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I don't have any data for this, but my understanding as a kid in the 1980s was that during the print media age, critics were misaligned with the 18-30 demographic but skewed older. Critics were often dismissive of youth-oriented programming and favored adult-aimed material that many young people considered stiff and dull. I'm not in-tune with gaming journalism, but followed movie criticism closely as a teenager. I was the weird kid who loved both the movies aimed at me but also wanted to see Akira Kurosawa's Ran, because the critics praised it, and watched anything rated 4-stars in the weekly TV section of the newspaper. This meant watching new movies like Ghandi and Out of Africa, and old movies like Ben-Hur, etc. These were "old people" movies. The popular movies might have been skewing younger but the critics were lagging.
With the death of newspapers and rise of digital journalism, I think that critics have either gotten younger or are consciously aiming at that younger readership who look for movie talk on Twitter but never would've read a newspaper had they been the same age in the 1980s.
Maybe this is where you find yourself misaligned: as younger person, you had a taste for the more mature media favored by old critics, and as you've gotten older, the critics have become less mature.
This really rings true to me. I had a broadly similar taste profile as a teen, enjoying weird and esoteric but critically acclaimed stuff regardless of recency (example: I took my ever proper date to watch Atanarjuat: The Fast Runner, a 2.5 hour film spoken entirely in Inuktitut, just because I heard it had good reviews from critics. I don't even live in Canada). Similarly with music.
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