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Culture War Roundup for the week of February 27, 2023

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No Chinese-Americans are not just high IQ whites

1] From the moment of birth, Chinese-American infants show extreme acceptance to conditions that horrify European ones.

-Cover a European 40 hour old infants nose, either directly or by lying them face flat on the bed; and they'll struggle to uncover it. Chinese infants will breath through their mouth, otherwise remaining entirely motionless. Where European infants will become more aggressively distressed the longer you do this to them, Chinese infants will remain calm.

Study by Dan Freeman and his Chinese-American wife in Nature:

https://sci-hub.ru/10.1038/2241227a0

2] Dramatic differences remain at four months:

REACTIVITY BATTERY RESPONSES: Exposed to a battery of tests designed to elicit reactions; moving, crying, fretting, vocalizing and smiling; Chinese infants are undeniably different.

For example, the most mobile Chinese infants are less than a third as mobile as the most mobile American ones and half as mobile as the Irish sample. In each area except for smilling, American and Irish reactivity can be expressed as multiples of the Chinese ones; with a degree of difference that would be shocking in a gender study! This is even after 32% of the Boston sample, but none of the Chinese sample, was excluded due to infant non-cooperation.

See the chart on page three. It's really, really dispositive.

https://sci-hub.ru/10.1037/0012-1649.30.3.342

CRYING IN RESPONSE TO INNOCULATION: Other studies involve observing differences in rates of crying upon childhood innoculations, and compare American infants to Japanese ones. Here, you get shocking differences like, 4 out of 26 Japanese infants crying in response to a shot where every single American infant did so. This, at least partially results from considerable differences in levels of cortisol production, both prior to and immediately after innoculation.

https://sci-hub.ru/10.2307/1131465

General Note: I tried to find East Asian American studies for the four month behaviour section, but couldn't. Readers of the papers will find that they appear to be well controlled as these things can be, with the Chinese sample being from the infants of students at China's top university.

3] Dramatic differences obviously remain in adulthood:

3.1 THE BAMBOO CEILING: There is asian overrepresentation in every field involving intelligence and a bamboo ceiling in every subfield requiring a personality. To give one example from reuters:

"Asian Americans comprise 13% of associates at major law firms, but just 4% of equity partners — the lowest ratio among minority groups, the report notes. Only one of the current 93 Senate-confirmed U.S. Attorneys is Asian American, and their representation among law clerks has been stagnant for the past 25 years."

The difference between associates, and partners/US Attorneys is of course, that the latter might occasionally try a case or engage in unmediated interactions with people who are not like them and need to build up a rappor.

3.2 MASKS PEOPLE, MASKS! Explain to me why, until perhaps the last two months, your average East-Asian American was more likely to be masked than blue-anon types. Isn't the parsimonious answer simply that infants who won't fight to uncover their nose, become adults that are indifferent to showing their face?

Do we realy have to litigate this one?

3.3 MUSIC: Asian parents sure as hell get their kids to play piano, and early, often similarly strict musical upbringings are common among music stars generally. Where then, are the distinguished East Asian-American popular musicians?

3.4 NOVELS: Where are the great East Asian-American novelists?

@sword-of-empire: I can be reached at lepidusian@protonmail.com

  • -25

i guess clarification is needed given "-american." i thought it was apparent. OP is talking genetics, HBD. "-american" is in this context meaningless, it is only present to avoid the obvious absurdity of wondering why 1.5 billion east asians aren't producing great english novels. but it is even more absurd to use this framing as the gotcha for "where are their great novels--they aren't particularly creative--they aren't particularly intelligent" when east asian storytelling in the west has success ranging from merely incredible in video games to total domination of the market in comics and animation.


3.4 NOVELS: Where are the great East Asian-American novelists?

yukio mishima

yasunari kawabata

kazuo ishiguro

haruki murakami

that's poetry and prose. beyond that, japanese creatives apropos manga and anime are the most successful and among the most interesting storytellers in the world. i consider pure prose as incomparably above illustrated stories, so the great mangaka do not compare with the great authors of the last 150 years, but below the likes of hemingway, mccarthy, faulkner, rushdie, coetzee, updike and of course mishima/kawabata/ishiguro/murakami, and above almost all other living english language authors, are katsuhiro otomo, akira toriyama, hiromu arakawa, masamune shirow, kentaro miura, and also sunrise/"hajime yatate".

3.3 MUSIC

ref. above. when adapted, many of those iconic japanese series have iconic scores by japanese composers.

one of the greatest living producers is the filipino chad hugo. the biggest japanese artist in pop right now might be rina sawayama, i don't know, i don't listen to much. steve aoki is successful, mike shinoda extremely so. the popular lofi owes much to the various -waves, especially vaporwave, which itself pulls heavily on work like tatsuro yamashita/japanese citypop. but these aren't straight causal lines, music is collaborative, between partners like hugo and williams and between generations like yamashita to macintosh plus, and that's ignoring everything else vektroid worked off. i'd sooner criticize pop anyway for lagging behind, all the brilliant producers work in hip hop and electronic. what's popular on the radio today uses techniques kanye worked out 20 years ago.

great artists often have troubled childhoods where their creative expressions go from psychological escape to literal escape. i think this is why the US black community produces so many singers and musicians, and this could explain why the asian community of the US, half as a whole (which it certainly is not) as large as the black community and far more economically successful, seemingly produces fewer great musicians. forcing a kid to play piano or violin for 13 years isn't going to turn them into a superstar, they have it or they don't, they'll be exposed and fall in love or they won't. how many white kids play instruments in school but never do anything beyond orchestra or band?

and again to close . . .

Where are the great East Asian-American novelists?

many, varied, and incredibly easy to find. the concluding point of your short essay was to discredit yourself with profound cultural illiteracy. you should consider this an opportunity to reexamine how you think about the world, as you are wrong.

Ishiguro is British, not American.

OP argues from genetics, legal nationality is immaterial. pointing out the immense success of east asian creatives answers the substance of his essay.