in the culture war thread; all links must either include a submission statement or
significant commentary. Bare links without those will be removed.
If in doubt, please post it!
Rules
- Courtesy
- Content
- Engagement
- When disagreeing with someone, state your objections explicitly.
- Proactively provide evidence in proportion to how partisan and inflammatory your claim might be.
- Accept temporary bans as a time-out, and don't attempt to rejoin the conversation until it's lifted.
- Don't attempt to build consensus or enforce ideological conformity.
- Write like everyone is reading and you want them to be included in the discussion.
- The Wildcard Rule
- The Metarule

Jump in the discussion.
No email address required.
Notes -
I'm a big fan of Blade Runner (1982). I don't want to bother listing all its positives, but one of the things I like about it is, as far as I understand it, the movie ends ambiguously. Is Deckard a replicant or not? I was pissed when Blade Runner 2049 came out and removed all doubt: turns out he's a guy after all. Still a good movie though.
This ambiguity at the end was also something I liked about John Carpenter's The Thing (1982). I have a family member who works in Hollywood and somehow we got onto the subject of The Thing. She said she didn't like it because of the same ambiguity, but then as a matter of course in doing her job she got to spend time with John Carpenter and asked him to clarify the ending. Apparently he gets this question a lot.
Turns out he has no idea what the confusion is about.The last frame of The Thing is Kurt Russel and Keith David staring each other down, harshly backlit, and it's completely, glaringly obvious that Kurt Russel is breathing and Keith David is not.
I said it seemed to be a bit too subtle for a movie where a head grows spider legs and scuttles away. She said no, it's why Carpenter is a genius.
Recently watched with my sons. I remember reading somewhere on Reddit probably about the reveal that you mention in the spoiler tags, but really you can still make up your own mind.
In BR, Ridley Scott insists Deckard was a replicant, Ford says he wasn't, Villeneuve (director of 2049) says it's still ambiguous (which it is-- there is evidence both ways.) In the PKD story Deckard's character is definitely not a replicant.
Edit: My point being the director can vague himself into not being definitive.
Yes, Carpenter is a smart man who knows he doesn't need to go and make a new cut to answer the question because the work stands on its own, and the question is, ultimately irrelevant to the point of the movie so it needs no clarification.
More options
Context Copy link
More options
Context Copy link
More options
Context Copy link