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I've seen that adaptation, and I think it dropped central themes of the story. Xenia truly is central to that story, and I don't remember it being emphasized at all in the TV movie adaptation.
I think there are valid complaints you could make of how hamfistedly Nolan crammed "Zeus's law"/xenia into the narrative, but his choice to try and include it at least makes it feel more like the original epic in some ways.
(I say that even if I also think Nolan removed a lot of opportunities to emphasize the importance of xenia in the story, like Polyphemus saying his xenia was to eat Odysseus last, or Nausicaa and the Phaeacians finally showing how civilized folk treat Odysseus with hospitality, which also works as a good reminder of what sacred laws the suitors are violating right before the final arc of the epic.)
I will say that I would have liked Odysseus' cunning and trickster tendencies to shine through more. I couldn't really see Matt Damon's Odysseus attempting to lie to Athena-in-disguise, much to the latter's delight.
The nature of storytelling is that new retellings emphasize different things than the original.
Almost no Westerner retelling the Prodigal Son story ever mentions the famine that happens in the middle of the story. The Song of Hiawatha emphasizes different things than the original Indian version of the story. Sir Orpheo gives the Orpheus myth a happy ending.
Hollywood didn't invent changing stories.
Surely not -- but at some point it feels like they started doing it themselves -- "The Maltese Falcon" is pretty interchangeable with the book; Cecil B. Demille mostly played it straight in his Biblical epics.
Not sure when this changed -- various mass-market James Clavell/Tom Clancy adaptations into the 90s seemed pretty true to the books, although I'm sure there are counter-examples from this period?
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