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Culture War Roundup for the week of April 24, 2023

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The decline of the Literary Bloke: "In featuring just four men, Granta’s Best of Young British Novelists confirms what we already knew: the literary male has become terminally uncool."

Just some scattered thoughts.

The Great Literary Man is no longer the role model he once was. The seemingly eternal trajectory outlined by Woolf has been broken. The statistics are drearily familiar. Fewer men read literary novels and fewer men write them. Men are increasingly absent from prize shortlists and publishers’ fiction catalogues. Today’s release of Granta’s 20 best young British novelists – a once-a-decade snapshot of literary talent – bottles the trend. Four of the 20 on the list are men. That’s the lowest in the list’s 40-year history. In its first year, 1983, the Granta list featured only six women.

It has to be pointed out that any such "great upcoming young novelists" list must be comprised of mostly women, out of necessity. Otherwise the organizers of the list would be painted as sexist and privileged and out of touch and it would probably jeopardize their careers. You don't even need to reach for the more subtle types of criticisms that revisionists make of the traditional canon: "yeah, I know like you feel you were just judging works solely on literary merit, and you just so happened to collect a list of 100 deserving authors where 99 of them are men, but actually you were being driven by subconscious patriarchal bias and you need to escape from your historically ossified perspective and so on and so forth". What's going on now in the publishing industry is far more overt: "it's time to hand the reins over to women, period". In such a cultural context, how could a list of the "20 best young British novelists" be taken as unbiased evidence of anything?

The irrelevance of male literary fiction has something to do with “cool”. A few years ago Megan Nolan noted – with as much accuracy as Woolf on these men in Mrs Dalloway – that it might be “inherently less cool” to be a male novelist these days. Male writers, she continued, were missing a “cool, sexy, gunslinger” movement to look up to. All correct.

It's true that literary fiction is not as cool as it once was, although this in itself is not a great moral catastrophe. It's part of the natural cycle of things. The "cool" things now are happening in TV, film, video games, and comic books. When was the last time a literary fiction author of either gender captured the imaginations of millions of people the way Hajime Isayama did? The literary novel is not eternal (many will argue that historically speaking, it's a relatively recent invention) and it is not inherently superior to other narrative art forms.

The decline of male literary fiction is not down to a feminist conspiracy in publishing houses

Correct, it's not a conspiracy, but only because there is nothing conspiratorial about it. If you were to ask any big (or small!) publishing house if they gave priority to voices from traditionally marginalized groups, they would say yes. If you were to then ask them if women are a traditionally marginalized group, they would say yes.

...

It's not a conspiracy if they just tell you what they're doing!

The most understanding account of male literary ambition was written by a woman.

There's been a meme for some time that goes something like, "men don't understand women, but women understand men - maybe even better than men do themselves", which I find to be quite obnoxious. If there is any "misunderstanding", then it surely goes both ways. There are plenty of things in the male experience that have no natural analogue in the female experience, same as the reverse.

Women purchase a lot more fiction than men, a trend that goes back at least to the early 90s and precedes the dominance of female authors in the market. The share of female authors in general ticked sharply upwards starting in the 70s but only cracked 50% in the last couple of years. Why this is I'm not sure. When I was in high school a couple of years ago all the girls read for fun but few boys did. Men tend to read non-fiction a lot more than fiction but even there I think women read a bit more.

There is literary fiction whose readership is heavily tilted toward men. Think Pynchon, DFW, etc. Heavy, pretentious, ponderous tomes whose reading indicates some kind of status achievement. I think with less certainty that some literary journals (namely n+1) are also more heavily subscribed to by men.

Those have fallen out of fashion, though, to the point where it's a meme that having Infinite Jest on your bookshelf is a literary red flag for potential dates.